THELONIOUS MONK/ART BLAKEY/SONNY ROLLINS PRESTIGE 7053 ORIG 1954 JAZZ LP RARE
$
147
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Description
THELONIOUS MONK/ART BLAKEY/SONNY ROLLINS~PRESTIGE 7053~ORIG 1954 JAZZ LP~RARE!
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RARE ORIGINAL JAZZ LP FROM 1954! DEEP GROOVE LABELS WITH W. 50th STREET ADDRESS. COVER IS IN VG CONDITION WITH A PARTIAL SPLIT TO THE SPINE, DAMAGE ON THE FRONT WHERE A STICKER HAS BEEN REMOVED, AND GENERAL WEAR. VINYL IS IN VG+ CONDITION WITH LIGHT SURFACE SCRATCHES.
As was often the case during the early days of jazz recordings, these six selections (seven, if you count the two attempts at "Think of One") were released under a myriad of names, among them We See, The Golden Monk, and simply Monk -- with the assembled musicians credited as the Thelonious Monk Quintet. Monk can be heard supported by two distinct outfits during these, his respective second and third outings as a bandleader on the Prestige label. Taken chronologically, "Let's Call This" and both versions of "Think of One" were documented on November 13, 1953, with Monk (piano), Sonny Rollins (tenor sax), Julius Watkins (French horn), Percy Heath (bass), and Willie Jones (drums). The other four cuts come from a confab involving Monk, Frank Foster (tenor sax), Ray Copeland (trumpet), Curly Russell (bass), and Art Blakey (drums) circa May 11, 1954. Parties familiar with Monk and Rollins' individual work from around the same era can attest that "Think of One" never really jells, even though Rollins and Watkins turn in well above average performances. The fact that there were two separate attempts at the piece points to the presumption that the musicians weren't totally satisfied -- but they shouldn't be considered as disposable, either, as Monk keeps the proceedings lively and is certainly in sync with the band (particularly Rollins, with whom he shares an innate rhythmic sense). The results of the subsequent date are comparatively solid throughout, with Monk and company demonstrating their ability to vacillate between the ultra-sublime update of "Smoke Gets in Your Eyes" and the hardcore bop of "Locomotion" and "Hackensack."
The image included with the auction is a scan of the actual item but, due to size limitations of the scanner, the edges of the item may have been cropped.
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In Your Ear has been selling music to the masses since 1982. We carry new and used LPs, CDs, DVDs, 45s, 12" singles, posters and who-knows-what-else! We have 2 physical locations in Massachusetts and 1 in Rhode Island:
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SHIPPING PRICES ARE AUTOMATICALLY CALCULATED BASED ON YOUR GEOGRAPHIC LOCATION. PLEASE NOTE: WE PACK OUR LPs WITH LOTS OF ADDED PADDING, USING OTHER EMPTY LPs SLEEVES TO REINFORCE THE MAILER AND PROTECT THE ITEM BEING SHIPPED. THIS ADDS CONSIDERABLY TO THE WEIGHT AND, THEREFORE, TO THE COST OF SHIPPING.
RECORD GRADING POLICY
MINT = like new or near new with only one or two small insignificant defects, a 9 or better on a 1-10 scale
EXCELLENT = Would be Near Mint, except for a couple of light hairlines or scuffs, which do not affect play
VG++ = still a very nice record with all or nearly all of its original gloss but may have a few more light, surface marks, hairlines, needle tracks or the like which should not materially affect play
VG+ = a nice, but used record that may have a series of light scuffs or scratches. It probably plays with a few pops, but has no serious problems.
VG = a well-used record that still should sound OK when played, but may have moderate surface noise, pops, etc.
VG- = a very well-worn record that plays through without skipping, but will do until a better copy comes along.
Good = not actually good at all but probably will play through but with much in the way of surface noise, pops, crackles, etc. Still, will have no cracks, chips or the like
Fair = you are getting this record just to own but not to play
Poor = the sky's the limit, generally I will discard a record this bad (and sell the cover, jacket or sleeve alone) unless the label holds some particular interest
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