TSUYOSHI YAMAMOTO, MIDNIGHT SUGAR, AUDIOPHILE LP, JAZZ

	£		21
	$		28

  TSUYOSHI YAMAMOTO, MIDNIGHT SUGAR, AUDIOPHILE LP, JAZZ N/Mint Japanese TBM Ltd Edition Supercut Analogue Disk Tsuyoshi Yamamoto Trio – Midnight Sugar 25th Anniversary Limited Edition Supercut Analogue Disk pressed on Premium HQ-180g Super Vinyl
Tsuyoshi Yamamoto was born on 23 March 1946. He started to play piano when he was in primary school. His interest in jazz began when he first heard Art Blakey ’s tunes in the French movie, “Les Liaisons Dangereuses”. It inspired him to return to piano, to perfect his technique. During his university years, he played for Mickey Curtis and the Samurais and began his professional career, including tours with the group in Europe. Following this, he joined other bands and played in clubs. In l973 he formed his own band. As he polished his piano skills he came to idolise pianists such as Bobby Timmons, Wynton Kelly and Red Garland. His melodic technique and phrasing reflect Kelly ’s influence. This is his debut album released in 1974 and features Tsuyoshi Yamamoto on piano, Isoo Fukui on bass and Tetsujiro Obara on drums.
 Side One: Midnight Sugar; I’m A Fool To Want You.
Side Two: The Nearness Of You; It Could Happen To You; Sweet Georgia Blues.
The album is on Three Blind Mice Records, TBM-23. Matrix side one: TBM-23-A (written). Matrix side two: TBM-23-B (written).
Originally released in 1974. Japanese album but pressed in USA. Stereo/Audiophile.
Condition: (as Record Collector's grading system. If I see a mark it will be mentioned however light/small, apart from the usual very light paper scuffs/marks - usually caused by record being removed from the inner sleeve, which appear on nearly all old records and which are only visible under strong light)
Vinyl side 1: near mint (no scratches, scrapes or scuffs, but has a few dull patches that do not affect the audio in any way, plays without fault).
Vinyl side 2: near mint (no scratches, scrapes or scuffs, but has a few dull patches that do not affect the audio in any way, plays without fault).
Cover (glossy): near mint (no obvious faults, still in the orignal cellophane wallet - see photos).
The record plays like new with no jumps, skips or clicks and minimal crackle.
I have tried to give my honest opinion as to the condition. I will give a complete refund to the buyer if they are not happy with the record.
Any questions, don't hesitate to ask.
Check out the other records that I am selling at the moment by clicking on 'view seller's other items'.

RECORD COLLECTOR GRADING SYSTEM:
MINT: I very rarely use the mint grade. Only records that are still sealed or records that even under the strongest of lights are completely unmarked. Also covers that are unmarked/uncreased in any way and still look brand new.
EXCELLENT: The record shows some signs of having been played, but there is no lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.













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