THE SHADOWS OUT OF SHADOWS RARE ORIG'65 UK EMI/COLUMBIA BLACK+BLUE LABEL MONO LP
$
26
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Description
WE CURRENTLY HAVE MORE THAN 300 LISTED ITEMS
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· THE SHADOWS – OUT OF THE SHADOWS – ORIGINAL BRITISH MONO PRESSING - THE GROUP’S SECOND "GREATEST HITS" COMPILATION – ORIGINAL 1965 COLUMBIA RECORDS (UK) MONO LP 33SX-1458
· ORIGINAL U.K. PRESSING
· ORIGINAL BLACK COLUMBIA (UK) LABEL WITH TURQUOISE (AQUA BLUE) LOGO ON TOP AND SILVER PRINT
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.K. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THIN CARDBOARD COVER (EUROPEAN STYLE)
· ORIGINAL GARROD & LOFTHOUSE LTD FLIP-BACK COVER (1/2-INCH MARGINS OF THE FRONT PANEL ARE FOLDED AND THEN PASTED ONTO THE BACK PANEL)
· ORIGINAL LAMINATED COVER
· CLEAN, WEAR-FREE LABELS
· BRITISH TAX STAMP T-K AROUND THE SPINDLE HOLE SIGNIFIES THAT THE DISC WAS PRESSED BEFORE NOVEMBER 1968 (PROBABLY LONG BEFORE)
· THICK, HEAVY VINYL PRESSING
· MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-2N' ON BOTH SIDES
· MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD
· MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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The Shadows' second album is one of the group's better efforts, though not a very hard-rocking one. By this time, the Shadows were moving in a direction similar to that of Cliff Richard, aiming for a wider, more mature audience that was attuned to more than rock & roll. Much of what's here, including "Perfidia," "Spring Is Nearly Here," and "Some Are Lonely," could pass for adult pop music more easily than rock & roll, though there is some of that, what with numbers like "The Rumble," "Tails of a Raggy Tramline" (a "Telstar"-like instrumental), the Hank Marvin-Bruce Welch "Kinda Cool," and Brian Bennett's "Little 'B'" (a great drum showcase that doesn't wear out its welcome at all). That material is augmented by the presence of several country & western-style (!) numbers, by way of the Kennedy-Carr songwriting team ("The Bandit," "South of the Border") and the group's own composition efforts, most notably "1861," which would have been a great theme for a Western television series of the era -- the latter showcases lead guitarist Marvin's precise and elegant picking. This repertory seems to have been the group's and producer Norrie Paramor's attempt to tap into the folk music boom of the period, and "The Bandit" is a moment of genius, with the group harmonizing almost like the Kingston Trio. Regardless of the idiom in which they're working, the playing is lean, tight, and melodic, displaying the same qualities that the group brought to Cliff Richard's recordings during the first half-decade of his career. Marvin and Welch play their guitars like they're the same person, and Bennett proves himself perhaps the best full-time band drummer in England at the time, providing tasteful fills and little percussion embellishments that were beyond the ability of most rock & roll drummers at the time, and outdoing himself on "Little 'B'." The one grotesquely weak moment here is the cover of "Bo Diddley" -- the band should have known better than to attempt it, and Paramor, if he understood rock & roll at all, should have declined to release it, instead giving the world what has to be the wimpiest version one is ever likely to hear. There are, indeed, a few too many soft instrumental numbers breaking up the rock & roll that does work, but the album holds up.
For additional historical information on this album, including track listing ►CLICK HERE
TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):
THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 1
- Cover shows some light yellowing on both sides, apparently from aging (nothing significant).
- Cover has a few tiny wrinkles along the spine (VISIBLE ON FRONT SIDE ONLY)
- Cover has a visible wrinkle (crease) in the cardboard base on the front panel (VISIBLE ON FRONT SIDE ONLY)
- Minor shelf wear noted on the seams (nothing significant)
- Cover has a partially split top seam (less than 1 inch / 2.5 centimeters)
- The laminated cover has a few air 'bubbles' and wrinkles in lamination (this is a common problem with most laminated 50’s and 60’s covers
NO OTHER IMPERFECTIONS ON THE COVER:
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No writing
- No stamps
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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