TRAFFIC FIRST ALBUM N/M ORIG'67 ISLAND MONO LP UK PRESS

$

204

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·       TRAFFIC - MR. FANTASY (TRAFFIC'S FIRST ALBUM) – ORIGINAL BRITISH MONO PRESSING – ORIGINAL 1967 ISLAND RECORDS (UK) MONO LP ILP-961

·       ORIGINAL U.K. PRESSING

·       ORIGINAL PINK ISLAND (UK) LABEL

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.K. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THIN CARDBOARD COVER (EUROPEAN STYLE)

·       ORIGINAL UNIPAC-STYLE COVER (ONE SIDE OF THE GATEFOLD OPENS, THE OTHER ONE IS A SINGLE-PLY CARDBOARD)

·       ORIGINAL LAMINATED COVER

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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My favorite Traffic album and one of my favorite psych albums. The diversity here is stunning and requires a bit of effort from the listener. Not much here is immediately catching but given enough time the subtelties and experimentation become stunning. The band, Deep Feeling, was the band of Capaldi before Traffic. Deep Feeling was in the midst of recording an album with Giorgio Gomelsky and helping during those sessions were Dave Mason and Steve Winwood. The goal of Deep Feeling was to wed world influences with rock and come up with a unique sound. The surviving Deep Feeling tracks (which are now released by Sunbeam) testify to this effort and are very interesting in their own right. During the sessions, Capaldi left Deep Feeling to form Traffic and much of what Deep Feeling had started carried over into the sessions for Mr. Fantasy. An album that is more interested in creating interesting sounds than with how many copies it would sell, it's quiete obvious from the first tack, "Heaven Is In Your Mind" that this wasn't anything like Spencer Davis or easily digestible rock. A classic album of the period and it still stands on it's own. Essential.

For additional historical information on this album, including track listing ►click here  (please note that American track listing differs considerably from the original British album)

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

THIS IS A RESERVE AUCTION!

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Mono pressing of this title is much rarer, and by far more  preferable to its stereo counterpart. We think that the mix is more natural, humane, "organic" and that the mixes are somewhat different than on the stereo version. We estimate that stereo copies of this album outnumber mono pressings by a ratio of at least 5:1.

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):

THE COVER IS ABOUT VERY GOOD+(+)

The following flaws or imperfections are noted on the cover:

-         The laminated cover has a few air 'bubbles' and wrinkles in lamination (this is a common problem with most laminated 50’s and 60’s covers

-         Cover has two corners slightly worn / dinged  / bent.

-         Cover has some fraying/wear along the spine (nothing significant)

-         Minor shelf wear noted on the seams (nothing significant)

-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2.

-         Cover shows JUST A HINT of yellowing on both sides, apparently from aging; Yellowing is also noted on the INSIDE gatefold.

-         Cover has a few tiny wrinkles along the spine (nothing significant)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No writing

-        No stamps

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

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