THE SISTERS OF MERCY First and Last and Always SEALED 180 Gram Numbered LP MFSL
$
38
Favourite Auctions
To save auctions to your favourites, please login
If you don't have an account, please register
Description
THE SISTERS OF MERCY First and Last and Always hails from 2010 and is a SEALED limited edition and numbered 180 Gram LP issued by Mobile Fidelity Sound Labs. The template for all goth-rock records that followed, Sisters of Mercy's First and Last and Always stands as one of the—if not the most—influential albums of its kind ever released. Distinguished by Andrew Eldritch's ghostly singing, which gives the impression of hearing a forlorn ghoul croon from a foggy English graveyard, the 1985 set is drenched in gloom, claustrophobia, black humor, and dance-ready beats that provide exhilarating contrasts.
Mastered on Mobile Fidelity's renowned mastering system in California and pressed at Fidelity Record Pressing, this Silver Label Series numbered-edition LP presents First and Last and Always with a full, rich sound that outshines the thin, feeble sonic perspectives that have until now limited the music's reach. Every aspect, from Eldritch's haunting singing to the group's jangling guitars and prancing bass lines, gain genuine definition. Yet what's most improved is the sense of atmosphere: Sisters of Mercy revel in painting tone poems, where the feel and effect are as essential as the notes that are played.
Ever since it's release, First and Last and Always has been aptly shrouded in mythology. Eldritch pushed the envelope during the recording sessions, literally walking into walls and repeatedly unable to maintain his focus. Strung out on amphetamines, dazed by days of no sleep, upset by a recent breakup, and eating little, the vocalist channeled his discord into somber lyrics and brooding singing. He's framed by pulsing albeit lean, spare rhythms, patient tempos, and the clatter of a programmed drum machine that, in spite of its mechanical operation, sounds strangely organic. The songs evoke wet dungeons, walls-closing-in paranoia, and late-night strolls amidst the U.K.'s mysterious underground.
Despite its overall dark character, the record's arrangements value spaciousness, putting a premium on room and minimalism that makes each note count. As a result, twinkling pianos and keyboards parallel steel-cutting guitars and low-tuned bass lines that, in combination with Eldrtich's baritone, suggest glimmers of hope among the decay. Songs such as the shaking "Possession," dramatic "Some Kind of Stranger," and desperate "Marian" remain models of the gothic and post-punk disciplines more than 35 years after their debut. It's no surprise that, given all of the tension and personality that infuse the album, Sisters of Mercy disbanded just months after its release.
"Black Planet" (4.26)
"Walk Away" (3.25)
"No Time to Cry" (4.03)
"A Rock and a Hard Place" (3.34)
"Marian (version)" (5.44)
"First and Last and Always" (4.02)
"Possession" (4.39)
"Nine While Nine" (4.12)
"Amphetamine Logic" (4.54)
"Some Kind of Stranger" (7.20)
price rating
