Ten Years After rare '70 UK 1st press LP Cricklewood Green on DERAM 1W // 1W

	£		38
	$		50

Hi Vinyl freaks. In the next few weeks I'll put on auction more than 600 great and collectible records. Most records are true collector's items. Have a look, it is worthwhile! Most of my vinyl comes from my own collection and/or quality collections. Most records are in great, collectible condition. If not, I'll clearly describe the possible flaws or scuffs. Appr. 90% of my records are EX to Mint-. I am continuously selling Essential German Kraut, Dutch psych and garage, UK and US progressive and folk, early electronic and (hard) psychedelic records from the period 1967 to 1975. Moreover, many other essential wave, punk and (minimal) synth records will be on auction. Please take some time and read my instructions carefully. If questions... please feel free to ask. A fantastic vinyl collection is going to be for sale in outstanding condition. Don't miss out this opportunity!!

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Band/Record: Ten Years After - Cricklewood Green

Label/Matrix: UK 1970 Deram SML 1065 with P-1W // P-1W

Condition Record/Sleeve: EX/EX (record a few very light hairlines only, no impact, TOP audio !! Cover clean and unwritten, with corners tiny "eaten")

Extra Info: U.K Bluesy PROG MONSTER !! Rare original UK 1st press LP on Deram with original non-laminated Robert Stace cover. Wow .. EX TOP audio ..

~~ Cricklewood Green provides the best example of Ten Years After's recorded sound. On this album, the band and engineer Andy Johns mix studio tricks and sound effects, blues-based song structures, a driving rhythm section, and Alvin Lee's signature lightning-fast guitar licks into a unified album that flows nicely from start to finish. Cricklewood Green opens with a pair of bluesy rockers, with "Working on the Road" propelled by a guitar and organ riff that holds the listener's attention through the use of tape manipulation as the song develops. "50,000 Miles Beneath My Brain" and "Love Like a Man" are classics of TYA's jam genre, with lyrically meaningless verses setting up extended guitar workouts that build in intensity, rhythmically and sonically. The latter was an FM-radio staple in the early '70s. "Year 3000 Blues" is a country romp sprinkled with Lee's silly sci-fi lyrics, while "Me and My Baby" concisely showcases the band's jazz licks better than any other TYA studio track, and features a tasty piano solo by Chick Churchill. It has a feel similar to the extended pieces on side one of the live album Undead. "Circles" is a hippie-ish acoustic guitar piece, while "As the Sun Still Burns Away" closes the album by building on another classic guitar-organ riff and more sci-fi sound effects.

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