THE ROLLING STONES - THEIR SATANIC MAJESTIES REQUEST - LP - NP-2 - 1967 3D
$
25
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Description
THE ROLLING STONES ?– THEIR SATANIC MAJESTIES REQUEST – HOLOGRAPHIC 1967 - GATEFOLD LP - MONO NP-2
Used – Both sides of record have minor scratches with no effect on sound or playability. Jacket has very little shelf wear with minor scratches and no ring wear. Small hole at front lower left of jacket along with seam split at upper left of back of jacket. Missing inner sleeve and shrink wrap. Overall, this lp is in great condition and sounds like new.
Label: London Records ?– NP-2
Format: Vinyl, LP, Album, Mono, Lenticular / gatefold sleeve
Country: US
Released: 1967
Genre: Rock
Style: Psychedelic Rock
Holographic band photo on front
Tracklist
A1 Sing This All Together
A2 Citadel
A3 In Another Land
Vocals, Written-By – Bill Wyman
A4 2000 Man
A5 Sing This All Together (See What Happens)
B1 She's A Rainbow
Strings – J.P. Jones*
B2 The Lantern
B3 Gomper
B4 2000 Light Years From Home
B5 On With The Show
Credits
Artwork [Back Cover Illustration] – Tony Meeviwiffen*
Artwork [Cover Photo Built By] – Artchie, Michael Cooper (8), The Rolling Stones
Engineer – Glyn Johns
Photography By, Artwork – Michael Cooper (8)
Piano – Nicky Hopkins
Producer, Arranged By – The Rolling Stones
Vocals – Keith Richards (tracks: A1, A2, A4 to B5), Mick Jagger (tracks: A1, A2, A4 to B5)
Written-By – Jagger & Richard* (tracks: A1, A2, A4 to B5)
Notes
• Lenticular picture glued on the front of the gatefold jacket. Red/white-colored inner sleeve.
• Label Variant - bright red labels with reflective silver lettering.
• Side indicators are "front side" and "back side"
• Track listings are center aligned on labels.
Barcode and Other Identifiers
Matrix / Runout (Front side label): (ARL 8126)
Matrix / Runout (Back side label): (ARL 8127)
Without a doubt, no Rolling Stones album -- and, indeed, very few rock albums from any era -- split critical opinion as much as the Rolling Stones' psychedelic outing. Many dismiss the record as sub-Sgt. Pepper posturing; others confess, if only in private, to a fascination with the album's inventive arrangements, which incorporated some African rhythms, Mellotrons, and full orchestration. What's clear is that never before or after did the Stones take so many chances in the studio. (Some critics and fans feel that the record has been unfairly undervalued, partly because purists expect the Stones to constantly champion a blues 'n' raunch worldview.) About half the material is very strong, particularly the glorious "She's a Rainbow," with its beautiful harmonies, piano, and strings; the riff-driven "Citadel"; the hazy, dream-like "In Another Land," Bill Wyman's debut writing (and singing) credit on a Stones release; and the majestically dark and doomy cosmic rocker "2000 Light Years from Home," with some of the creepiest synthesizer effects (devised by Brian Jones) ever to grace a rock record. The downfall of the album was caused by some weak songwriting on the lesser tracks, particularly the interminable psychedelic jam "Sing This All Together (See What Happens)." It's a much better record than most people give it credit for being, though, with a strong current of creeping uneasiness that undercuts the gaudy psychedelic flourishes. In 1968, the Stones would go back to the basics, and never wander down these paths again, making this all the more of a fascinating anomaly in the group's discography.
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