TOMMY JAMES & THE SHONDELLS Crimson & Clover FROM 69-PSYCH ROCK TITLE TRACK
$
32
$ 32
Sold For
Dec 9, 2015
Sold Date
Nov 12, 2015
Start Date
1
Number Of Bids
USA
Country Of Seller
eBay
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Description
TOMMY JAMES & THE SHONDELLS Crimson & Clover FROM 69-PSYCH ROCK TITLE TRACK
A VG++ LP ON ROULETTE SR 42023
FROM 1969 IN STEREO AND STILL WITH SHRINK WRAP OVER COVER!
PRODUCED, WRITTEN AND ARRANGED BY TOMMY JAMES & THE SHONDELLS
BACK COVER WITH HUBERT HUMPHREY’S THANK YOU LETTER
TRACKS AS SHOWN ON THE LABEL PHOTOS
BACKGROUND INFO FROM wikipedia WEBSITE:
Following the release of "Mony Mony", Tommy James wanted to change direction of the group's sound, and began producing his own material. At the time, James said this was out of "necessity and ambition", wanting to move from singles into albums. He departed from the group's principal songwriters Bo Gentry and Ritchie Cordell, and was given complete artistic control by Roulette Records. The title, "Crimson and Clover", was decided before a song had been written for it. The combination of unknown meaning came to James as he was waking up, comprising his favorite color – crimson – and his favorite flower – clover. (There is also a species of clover native to Europe called the crimson clover.) A song to fit the phrase was written by Tommy James and bassist Mike Vale, but was scrapped. His following collaboration with drummer Peter Lucia, Jr. was more successful. During the song's production, Roulette Records wanted a new single, so the group agreed to release "Do Something to Me" to gain time to complete the song."Crimson and Clover" was recorded in late 1968 in about 5 hours and is one of the first songs recorded on 16-track. Tommy James played most of the instruments, while Mike Vale played bass and Peter Lucia, Jr. played drums. The song contains a tremolo effect on the guitar, set so that it vibrated in time with the song's rhythm. Near the end of the recording, the band had an idea of utilizing the tremolo effect with vocals. To achieve this, the voice microphone was plugged into an Ampeg guitar amplifier with tremolo turned on, and the output from the amplifier was recorded while James sang "Crimson and clover, over and over".
COVER STOCK STILL WITH WHAT APPEARS TO BE THE ORIGINAL SHRINK WRAP INTACT. CORNERS WITH SMALL ROUGH SPOTS AND OUTER LAYER LOSSES ON POINT. NOTWITHSTANDING, A PICTURE IS WORTH A THOUSAND WORDS, SO PLEASE DO LOOK AT THE COVER PHOTOS TO ASCERTAIN COVER CONDITION.
VIRGIN SPINDLE HOLE. THE HIGH LUSTER VINYL BLANK WITH A VERY FEW LIGHT AND FINE SURFACE RUB SCUFF MARKS AND PLAY LINES UNDER BRIGHT ANGLED LIGHT AND ASSIDUOUS EXAMINATION AND WHICH NEED TO BE LOOKED FOR TO BE SEEN. WE'VE TEST PLAYED THIS LP BY SAMPLING EACH TRACK 2-3 TIMES ON A VPI TURNTABLE WITH A GRADO REFERENCE ONE WOOD CARTRIDGE WITHOUT NOTICE OF THE ABOVE ITEMS AND SOUNDING QUITE FINE HERE.
FROM A NOTED JAZZ REVIEWER'S PRIVATE COLLECTION
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