THE ROLLING STONES-THEIR SATANIC MAJESTIES REQUEST-BOXED DECCA STEREO-TOP EX+
£
18
$
24
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Description
THE ROLLING STONES-THEIR SATANIC MAJESTIES REQUEST TYPE SINGLE LP-STEREO LABEL/PRESSING INFO
DECCA BLUE LABEL WITH BOXED LOGOS
CATALOGUE NUMBER TXS 103 YEAR OF RELEASE 1967 COUNTRY OF RELEASE U.K. SLEEVE TYPE GATEFOLD-Robert Stace WITH LAMINATED BOARDS AND DECCA MONO/STEREO IDENTIHOLE ON REAR BOARD INSERTS/EXTRAS ORIGINAL DECCA BLUE SQAURE STEREO LINED INNER GRADING/CONDITION DISC(s)TOP EXCELLENT+ (NICE AND CLEAN with MINIMAL playwear and VERY LIGHT surface handling marks,plays great throughut)
LABELSEXCELLENT+ (CLEAN LABELS with NO writing rips tears stickers or removal marks,and MINIMAL spindleusage)
SLEEVEFront board and Inner Gatefold EX+
NICE clean sleeve with NO writing rips or tears stickers or removal marks.The front laminate is very clean bright and shiny with minimal rubbing wear and very light creasing.INNER GATEFOLD: is clean and unmarked with minimal wear and usage
Rear board EX+ MUCH as the front if not better with minimal creasing and NO ringmarking save for an ultralight pressure mark top and bottom. Flipbacks N/A N/A Spine EX+ NICE clean uncrushed spine with nice clear lettering and a couple of light laminate cracks Edges EX+ TOP and bottom edges have minimal wear with no rubbing wear or laminate loss Opening EX+ The opening has VERY LIGHT wear and MINIMAL usage Corners EX+ ALL corner have very light wear only INNER /EXTRASINNER SLEEVE: EXCELLENT (CLEAN with no rips tears edge splits or repairs.Inner bag is firmly attached to body of sleeve and very light overall wear and a small shop stock number written in one corner)
DETAILSWithout a doubt, no Rolling Stones album -- and, indeed, very few rock albums from any era -- split critical opinion as much as the Rolling Stones' psychedelic outing.
Many dismiss the record as sub-Sgt. Pepper posturing; others confess, if only in private, to a fascination with the album's inventive arrangements, which incorporated some African rhythms, Mellotrons, and full orchestration. Never before or since did the Stones take so many chances in the studio.
About half the material is very strong, particularly the glorious "She's a Rainbow," with its beautiful harmonies, piano, and strings; the riff-driven "Citadel"; the hazy, dream-like "In Another Land," Bill Wyman's debut writing (and singing) credit on a Stones release; and the majestically dark and doomy cosmic rocker "2000 Light Years From Home," with some of the creepiest synthesizer effects (devised by Brian Jones) ever to grace a rock record.
The downfall of the album was caused by some weak songwriting on the lesser tracks, particularly the interminable psychedelic jam "Sing This All Together (See What Happens)." It's a much better record than most people give it credit for being, though, with a strong current of creeping uneasiness that undercuts the gaudy psychedelic flourishes.
In 1968, the Stones would go back to the basics, and never wander down these paths again, making this all the more of a fascinating anomaly in the group's discography.
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