Artist: The Beatles  Album: The BEATLES (White Album)  Release Date: 1978  Label: Capitol Records / EMI, SEBX-11841 Genre: Rock  Notes: 10 Yr Anniversary WHITE VINYL Re-Issue, Gatefold Double LP Set, All Inserts: 4 Portrait Cards (EX+ w/some creases/folds) & Poster front with Lyric sheet back (NM) included

Vinyl Grade: EX+ Very Clean, Sounds Great  Cover Grade: EX- normal ware & slight Lp ring mark, no split seams or rips

*Tracks

All songs written and composed by Lennon–McCartney, except where noted. Producer George Martin

Side one No. Title Lead vocals[45] Length 1. "Back in the U.S.S.R."   McCartney 2:43 2. "Dear Prudence"   Lennon 3:56 3. "Glass Onion"   Lennon 2:17 4. "Ob-La-Di, Ob-La-Da"   McCartney 3:08 5. "Wild Honey Pie"   McCartney 0:52 6. "The Continuing Story of Bungalow Bill"   Lennon with Yoko Ono 3:14 7. "While My Guitar Gently Weeps" (George Harrison) Harrison 4:45 8. "Happiness Is a Warm Gun"   Lennon 2:43 Side two No. Title Lead vocals Length 1. "Martha My Dear"   McCartney 2:28 2. "I'm So Tired"   Lennon 2:03 3. "Blackbird"   McCartney 2:18 4. "Piggies" (Harrison) Harrison 2:04 5. "Rocky Raccoon"   McCartney 3:33 6. "Don't Pass Me By" (Richard Starkey) Starr 3:51 7. "Why Don't We Do It in the Road?"   McCartney 1:41 8. "I Will"   McCartney 1:46 9. "Julia"   Lennon 2:54 Side three No. Title Lead vocals Length 1. "Birthday"   McCartney with Lennon 2:42 2. "Yer Blues"   Lennon 4:01 3. "Mother Nature's Son"   McCartney 2:48 4. "Everybody's Got Something to Hide Except Me and My Monkey"   Lennon 2:24 5. "Sexy Sadie"   Lennon 3:15 6. "Helter Skelter"   McCartney 4:29 7. "Long, Long, Long" (Harrison) Harrison 3:04 Side four No. Title Lead vocals Length 1. "Revolution 1"   Lennon 4:15 2. "Honey Pie"   McCartney 2:41 3. "Savoy Truffle" (Harrison) Harrison 2:54 4. "Cry Baby Cry"   Lennon, with McCartney 3:02 5. "Revolution 9"   Speaking from Lennon, Harrison, George Martin and Yoko Ono 8:22 6. "Good Night"   Starr 3:11

Notes: So much has been documented and commented on, regarding this legendary recording, that any attempt to recap is ridiculous.  Instead, included here, are a few snippets of history that some may find interesting.

*Other musicians

Though not formally credited on the album, Eric Clapton played lead guitar on Harrison's "While My Guitar Gently Weeps".[13] Harrison explains in The Beatles Anthology that Clapton's presence temporarily alleviated the studio tension and that all band members were on their best behaviour during his time with the band in the studio. Additionally,  Nicky Hopkins provided electric piano for the single cut of "Revolution" (recorded during these sessions); Hopkins also provided acoustic piano on a number of tracks. Several horns were also recorded on the album version of "Revolution 1". "Savoy Truffle" also features the horn section. Jack Fallon played a bluegrass fiddle on "Don't Pass Me By",[14] and a team of orchestral players and background singers appeared on "Good Night" (which was Beatle-free except for Starr's vocal).

Sleeve

The album's sleeve was designed by Richard Hamilton, a notable pop artist who had organised a Marcel Duchamp retrospective at the Tate Gallery the previous year. Hamilton's design was in stark contrast to Peter Blake's vivid cover art for Sgt. Pepper's Lonely Hearts Club Band, and consisted of a plain white sleeve. The band's name was discreetly embossed slightly below the middle of the album's right side, and the cover also featured a unique stamped serial number, "to create," in Hamilton's words, "the ironic situation of a numbered edition of something like five million copies."

In the autumn of 1978, the album's tenth anniversary, EMI reissued the album as a 2 record set pressed on white vinyl in limited quantities of only 150,000 copies.

* credit: http://www.wikipedia.com

RECORD GRADING (abbreviations & explanations)

MINT, NM, EX or VG++, VG+ VG, G (w/minor exceptions to G+ and VG-), F & P (Trash) some Fair records will be wanted but very, very few.<

·MINT (M)
These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. There is no set percentage of the Near Mint value these can bring; it is best negotiated between buyer and seller.

·NEAR MINT (NM OR M-)
A good description of a NM record is "it looks like it just came from a retail store and it was opened for the first time." In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect.

NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any "spindle marks" from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be "never played"; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.)

NM covers are free of creases, ring wear and seam splits of any kind.

·VERY GOOD PLUS (VG+)
or EXCELLENT (E)
A good description of a VG+ record is "except for a couple minor things, this would be Near Mint." Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++ or E+).

VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable.

VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint.

·Very Good (VG)
Many of the imperfections found on a VG+ record are more obvious on a VG record. That said, VG records — which usually sell for no more than 25 percent of a NM record — are among the biggest bargains in record collecting, because most of the "big money" goes for more perfect copies. For many listeners, a VG record or sleeve will be worth the money.

VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise.

Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape.

VG covers will have many signs of human handling. Ring wear in the middle or along the edges of the cover where the edge of a record would reside, is obvious, though not overwhelming. Some more creases might be visible. Seam splitting will be more obvious; it may appear on all three sides, though it won’t be obvious upon looking. Someone might have written or it or stamped a price tag on it, too.

·Good (G),
Good Plus (G+)
or Very Good Minus (VG–)
Good does not mean bad! The record still plays through without skipping, so it can serve as filler until something better comes along. But it has significant surface noise and groove wear, and the label is worn, with significant ring wear, heavy writing, or obvious damage caused by someone trying to remove tape or stickers and failing miserably. A Good to VG– cover has ring wear to the point of distraction, has seam splits obvious on sight and may have even heavier writing, such as, for example, huge radio station letters written across the front to deter theft.

POOR (P)
and Fair (F)
Records are cracked, impossibly warped, or skip and/or repeat when an attempt is made to play them. Covers are so heavily damaged that you almost want to cry.