THELONIOUS MONK 'At The Blackhawk' Original US Riverside MONO LP NM/NM- Audio
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Description
EVERYTHING'S EVENTUAL VINYL
**ORIGINAL U.S. RIVERSIDE MONO LP**
**THELONIOUS MONK**
**QUARTET PLUS TWO**
**AT THE BLACKHAWK**
More Images
Thelonious Monk Quartet Plus Two* ?– At The Blackhawk
Label: Riverside Records ?– RLP 12-323 Format: Vinyl, LP, Album, MonoCountry: US Released: 1960 Genre: Jazz Style: Bop, Hard Bop
TracklistHide Credits
A1 Let's Call This Written-By – Thelonious Monk 8:32 A2 Four In One Written-By – Thelonious Monk 8:37 A3 I'm Getting Sentimental Over You Written-By – Bassman*, Washington* 6:07 B1 Worry Later Written-By – Thelonious Monk 9:09 B2 'Round Midnight Written-By – Williams*, Monk* 12:06 B3 Epistrophy (Closing Theme) Written-By – Thelonious Monk 2:00Companies, etc.
- Record Company – Bill Grauer Productions
- Recorded At – Black Hawk (2)
- Mastered At – Components Corp.
Credits
- Bass – John Ore
- Design [Cover] – Ken Deardoff
- Drums – Billy Higgins
- Engineer [Recording] – Ray Fowler, Reice Hamel
- Mastered By – Jack Matthews
- Piano – Thelonious Monk
- Producer, Liner Notes – Orrin Keepnews
- Tenor Saxophone – Charlie Rouse, Harold Land
- Trumpet – Joe Gordon
Notes
Recorded 'live' at The Blackhawk, San Francisco; April 29, 1960.Joe Gordon appears through the courtesy of VEE-JAY Records.
Blue 'mic and reel' labels with 'BILL GRAUER PRODUCTIONS INC.' along the bottom (earlier pressings have no 'INC.').
This label was used from 1960-64.
Barcode and Other Identifiers
- Matrix / Runout (Runout A): RLP 12 323 A
- Matrix / Runout (Runout B): RLP 12 323 B
Tracks Include : see above
CONDITION
Jacket: VG++
Vinyl: NM/NM- Audio
ORIGINAL U.S. RIVERSIDE PRESS
****THELONIOUS MONK****
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Grading records is not a ‘Scientific’ exercise, instead it is a subjective activity. I do my best to listen carefully to both sides of the record before grading based on the listening experience. Flaws, if any, that I hear will be reflected in the grade rating, and if noteworthy, will be mentioned. The nature of how records are played (i.e. physical contact between the moving grooves and the stylus tip) makes it a medium where flaws are often inherent in the process. Also, please keep in mind that there may well be subtle differences between turntables. Records are not the ‘sterile’ medium of CDs. Flaws generally range from somewhat normal quiet background noise in run-ins between tracks to more serious issues such as pressing flaws, groove wear, skips, repeats and long scratches producing consistent ticks or pops.
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