THE ROLLING STONES-AFTERMATH-UNBOXED DECCA MONO LK.4786 1B/1A 1966
£
37
$
49
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Description
THE ROLLING STONES-AFTERMATH TYPE SINGLE LP-MONO LABEL/PRESSING INFO DECCA 1ST PRESS WITH RED GROOVED LABELS AND UNBOXED LOGOS AND MATRIX NUMBERS:XARL-7209-1B & XARL-7210-1A CATALOGUE NUMBER LK.4786 YEAR OF RELEASE 1965 COUNTRY OF RELEASE U.K. SLEEVE TYPE SINGLE-ROBERT STACE LAMINATED FRONT-NO SHADOWS INSERTS/EXTRAS ORIGINAL LINED INNER GRADING/CONDITION DISC(s) EXCELLENT+ (CLEAN with just LIGHT playwear and a few LIGHT handling surface marks which have no effect on the reproductive quality,and it plays well with that great mid 60's DECCA MONO reproduction LABELS
EXCELLENT ( CLEAN and UNMARKED with NO writing stickers or removal marks and moderate spindleusage)
SLEEVEFront board EX+ LOVELY AND CLEAN and unmarked with no writing stickers rips tears or scuffing-the laminate is clean and shiny with no ringwear and just the lightest pressure mark and minimal creasing Rear board EX+ NICE AND CLEAN with VERY LIGHT ageing and VERY LIGHT user handling marks,does have a small ink initial upper top left Flipbacks N/A N/A Spine EX+ REALLY nice well preserved spine with no laminate cracking or peeling and nice clear black on white lettering bottom & top edge EX+ BOTH the top and bottom edges have only MINIMAL wear Opening EX+ opening hasVERY LIGHT wear and usage Corners EX ALL 4 corners have just the LIGHTEST of wear INNER /EXTRAS EXCELLENT (CLEAN with no rips or tears or seam splits and some creasing where the record has sat in the sleeve) DETAILS
The Rolling Stones finally delivered a set of all-original material with this LP, which also did much to define the group as the bad boys of rock & roll with their sneering attitude toward the world in general and the female sex in particular. The borderline misogyny could get a bit juvenile in tunes like "Stupid Girl." But on the other hand the group began incorporating the influences of psychedelia and Dylan into their material with classics like "Paint It Black," an eerily insistent number one hit graced by some of the best use of sitar (played by Brian Jones) on a rock record. Other classics included the jazzy "Under My Thumb," where Jones added exotic accents with his vibes, and the delicate Elizabethan ballad "Lady Jane," where dulcimer can be heard. Some of the material is fairly ho-hum, to be honest, as Mick Jagger and Keith Richards were still prone to inconsistent songwriting; "Goin' Home," an 11-minute blues jam, was remarkable more for its barrier-crashing length than its content. Look out for an obscure gem, however, in the brooding, meditative "I Am Waiting."
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