THELONIOUS MONK GENIUS #2 ORIG BLUE NOTE 10"LP
$
150
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Description
THIS RECORD COMES FROM OUR PERSONAL COLLECTION
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· THELONIOUS MONK – GENIUS OF MODERN MUSIC, VOL. 2 – ULTRA-RARE ORIGINAL 1952 BLUE NOTE 10-INCH MONO LP BLP-5009 [THE ALBUM WAS RECORDED IN 1947, RELEASED CIRCA 1952]
· ORIGINAL U.S. PRESSING
· THELONIOUS MONK WITH ART BLAKEY, MILT JACKSON, KENNY DORHAM, MAX ROACH, SAHIB SHIHAB, LOU DONALDSON, ETC.
· ORIGINAL WHITE AND BLUE 'BLUE NOTE' LABEL WITH 'LEXINGTON AVENUE, NYC' ADDRESS ON THE LABEL
· DEEP GROOVE PRESSING
· FLAT EDGE PRESSING
· The record has an "EAR" symbol (a pretzel-like engravure about 1/4-inch/6mm long) in the trail-off vinyl, which on SOME jazz labels is associated with very early or first pressings)
· NO Registered Trademark symbol [®] at the bottom part of the label !
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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On the second volume in this two-disc series Thelonious Monk has come fully into his own as a leader. The program consists almost entirely of original compositions, and in fact it opens with two of his most difficult: "Four in One" (with its conventional bop intro that leads into a bizarre, repeated five-against-two quintuplet sequence) and the forbiddingly abstract "Criss Cross." Get through those and you'll eventually be rewarded with the relatively straightforward, blues-based "Straight No Chaser" and the sweet ballad "Ask Me Now," among other treats. Sidemen include the young trumpeter Kenny Dorham and bassist Al McKibbon, as well as a more clued-in Art Blakey and (replacing Blakey on half of the program) Max Roach. Sahib Shihab's sax tone is more appropriate this time out, and the production quality is somewhat better. This disc, along with Volume 1, belongs in every jazz collection.
(EXCERPT FROM AN ONLINE REVIEW BY RICK ANDERSON, ALL MUSIC GUIDE /ALLMUSIC.COM/)
TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►CLICK HERE
THIS IS A RESERVE AUCTION!
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS VERY GOOD (side 2) TO VERY GOOD+ (side 1) . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches (1 inch = 2.5 centimeters)
(b) The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).
(c) The record has an "ear" symbol (a pretzel-like engravure about 1/4-inch/6mm long) in the trail-off vinyl, which on SOME jazz and blues labels (such as Blue Note; Folkways; Period, etc…) is associated with very early or first pressings). The 'ear' symbol is actually a letter 'P' in italic script, denoting a pressing made by Plastilite Corporation’s pressing plant.
(d) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(e) Light yellowing noted on both labels, apparently from the chemical decay of the glue used to affix the labels
(f) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS ABOUT VERY GOOD+(+)
The following flaws or imperfections are noted on the cover:
- Cover has a partially split top seam (between 1 and 2 inches / 2.5 to 5 centimeters); This split seam was delicately taped by the previous owner with a piece of transparent scotch tape (only a tiny patch of the tape, about ½ inch long)
- Cover has a partially split bottom seam (between 1 and 2 inches / 2.5 to 5 centimeters); This split seam was delicately taped by the previous owner with a piece of transparent scotch tape (only a tiny patch of the tape, about ½ inch long)
- Cover has some visible wear on all three seams
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 3 (front side) and 4 (back side)
- Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
- Cover shows some light yellowing on back side, apparently from aging.
- Minor grease-like stain noted on back cover (less than ¼ square inch in size)
- Cover has two corners slightly worn / frayed / bent. (nothing significant)
NO OTHER IMPERFECTIONS ON THE COVER:
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No wrinkles or creases
- No writing
- No stamps
- No peel-off marks
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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OUR REFUND POLICY :
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