The Beach Boys PET SOUNDS (mono 45rpm version) Analogue Productions AAPP 067M-45

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The Beach Boys PET SOUNDS (mono 45rpm version) Analogue Productions AAPP 067M-45
Michael Fremer's 100 Recommended All-Analog LP Reissues Worth Owning - Rated 55/100!
The Ultimate Pressings of the Beach Boys Discography from Analogue Productions!

200g 45rpm Double LP Pressed at Quality Record Pressings! Mono Mix Created Under Brian Wilson's Supervision!

Mastered by Kevin Gray at Cohearent Audio from the Original Master Tapes or Best Sources Available! 

Rolling Stone 500 Greatest Albums of All Time - Rated 2/500!
Rolling Stone 500 Greatest Songs of All Time - "Sloop John B" - Rated 278/500!

"It was Pet Sounds that blew me out of the water…I love the album so much. I've just bought my kids each a copy of it for their education in life. I figure no one is educated musically 'til they've heard that album." -Paul McCartney

"All of us, Ginger (Baker), Jack (Bruce), and I consider Pet Sounds to be one of the greatest pop LPs to ever be released. It encompasses everything that's ever knocked me out and rolled it all into one." -Eric Clapton

To meet the standards of Analogue Productions, their Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson — famed co-founder, songwriter and arranger — intended. Mono mixes created under Wilson’s supervision were how the surf rockin’ California crew rose to fame! And they’ve got ‘em!

For the early part of the Beach Boys' career, all of their singles were mixed and mastered and released only in the mono format — they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Wilson, who suffers from partial deafness. In fact, for their first 13 albums, Wilson originally turned in all the final mixed Beach Boy albums to Capitol Records only in mono. 

The mono mixes were where Wilson paid intense attention, and the dedication paid off!

Analogue Productions has taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!

But there’s no disputing that the close harmonies and one-of-a-kind rhythms of hits like “Surfer Girl,” “In My Room,” “Little Deuce Coupe” and more lend themselves naturally to stereo. So Analogue Productions has your 2-channel needs covered with prime stereo mix versions as well. 

Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in "old school" Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!

Pet Sounds is famous for its use of multiple layers of unorthodox instrumentation as well as other cutting edge audio techniques for its time. It's considered the best Beach Boys album, and one of the best of the 1960s. The group here reached a whole new level in terms of both composition and production, layering tracks upon tracks of vocals and instruments to create a richly symphonic sound.

Conventional keyboards and guitars were combined with exotic touches of orchestrated strings, bicycle bells, buzzing organs, harpsichords, flutes, Theremin, Hawaiian-sounding string instruments, Coca-Cola cans, barking dogs, and more. It wouldn't have been a classic without great songs, and this has some of the group's most stunning melodies, as well as lyrical themes which evoke both the intensity of newly born love affairs and the disappointment of failed romance (add in some general statements about loss of innocence and modern-day confusion as well). The spiritual quality of the material is enhanced by some of the most gorgeous upper-register male vocals (especially by Brian and Carl Wilson) ever heard on a rock record. "Wouldn't It Be Nice," "God Only Knows," "Caroline No," and "Sloop John B" (the last of which wasn't originally intended to go on the album) are the well-known hits, but equally worthy are such cuts as "You Still Believe in Me," "Don't Talk," "I Know There's an Answer," and "I Just Wasn't Made for These Times." It's often said that this is more of a Brian Wilson album than a Beach Boys recording (session musicians played most of the parts), but it should be noted that the harmonies are pure Beach Boys (and some of their best)

VH-1 named Pet Sounds as the No. 3 album in the Top 100 Albums in Rock 'n' Roll History, as judged in a poll of musicians, executives and journalists. It's been ranked No. 1 in several music magazines' lists of the greatest albums of all time, including NME, The Times and Mojo Magazine. It was ranked No. 2 in Rolling Stone's 500 Greatest Albums of All Time list.

Features:
• 200g Vinyl
• Double LP
• 45rpm mono mixes created under Brian Wilson's supervision
• Mastered by Kevin Gray at Cohearent Audio, most from the original master tapes or best sources available
• Pressed at Quality Record Pressings
• Mono
• "Old school" Stoughton tip-on jackets                

Tracklist

A1 Wouldn't It Be Nice Lead Vocals – Brian WilsonWritten-By – Brian Wilson, Mike Love, Tony Asher (2) 2:22 A2 You Still Believe In Me Lead Vocals – Brian*Written-By – Brian Wilson, Tony Asher (2) 2:33 A3 That's Not Me Chorus – Brian*, Mike*Lead Vocals – Mike*Written-By – Brian Wilson, Tony Asher (2) 2:27 A4 Don't Talk (Put Your Head On My Shoulder) Lead Vocals – Brian*Written-By – Brian Wilson, Tony Asher (2) 2:52 B1 I'm Waiting For The Day Lead Vocals – Brian*Written-By – Brian Wilson, Mike Love 3:01 B2 Let's Go Away For Awhile Written-By – Brian Wilson 2:18 B3 Sloop John B Arranged By – Brian WilsonWritten-By – Traditional 2:57 C1 God Only Knows Lead Vocals – Carl*Written-By – Brian Wilson, Tony Asher (2) 2:46 C2 I Know There's An Answer Chorus – Brian WilsonLead Vocals – Alan*, Mike*Written-By – Brian Wilson, Mike Love, Terry Sachen 3:10 C3 Here Today Lead Vocals – Mike*Written By – Brian WilsonWritten-By – Mike Love, Terry Sachen 2:38 D1 I Just Wasn't Made For These Times Lead Vocals – Brian*Written-By – Brian Wilson, Tony Asher (2) 3:21 D2 Pet Sounds Written-By – Brian Wilson 2:20 D3 Caroline No Lead Vocals – Brian*Written-By – Brian Wilson, Tony Asher (2) 2:16 AllMusic Review by Richie Unterberger
     The best Beach Boys album, and one of the best of the 1960s. The group here reached a whole new level in terms of both composition and production, layering tracks upon tracks of vocals and instruments to create a richly symphonic sound. Conventional keyboards and guitars were combined with exotic touches of orchestrated strings, bicycle bells, buzzing organs, harpsichords, flutes, Theremin, Hawaiian-sounding string instruments, Coca-Cola cans, barking dogs, and more. It wouldn't have been a classic without great songs, and this has some of the group's most stunning melodies, as well as lyrical themes which evoke both the intensity of newly born love affairs and the disappointment of failed romance (add in some general statements about loss of innocence and modern-day confusion as well). The spiritual quality of the material is enhanced by some of the most gorgeous upper-register male vocals (especially by Brian and Carl Wilson) ever heard on a rock record. "Wouldn't It Be Nice," "God Only Knows," "Caroline No," and "Sloop John B" (the last of which wasn't originally intended to go on the album) are the well-known hits, but equally worthy are such cuts as "You Still Believe in Me," "Don't Talk," "I Know There's an Answer," and "I Just Wasn't Made for These Times." It's often said that this is more of a Brian Wilson album than a Beach Boys recording (session musicians played most of the parts), but it should be noted that the harmonies are pure Beach Boys (and some of their best). Massively influential upon its release (although it was a relatively low seller compared to their previous LPs), it immediately vaulted the band into the top level of rock innovators among the intelligentsia, especially in Britain, where it was a much bigger hit.