THE RUTS 2 x LP & 2 x 7" - "GRIN & BEAR IT,THE CRACK,JAH WAR, BABYLON'S BURNING"
  £   26
  $   34

 


£ 26 Sold For
Apr 22, 2018 Sold Date
Apr 15, 2018 Start Date
£   5 Start price
12   Number Of Bids
  Great Britain Country Of Seller
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Description

ARTIST - THE RUTS

The Ruts / Ruts DC are an English reggae-influenced punk rock band, notable for the 1979 UK Top 10 hit "Babylon's Burning", and an earlier single "In a Rut", which was not a hit but was highly regarded and regularly played by BBC Radio 1 disc jockey John Peel.

2 x LP & 2 x 7" -  

1 ) TITLE - " GRIN & BEAR IT "

RECORD LABEL - VIRGIN

RECORD No. - V2188

YEAR - 1980

VINYL - EX

SLEEVE - EX

TRACK LISTING.......

A1 West One (Shine On Me) Engineer – Paul BassEngineer [Mixing, Overdubs], Mixed By [Version] – John BrandMixed By [Version], Producer – Ruts*Saxophone – Gary BarnacleTechnician [Opted Tapes By] – Phil (Woops, There Goes The Master) Vinyl* 5:39 A2 Staring At The Rude Boys Engineer – John BrandEngineer, Producer – Mick GlossopTechnician [Tape Op] – 'Chappie' Chambers* 3:10 A3 Demolition Dancing Engineer – Dave DadeProducer – Tony Wilson 2:34 A4 Secret Soldier Engineer – Dave DadeProducer – Tony Wilson 2:16 A5 H-Eyes Engineer – Stuart Johnson (2)Producer – Ruts* 2:47 B1 In A Rut Engineer – Stuart Johnson (2)Producer – Ruts* 3:39 B2 Love In Vain Brass – Bill Barnacle's HornsEngineer – John BrandEngineer, Producer – Mick GlossopSaxophone [Sax], Other [Quips] – Gary BarnacleTechnician [Tape Op] – 'Chappie' Chambers*Trumpet, Other [Drinks, Quips] – Bill Barnacle 4:08 B3 S.U.S. Engineer – Michel (But We Can't Remember His Other Name)Mixed By [Bosun O' The Mix] – Andy Dayman 3:20 B4 Babylon's Burning Engineer – Michel (But We Can't Remember His Other Name)Mixed By [Bosun O' The Mix] – Andy Dayman 2:18 B5 Society Engineer – Michel (But We Can't Remember His Other Name)Mixed By [Bosun O' The Mix] – Andy Dayman 1:42

Companies, etc.

  • Mastered At – The Town House
  • Produced At – The Town House
  • Engineered At – The Town House
  • Produced At – Air Studios
  • Engineered At – Air Studios
  • Produced At – Maida Vale Studios
  • Engineered At – Maida Vale Studios
  • Overdubbed At – The Town House
  • Mixed At – The Town House
  • Recorded At – Fair Deal Recording Studios

Credits

  • Compiled By, Edited By – John Brand, The Ruts
  • Other [Credits Meticulously Typed By (in Working Hours)] – Julie
  • Painting [Front Cover Painting] – Oliver Howard
  • Written-By – Ruffy*, Jennings*, Owen*, Fox*, Mannah* (tracks: B3)

Notes

Some copies issued with Ruts logo "V2132 3.99 DON'T PAY MORE" hype sticker.


Track A3 'Demolition Dancing' recorded on 11th February 1980. Released by arrangement with BBC Records Ltd. ? BBC 1980

Mastered at The Townhouse.

Track B3 'S.U.S.' recorded live.
Track B4 'Babylon's Burning' recorded live.
Track B5 'Society' recorded live.

From the back cover:
A FEW HANDY THINGS TO KNOW ABOUT THIS ALBUM
In A Rut/H-Eyes...
Our first single recorded at Fairdeal 8-track studio in Hayes May '78. Originally to be released as an e.p. with a considerably slower version of Society on it til now on Misty's own label People Unite.
Staring At The Rude Boys/Love In Vain....
We included Love In Vain on this record because nobody listened to it as the B-side of Staring At The Rude Boys and in case you didn't hear the A-side....
Produced and engineered (for Dukeslodge Enterprises) at Air and Townhouse Studios February '80. Brass added later.
Demolition Dancing/Secret Soldiers....
Taken from the last John Peel session we did aound February '80. (Thanks to John and the BBC).
Produced, engineered on 8-track at Maida Vale Studios. This was the only occasion Secret Soldiers was recorded.
West One (Shine On Me)......
The backing track was recorded in a 16-track in Shepherds Bush, but we don't talk about it. The engineer was OK tho'.
Overdubs and mixing engineered at the Townhouse.
SUS/Babylon's Burning/Society....
Recorded live, CHORUS late 1979. Mixed live onto 2-track, so no overdubs whatsoever.

Titles S.U.S. and Secret Soldier used on the record's labels, but SUS and Secret Soldiers used on the back cover.
Actual Catalog#: V2188

Barcode and Other Identifiers

  • Matrix / Runout (Side A): V2188 A1 THINK ONCE, THINK TWICE, THINK PUB! TOWNHOUSE
  • Matrix / Runout (Side B): V2188 B4

2 ) TITLE - " THE CRACK "

RECORD LABEL - VIRGIN

RECORD No. - V2132

YEAR - 1979

VINYL - EX

SLEEVE - EX

TRACK LISTING.......

A1 Babylon's Burning 2:34 A2 Dope For Guns 2:11 A3 S.U.S. Backing Vocals – Mannah* 3:48 A4 Something That I Said 3:52 A5 You're Just A... 2:54 A6 It Was Cold Synthesizer [Special Synthesizer Effects] – Mick Glossop 6:49 B1 Savage Circle 3:05 B2 Jah War Backing Vocals – Bertie (5), Pocky, Rocky (10)Organ [Occasional Organ] – Paul Fox (7)Piano [Skanking Steinway] – Segs 6:54 B3 Criminal Mind Backing Vocals – Mannah* 1:35 B4 Back Biter 3:02 B5 Out Of Order 1:58 B6 Human Punk 4:26

Companies, etc.

  • Recorded At – The Town House
  • Recorded At – Marquee Club
  • Mastered At – Strawberry Mastering
  • Pressed By – CBS Pressing Plant, Aston Clinton
  • Phonographic Copyright (p) – Virgin Records Ltd.
  • Published By – Virgin Music (Publishers) Ltd.

Credits

  • Bass Guitar, Backing Vocals – Segs
  • Cover [Cover Concept] – The Ruts
  • Design – Hothouse (2)
  • Drums, Backing Vocals, Percussion – Dave Ruffy*
  • Engineer [Assistant] – George Chambers, Steve Prestage, Tony George
  • Guitar, Backing Vocals – Paul Fox (7)
  • Mixed By, Engineer – Mick Glossop
  • Painting [Front Cover Painting] – John Howard (11)
  • Producer, Arranged By – Mick Glossop, The Ruts
  • Saxophone – Garry Barnacle*
  • Tape Op – George (Chappie) Chambers*
  • Trumpet – Luke Tunney
  • Vocals – Malcolm Owen
  • Written-By – Ruffy*, Jennings*, Owen*, Fox*, Mannah* (tracks: A3)

Notes

Recorded at The Town House, except "Human Punk" recorded live at The Marquee, 19th July 1979.
This version mastered at Strawberry Mastering (there is a similar version mastered at The Town House).

Published by Virgin Music (Publishers) Ltd
? 1979 Virgin Records Ltd

Side A, white label with Ruts in black over red triangle.
Side B, black label with Ruts in white over red triangle.

Incidental info: the front cover of the LP shows caricatures of many well known personalities from the 1970s. The 4 Ruts sit on a lounge in the centre of the painting - other identifiable characters include Jimmy Pursey (at 4 o'clock), astronomer Patrick Moore (at 8 o'clock), John Peel (with a girl on his lap, at 9 o'clock), Peter Cook & Dudley Moore (at 11 o'clock), Keith Richards (at 1 o'clock), Rat Scabies and Captain Sensible (at 2 o'clock) and Jimi Hendrix (at 3 o'clock).

Barcode and Other Identifiers

  • Matrix / Runout (Side A, etched - variant 1): V-2132-A6 (STRAWBERRY stamped) GRIN AND BARE IT FOR (US scratched out) (YOU typed) ?
  • Matrix / Runout (Side B, etched - variant 1): V-2132-B4 IF YOULL GRIN AND BEAR IT FOR US (STRAWBERRY stamped) ?

3 ) TITLE -

SIDE ONE - " JAH WAR "

SIDE TWO - " I AIN'T SOFISTICATED "

RECORD LABEL - VIRGIN

RECORD No. - VS 298

YEAR - 1979

VINYL - EX

SLEEVE - VG

4 ) TITLE -

SIDE ONE - "  BABYLON'S BURNING "

SIDE TWO - " SOCIETY"

RECORD LABEL - VIRGIN

RECORD No. - VS 271

YEAR - 1979

VINYL - EX

SLEEVE - PLAIN WHITE

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There may be some paper scuffs or faint hairlines.For a full condition report,please just ask.

 GRADING: All records are graded using the standard UK Record Collector Grading system as follows:

  • MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
  • EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.
  • VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
  • GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.
  • FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
  • POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
  • BAD: The record is unplayable or might even be broken, and is only of use as a collection filler.


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