THE VELVET UNDERGROUND & NICO Same LP VERVE 1967 UK orig+mono VLP 9184 LOU REED

	£		90
	$		119

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JOHN CALE, STERLING MORRISON, LOU REED, MOE TUCKER, NICO

The quintessential bohemian New York band of the '60s that fused art, rock, and poetry

 in a fashion that proved incalculably influential

"THE VELVET UNDERGROUND & NICO"

1967     LP     VERVE RECORDS     VLP 9184   MONO

MADE IN ENGLAND    ORIGINAL FIRST PRESSING

LAMINATED (on front) SINGLE COVER WITH FLIPBACK ON REAR and BLACK ONLY PRINT

This version: 1st press UK stereo.

Single laminated full-color flipback cover, unlaminated on back, with black only print. 

Front cover same as rear cover of original US release. Rear cover has the credits and reviews from the US gatefold 

and reads "File under POPULAR : Pop Groups" on top right 

and "6711 TPS Printed and made by Garrod & Lofthouse Ltd. Patents Pending VLP 9184 SVLP 9184" bottom right.

Side 2 reads erroneously "V500B" with the "8" missing

Barcode and Other Identifiers

Barcode: none

LABEL:  VERVE - BLACK LABEL - SILVER TEXT

Catalog on cover (rear only): VLP 9184 (V 5008)  

Catalog on labels: VLP.9184 [(V 5008A) / (V 500B)] (Side 2 reads erroneously "V500B" with the "8" missing)

Matrix / Runout (Side A, Stamped): V 5008A -2

Matrix / Runout (Side B, Stamped): V 5008B -2

On labels: Sold in U.K. subject to resale price conditions. See price lists. 

Made under licence from Metro-Goldwyn-Mayer Inc., owners of the Trade Mark 'Verve'

?1967

A U.S.A. Recording

All Arrangements by The Velvet Underground

top rim text reads "M.G.M. Records Ltd ? Made in Gt. Britain"

bottom rim text reads "All rights.......prohibited'

(on Side A only, Tax Code at spindle hole): KT

 On back cover: File under POPULAR : Pop Groups

Produced by: Andy Warhol

*Produced by Tom Wilson

?1967

Published by: Copyright Control

Notes by David Antrim, Art News

M.G.M. Records Ltd. London England 

Made and Printed in Great Britain

6711   TPS Printed and made by Garrod & Lofthouse Ltd. Patents Pending    VLP 9184     SVLP 9184

from my records collection

tracklisting

Side A: SUNDAY MORNING - I'M WAITING FOR THE MAN

FEMME FATALE - VENUS IN FURS - RUN RUN RUN - ALL TOMORROW'S PARTIES

Side B: HEROIN - THERE SHE GOES AGAIN - I'LL BE YOUR MIRROR

THE BLACK ANGEL'S DEATH SONG - EUROPEAN SON

  grading

RECORD from VG(+) to VG+ (please, read above description)

SLEEVE VG(+) but (please, see pictures and read above description)

 One would be hard-pressed to name a rock album whose influence has been as broad and pervasive 

as The Velvet Underground & Nico. While it reportedly took over a decade for the album's sales to crack 

six figures, glam, punk, new wave, goth, noise, and nearly every other left-of-center rock movement 

owes an audible debt to this set. While The Velvet Underground had as distinctive a sound as any band, 

what's most surprising about this album is its diversity. Here, the Velvets dipped their toes 

into dreamy pop ("Sunday Morning"), tough garage rock ("Waiting for the Man"), 

stripped-down R&B ("There She Goes Again"), and understated love songs ("I'll Be Your Mirror") 

when they weren't busy creating sounds without pop precedent. 

Lou Reed's lyrical exploration of drugs and kinky sex (then risky stuff in film and literature, let alone "teen music") 

always received the most press attention, but the music Reed, John Cale, Sterling Morrison, 

and Maureen Tucker played was as radical as the words they accompanied.

Few rock albums are as important as The Velvet Underground & Nico, 

and fewer still have lost so little of their power to surprise 

and intrigue more than 40 years after first hitting the racks ...(All Music)