The Art Of Pablo Casals - Nicolai MEDNIKOV - Piano RCA LM 2699 lp ED1 EX
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Description:
The Art Of Pablo Casals
Pablo CASALS - Cello
Nicolai MEDNIKOV - Piano
J.S. Bach (arr. Alexander Siloti / ed. Pablo Casals): Adagio, from the Toccata, Adagio & Fugue in C Major BWV 546
(rec. 28 February 1927)
Anton Rubinstein (arr. David Popper): Melodie in F Major Op. 3 No. 1
(rec. 20 January 1926)
Franz Schubert (arr. Irene Becker): Moment Musical No. 3 in F minor D. 780 (Op. 94)
(rec. 5 January 1926)
Frederic Chopin (arr. David Popper): Nocturne No.2 in E-flat Major Op. 9 No. 2
(rec. 4 January 1926)
Gabriel Fauré (ed. Pablo Casals): Après un rêve
(rec. 20 January 1926)
Benjamin Godard: Berceuse, from Jocelyn Op. 100
(rec. 20 January 1926)
Enrique Granados (arr. Gaspar Cassado): Intermezzo, from Goyescas
(rec. 28 February 1927)
Camille Saint-Saëns: The Swan, from The Carnival of the Animals
(rec. 31 January 1928)
Frederic Chopin (arr. Martinus Sieveking): Prelude in D-flat Major Op. 28 No. 15
(rec. 19 January 1926)
Richard Wagner (arr. August Wilhelmj): Prieslied, from Die Meistersinger von Nürnberg
(rec. 19 January 1926)
Richard Wagner (arr. Friedrich August Kummer): Lied au den Abendstern, from Tannhauser
(rec. 4 January 1926)
Joseph Guillaume Hillemacher: Gavotte Tendre
(rec. 4 January 1926)
RCA LM 2699 ISRAEL 1st PRESS
Details On pictures above
Vinyl Condition: EX CLEAN & SHINY
Cover Condition: VG++
(see condition key below)
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Condition key:
MINT (M): The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
EXCELLENT (EX): The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.
VERY GOOD (VG): The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD (G): The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.
FAIR (F): The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
POOR (P): The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
BAD (B): The record is unplayable or might even be broken, and is only of use as a collection filler.
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