THE STONE ROSES - Second Coming MINT LP 1994 UK 1ST PRESSING GEF 24503
£
28
$
37
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Description
Stone Roses, The ?– Second Coming
Label: Geffen Records ?– GEF 24503 Format: 2 × Vinyl, LP, AlbumTracklistHide Credits
A1 Breaking Into Heaven A2 Driving South B1 Ten Storey Love Song B2 Daybreak B3 Your Star Will Shine B4 Straight To The Man C1 Begging You Programmed By – Brian Pugsley C2 Tightrope Keyboards, Castanets, Jew's Harp – Simon DawsonVocals – John*Vocals, Harmonica – Ian*Vocals, Percussion – Reni C3 Good Times D1 Tears D2 How Do You Sleep D3 Love Spreads Tambourine – Nick*Companies etc
- Distributed By – BMG Records (UK) Ltd.
- Phonographic Copyright (p) – Geffen Records, Inc.
- Copyright (c) – Geffen Records, Inc.
Credits
- A&R – Tom Zutaut
- Art Direction, Design – Kevin Reagan
- Artwork [Collage] – John Squire
- Bass – Mani
- Drums, Backing Vocals – Reni
- Engineer – Paul Schroeder (tracks: A1, A2, B4, C3), Simon Dawson (tracks: A1, A2, B3, B4, C3, D3)
- Engineer [Assistant] – Nick Brine
- Guitar – John Squire
- Mastered By – George Marino
- Mixed By – Bill Price
- Producer – Paul Schroeder (tracks: A1, A2, B1, B4, C1, C3, D1, D2), Simon Dawson
- Recorded By [Initial] – Al "Bongo" Shaw (tracks: B2, C2, D1), Mark Tolle (tracks: B2, C2, D1)
- Recorded By [Partly] – John Leckie (tracks: B1, C1)
- Vocals – Ian Brown
- Written-By – Wren* (tracks: B2), Mounfield* (tracks: B2), Brown* (tracks: B2, B4, C1), Squire* (tracks: A1 to B3, C1 to D3)
Notes
Issued in a gatefold sleeve.?©1994 Geffen Records, Inc.
Barcode and Other Identifiers
- Barcode (Text): 7 20642 45031 4
- Matrix / Runout (A Side): GEF-24503 -A -01-1-1- STERLING
- Matrix / Runout (B Side): GEF-24503 -B -01-1-1- STERLING
- Matrix / Runout (C Side): GEF-24503 -C -01-1-1- STERLING
- Matrix / Runout (D Side): GEF-24503 -D -02-1-1 STERLING
RECORD COLLECTOR Grading System.
In order to assist everyone who buys and sells rare discs, Record Collector magazine has originated
a set of standards for the condition of second-hand records.
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality.
The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition.
Records advertised as Sealed or Unplayed should be Mint.
EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality.
The cover and packaging might have slight wear and/or creasing.
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality,
despite noticeable surface marks and the occasional light scratch.
Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches.
The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
POOR: The record will not play properly due to scratches, bad surface noise, etc.
The cover and contents will be badly damaged or partly missing.
BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
price rating