Talking Heads Crosseyed & Painless 12" DJ Promo 1980 3:16 /4:56 Brian Eno Byrne
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Description
Talking Heads Crosseyed & Painless 12" DJ Promo 1980 3:16 /4:56 Brian Eno David Byrne Archival Sleeve
This is a great dance some and filled the dance floor people went crazy. from Remain in Light
"Crosseyed and Painless" is a song by American new wave band Talking Heads. It was released in 1980 in the United States as a promotional single and in Germany in 1981 as a regular single from the band's fourth studio album, Remain in Light. Although the single failed to reach the US main chart, it reached No. 20 on the US Dance chart to become Talking Heads' highest-charting dance single. The band chose this song for their second music video, released in 1981.
The song uses instruments and techniques such as cowbell loops, congas, bells, staccato guitar rhythms, and electronic blips. The rhythm of the song, as well as the use of the congas, add an African feel to the song, which is also apparent in their song "I Zimbra"
"Crosseyed and Painless" is widely regarded as one of Talking Heads' best songs. In 2023, American Songwriter ranked the song number ten on their list of the 10 greatest Talking Heads songs, and in 2024, Paste ranked the song number seven on their list of the 30 greatest Talking Heads songs.
Remain in Light is the fourth studio album by the American rock band Talking Heads, released on October 8, 1980, by Sire Records. The band's third and final album to be produced by Brian Eno, Remain in Light was recorded at Compass Point Studios in the Bahamas and Sigma Sound Studios in New York in July and August 1980.
After the release of Fear of Music in 1979, Talking Heads and Eno sought to dispel notions of the band as a mere vehicle for frontman and songwriter David Byrne. Drawing influence from Nigerian Afrobeatmusician Fela Kuti, they blended African polyrhythms and funk with electronics, recording instrumental tracks as a series of looping grooves. Session musicians included the guitarist Adrian Belew, the singer Nona Hendryx, and the trumpeter Jon Hassell.
Byrne struggled with writer's block, but adopted a scattered, stream-of-consciousness lyrical style inspired by early rap and academic literature on Africa. The album artwork was conceived by the bassist, Tina Weymouth, and the drummer, Chris Frantz, with the help of the Massachusetts Institute of Technology's computers and design company, M&Co. The band hired additional members for a promotional tour, after which they went on a year-long hiatus to pursue side projects.
Remain in Light attained widespread acclaim from critics for its sonic experimentation, rhythmic innovations, and merging of disparate genres into a cohesive whole. The album reached number 19 on the US Billboard 200 album chart and number 21 on the UK Albums Chart, and produced the singles "Once in a Lifetime" and "Houses in Motion". It has been featured in several publications' lists of the best albums of the 1980s and of all time, and is often considered Talking Heads' magnum opus. In 2017, the Library of Congress deemed the album "culturally, historically, or aesthetically significant" and selected it for preservation in the National Recording Registry.
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