TIPICA 73 "SALSA ENCENDIDA" INCA #1062 (1978) W/AZUQUIT

$

25

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TITLE : SALSA ENCENDIDA

ARTIST : TIPICA 73

LABEL & RECORD #: INCA #1062 (1978)

VINYL CONDITION: HEAR SOUNDS CLIPS INCLUDED: NM !

LABELS CONDITIONS: SEE SCAN : NM!

COVER CONDITION: SEE SCAN : VG+++ NO SPLITS

REMARKS: 

TIPICA 73:

Tipica'73 started from a series of jam sessions led by a young session veteran named Johnny "Dandy" Rodriguez Jr., son of another great of Latin percussion: John "La Vaca" Rodriguez, Sr. and, at that time, bongo player for Ray Barretto. Johnny: "My dad was playing at a club called 'And Vinny's' and one day he tells me the owner is interested in doing a bigger Latin night, maybe Mondays.  So I talk to him and he offers me the night. I hire a few guys including, Sonny Bravo, Leopoldo Pineda, and Nelson Gonzalez and we just try to do different things, different weeks. And it's real successful crowd-wise and music-wise." Upon success on that first night, they were offered more club dates. As these sessions evolved, the guys involved in this new, yet nameless group would eventually step off from their regular working bands and start up as a regular working unit. Hence, Tipica'73 was formed from the union of Rodriguez, Jr., fellow Ray Barretto's band members Rene Lopez (trumpet), master percussionist Orestes Vilato (bongo, timbales), Dave Perez (bass) and Adalberto Santiago (vocalist), Harlow's trombonist Leopoldo Pineda, Jose Fajardo's pianist Elio Osacar (a.k.a. Sonny Bravo) and Frankie Dante's pianist/trumpeter Joseph (Joe) Manozzi

THE END:

Tipica 73 was a popular New York salsa band in the 1970s and early 1980s, formed with a number of musicians from Ray Barretto's band.

Tipica 73's music was notable for its experimental style, and was the first US-based salsa orchestra to record in Cuba with the album Tipicá 73 En Cuba Intercambio Cultural…THIS CONTROVERSIAL TRIP TO Cuba was planned in 1978, Vilató who is Cuban and two others did not want to perform, and they left…Radio airwaves and some Cuban producers were responsible to later help this great band to close iy=ts glorious recording career. Tipica 73 featured several salsa musicians who would go on to become famous as solo artists, including vocalist José "El Canario" Alberto and violinist Alfredo de la Fé.

In the nascent and thriving New York Latin jazz and salsa scene in the early 1970s, the group began with Johnny "Dandy" Rodriguez Jr and four of Ray Barretto's original band including Adalberto Santiago (who all left Barretto simultaneously to start Tipica 73 in 1972), and, after combining the conjunto percussive style (congas, timbales, and bongos) with a horn section the band became one of the biggest stars of the salsa movement in the US. However, the band's lineup ended up with an almost different cast by the start of the following decade, with several of the original members having left after differences in the late 1970s regarding whether the band would continue to play tipica music, with Santiago and three others leaving to form Los Kimbos. Rodriguez Jr was the only constant in the band, and he and remaining members would split in 1982, but not without a tribute to the charanga style, the 1980 release Charangueando con la Tipica 73, which included standout versions of Tito Puente's "A Donde Vas" and Cachao's "Chanchullo," among others. According to Greg Prato of All Music Guide Magazine.

TRACKS SIDE A:

1   Baila Que Baila    3:33  573 

2   Los Campeones De La Salsa    4:01 

3   Tiña Tiñoso    4:08    

4   Xiorama    5:12

TRACKS SIDE B:

1   Somos Dos (Con La Mayor Elegancia)    4:55

2   La Mujer Dominicana    3:56 

3   Si No Eres Tu    4:09    

4   Que Manera De Sentirme Bien    6:23

w/ Sonny Bravo, Leopoldo Pineda, Nicky Marrero, Camilo Azuquita, John "Dandy" Rodriguez, Cachete Maldonado, Jose Alberto "El Canario", Alfredo De La Fe, etc

WEB REMARKS: CD REVIEWS:

“This CD definitely lived up to my expectations. I especially loved the track "Baila que baila", it is Jose Alberto "El Canario" at his best. The track is absolutely fantastic, with a great upbeat hard salsa style. "Somos dos" is a great duet with Azuquita and El Canario. Only con to the album is the merengue they included "Mujer Dominicana" that I don't understand why they did that. Other than that, the album is great.”

“This legendary band seemed to get better with every new release. This 1978 release features Camilo Azuquita and a then-unknown Jose Alberto on lead vocals with "Que Manera De Sentirme Bien", "Tina Tinoso", "Baila Que Baila" and "Los Campeones De La Salsa" proving why this album was titled "Salsa Encendida". Red-hot and fiery 1970s Salsa at its glorious best !!!"

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ITALY CUSTOMERS:

ITALY……. ADD $11 FOR REGISTRATION!!! No exceptions! Sorry, I’m following Other Dealers Suggestions Regarding Problems With the Delivery/Handling of Items…I personally had 2 of 4 problems, Mexico was the Other) in ten years (Thousands Of Records Sold) in the business!!!

(Gli acquirenti italiani sono tenuti ad aggiungere 11 dollari per la spedizione registrata. Non si fanno eccezioni)

POSTAL RATES & WEIGHTS - LPs

LBS.

0.82

1.4

1.9

2.6

3

# of LPs

1

2

3

4

5

* We offer a money back + shipping costs guarantee on our records (unless otherwise noted) if you feel the LP was not graded properly We Must Be Notified Of Any Discrepancy in 2 Days after received. . We will issue a full refund upon its return, once our mistake has been verified. Record Must Be Returned in 3 Days…Foreign in 7 Days….We have available the insurance option…

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Record Grading: Standard guidelines for grading records comes down to a subjective judgment that may vary from person to person. We grade records and LP covers visually AND (when possible) play-tested. We make every effort to give full disclosure (remember that the LP has at least 12 tracks and the grading may vary between each other)  and your satisfaction is guaranteed. Don't assume that our vinyl determination of "Very Good+" is the same as yours!

MM RECORDS: are shiny, with no visible defects. They might have some minor superficial (“Paper”) scuff but they should play without any noise. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must not be present; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.)

NM COVERS: have no creases, ring wear or seam splits of any kind.
NM  PICTURES SLEEVES: should look as if they never housed a record. This is a great reason to remove your 45s from their picture sleeves and keep them separate. Just keeping the 45 inside the sleeve will cause damage than can reduce the grade of the sleeve.

VG++ (Excellent) RECORDS: Barely noticeable play wear and background noise. May have surface scuffs and/or superficial marks, which will be inaudible or indiscernible from the background, no scratches. Very nice, no flaws noted.
VG++ COVERS: Artwork is still as close to perfect as can be. Some impression to the cover (minor outer ring wear) but no ink wear! Some slight creases to the corners, but not wrinkled and obtrusive to the eye. The corners can show white (where the artwork pasted slick was) meaning, slight wear. No seam splits or writing on the cover or taped repairs can make this grade.

VG+ RECORDS:  may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable

.VG+ COVERS:  should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint Unless Tiny/Small (EG: Tiny DH).

VG+ PICTURE SLEEVES: might show some very light creasing where it is obvious that a record once resided (or still does reside). A VG+ picture sleeve might have some very minor seam wear or a split (less than one inch long) at the bottom, the sleeve’s most vulnerable location.

VG RECORDS:  have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches  may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape, or a sticker can detract from the label. Many collectors who have jukeboxes   will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape.

VG COVERS and PICTURE SLEEVES:  will have many signs of human handling. Ring wear  in the middle or along the edges of the cover where the edge of a record would  reside, is obvious, though not overwhelming. Some more creases might be  visible. Seam splitting will be more obvious; it may appear on all three sides,  though it won’t be obvious upon looking. Someone might have written or stamped  a price tag on it, too.

RECORDS GRADED VG OR BELOW WILL BE "SOLD AS IS"

(We Will Try To Grade Them As Accurately As Possible!)

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