THELONIOUS MONK 'At The Blackhawk' Original US Riverside MONO LP NM/NM- Audio
  C$   55
  $   40

 


C$ 55 Sold For
May 7, 2020 Sold Date
Apr 27, 2020 Start Date
1 Number Of Bids
  Canada Country Of Seller
eBay Sold at
 
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Description

EVERYTHING'S EVENTUAL VINYL 



**ORIGINAL U.S. RIVERSIDE MONO LP**






**THELONIOUS MONK**


**QUARTET PLUS TWO**



**AT THE BLACKHAWK**





Thelonious Monk Quartet Plus Two* ?– At The Blackhawk

Label: Riverside Records ?– RLP 12-323 Format: Vinyl, LP, Album, Mono
Country: US Released: 1960 Genre: Jazz Style: Bop, Hard Bop

TracklistHide Credits

A1 Let's Call This Written-By – Thelonious Monk 8:32 A2 Four In One Written-By – Thelonious Monk 8:37 A3 I'm Getting Sentimental Over You Written-By – Bassman*, Washington* 6:07 B1 Worry Later Written-By – Thelonious Monk 9:09 B2 'Round Midnight Written-By – Williams*, Monk* 12:06 B3 Epistrophy (Closing Theme) Written-By – Thelonious Monk 2:00

Companies, etc.

  • Record Company – Bill Grauer Productions
  • Recorded At – Black Hawk (2)
  • Mastered At – Components Corp.

Credits

  • Bass – John Ore
  • Design [Cover] – Ken Deardoff
  • Drums – Billy Higgins
  • Engineer [Recording] – Ray Fowler, Reice Hamel
  • Mastered By – Jack Matthews
  • Piano – Thelonious Monk
  • Producer, Liner Notes – Orrin Keepnews
  • Tenor Saxophone – Charlie Rouse, Harold Land
  • Trumpet – Joe Gordon

Notes

Recorded 'live' at The Blackhawk, San Francisco; April 29, 1960.
Joe Gordon appears through the courtesy of VEE-JAY Records.

Blue 'mic and reel' labels with 'BILL GRAUER PRODUCTIONS INC.' along the bottom (earlier pressings have no 'INC.').
This label was used from 1960-64.

Barcode and Other Identifiers

  • Matrix / Runout (Runout A): RLP 12 323 A
  • Matrix / Runout (Runout B): RLP 12 323 B






       

      Tracks Include : see above 



      CONDITION

       

      Jacket: VG++

      Vinyl:   NM/NM- Audio

              

       

       

       

       

      ORIGINAL U.S. RIVERSIDE PRESS

       

      ****THELONIOUS MONK****






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      Grading records is not a ‘Scientific’ exercise, instead it is a subjective activity. I do my best to listen carefully to both sides of the record before grading based on the listening experience. Flaws, if any, that I hear will be reflected in the grade rating, and if noteworthy, will be mentioned. The nature of how records are played (i.e. physical contact between the moving grooves and the stylus tip) makes it a medium where flaws are often inherent in the process. Also, please keep in mind that there may well be subtle differences between turntables. Records are not the ‘sterile’ medium of CDs. Flaws generally range from somewhat normal quiet background noise in run-ins between tracks to more serious issues such as pressing flaws, groove wear, skips, repeats and long scratches producing consistent ticks or pops.

      I try to follow a grading system similar to Goldmine where I will have NM, NM-, VG+, VG, VG- etc. I may also have combinations such as VG+/NM-. Generally, I do not sell records below the VG+ rating unless somewhat rare, in which case I will point out the issues.

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