TRAFFIC John Barleycorn Must Die LP ISLAND 1970 UK orig+pink 'I' STEVE WINWOOD
  £   15
  $   20

 


£ 15 Sold For
Nov 21, 2015 Sold Date
Nov 11, 2015 Start Date
1 Number Of Bids
  Italy Country Of Seller
eBay Sold at
 
save auction  

Description

U.K.  BUYERS PLEASE IGNORE THE SHIPPING COSTS MARKED ON EBAY BECAUSE WE ARE ITALIAN SELLERS

 BEFORE BIDDING, PLEASE

CAREFULLY READ BELOW THE CORRECT SHIPPING COST!

 THESE RATES ARE FOR BOXES UP TO 1 KILOS (1 or 2, maybe 3, LPs). 

WE COMBINED SHIPPING DISCOUNTS

WE ARE POSTING EVERYWHERE IN THE  WORLD.

SO IN ORDER TO AVOID MISUNDERSTANDING  WE ADVISE YOU TO ENQUIRE 

ABOUT POSTAGE COST BEFORE YOU ACTUALLY BID/PURCHASE THE ITEM

  FOR ITEMS FROM & OVER £ 22.00 WE’LL SHIP 

    ONLY WITH REGISTERED MAIL

NO EXCEPTIONS PLEASE

PLEASE ASK FOR ANY INFORMATION

TRAFFIC

 JIM CAPALDI, CHRIS WOOD, STEVE WINWOOD

Though it ultimately must be considered an interim vehicle 

for singer/songwriter/keyboardist/guitarist Steve Winwood, 

Traffic was a successful group that followed its own individual course through

 the rock music scene of the late '60s and early '70s. 

Beginning in the psychedelic year of 1967 and influenced by the Beatles, 

the band early on turned out eclectic pop singles in its native Great Britain, 

though by the end of its first year of existence it had developed 

a pop/rock hybrid tied to its unusual instrumentation

"JOHN BARLEYCORN MUST DIE"

Produced by Chris Blackwell/Steve Winwood and Guy Stevens*

1970     LP     ISLAND RECORDS      ILPS 9116   STEREO


MADE IN ENGLAND    ORIGINAL FIRST PRESSING

First pressing released on the pink Island label with ''I'' logo

Released in unlaminated, a bit rough gatefold cover, outside silkscreened, 

inside doublepaged, coloured image of the band. 

This version: "6?3?70" etched on run-off grooves

Barcode and Other Identifiers

LABEL:  ISLAND -  PINK LABEL WITH 'I' LOGO - BLACK TEXT

Catalog on cover: STEREO ILPS 9116      

Catalog on labels: ILPS-9116 (Side One / Side Two) 

Matrix / Runout (Side A, Etched): ILPS 9116   A/2     UAS 5504 A   6?3?70   (Stamped): STERLING   RC

Matrix / Runout (Side B, Etched): ILPS 9116   B/2     UAS 5504 B   6?3?70   (Stamped): STERLING   LH

On labels: rim text reads '......Stereo Island Records Stereo Made in England......'

? 1970

(on Side A): Produced by Steve Winwood and Chris Blackwell

(on Side B):  Produced by Steve Winwood and Chris Blackwell except* Produced by Guy Stevens

On Back Sleeve: Island Music Ltd

Recorded at Island Studios & Olympic Studios, London

Engineers: Brian Humphries/Andrew Johns

Photography: Richard Polak

Illustrations: Courtesy of the English Folk Dance & Song Society

Album Design: Mike Sida

Printed and made by the E. J. Day Group, London and Bedford

Island Records Ltd  Basing Street London W11

from my records collection

tracklisting

Side A: GLAD - FREEDOM RIDER - EMPTY PAGES

Side B: STRANGE TO HIMSELF - JOHN BARLEYCORN - EVERY MOTHERS SON

  grading

RECORD  VG but (please, and read above description)

SLEEVE VG(+) but (please, see pictures and read above description)

At only 22 years old, Steve Winwood sat down in early 1970 to fulfill a contractual commitment 

by making his first solo album, on which he intended to play all the instruments himself. 

The record got as far as one backing track produced by Guy Stevens, "Stranger to Himself," 

before Winwood called his erstwhile partner from Traffic, Jim Capaldi, in to help out. 

The two completed a second track, "Every Mother's Son," then, with Winwood and Island Records 

chief Chris Blackwell moving to the production chores, brought in a third Traffic member, 

Chris Wood, to work on the sessions. 

Thus, Traffic, dead and buried for more than a year, was reborn. Winwood and company used 

the time to play extended instrumental variations on compelling folk- and jazz-derived riffs.

John Barleycorn Must Die moved beyond the jamming that had characterized some of Traffic's 1968 work 

to approach the emerging field of jazz-rock. And that helped the band to achieve

 its commercial potential; this became Traffic's first gold album...(AllMusic)

 


price rating