The Beach Boys - 'The Beach Boys' Party' Analogue Productions 200g MONO LP

	£		42
	$		56

The Beach Boys - 'The Beach Boys' Party' Analogue Productions 200g MONO LP

The Beach Boys - 'The Beach Boys' Party' Analogue Productions 200g MONO LP

Original mono mix produced by Brian Wilson

Mastered by Kevin Gray at Cohearent Audio, most from the original master tapes or best sources available

Lacquer plating by Gary Salstrom and 200-gram vinyl pressing by Quality Record Pressings!

"These are the best sounding and best-looking versions of the Beach Boys records that have ever been produced. We want everything about these to be better than the original." — Chad Kassem, owner and CEO, Acoustic Sounds

Mastered from the Original Master Tapes, Featuring Sublime Dynamics, Clarity, Detail, and Presence

AAA All Analogue vinyl - Analogue Productions Limited Edition – 200g LP

Mastered using Pure Analogue Components by Kevin Gray from the original analog master tapes.

The ultimate pressings of the Beach Boys discography from Analogue Productions!

Original mono mix produced by Brian Wilson

One of 10 titles featuring 33 1/3 mono and stereo remastered editions: Surfin’ USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Today!, Summer Days (And Summer Nights!!), Beach Boys’ Party!, Pet Sounds and Smiley Smile

Audio production — Mark Linett

For Brother Records — Elliott Lott

Mastered by Kevin Gray at Cohearent Audio, most from the original master tapes or best sources available

Lacquer plating by Gary Salstrom and 200-gram vinyl pressing by Quality Record Pressings!

“These are the best sounding and best-looking versions of the Beach Boys records that have ever been produced. We want everything about these to be better than the original.” — Chad Kassem, owner and CEO, Acoustic Sounds

“There are a few good Beatles covers (“I Should Have Known Better” and “You’ve Got to Hide Your Love Away”), and a really good one of The Everly Brothers’ “Devoted to You.” — Michael Fremer,

“What I can say is that Kevin Gray has been able to extract every last bit of information from whatever tape is in the box, and present it in a way that is pleasing and natural to the ear. … in my opinion, the Analogue Productions pressings are now THE definitive issue of each Beach Boys album, and will be my reference copies until if and when something better comes along — which may be never.” — Lee Dempsey, Endless Summer Quarterly, Summer 2015 Edition

To meet the standards of Analogue Productions, our Beach Boys album reissues had a mission to achieve: Present the band’s music the way that Brian Wilson — famed co-founder, songwriter and arranger — intended. Mono mixes created under Wilson’s supervision were how the surf rockin’ California crew rose to fame! And we’ve got ‘em!

For the early part of the Beach Boys career, all of their singles were mixed and mastered and released only in the mono format — they didn’t release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Wilson, who suffers from partial deafness. Still, apart from Surfin’ Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.

We’ve taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!
But there’s no disputing that the close harmonies and one-of-a-kind rhythms of hits like “Surfer Girl,” “In My Room,” “Little Deuce Coupe” and more lend themseleves naturally to stereo. So we’ve got your 2-channel needs covered with prime stereo mix versions as well.
Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in “old school” Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!

“Capitol Records, which had already released ten Beach Boys albums in three years, was bugging the group for product that it could release in time for the 1965 Christmas season. To buy time while Brian Wilson began conceiving the Pet Sounds masterpiece, the group issued a set of covers, mostly of the ’50s rock and R&B they had listened to as schoolboys. Packaged as if it had been recorded at an actual party, it was in fact recorded in the studio, with friends and romantic partners adding sounds and vocals to create an informal atmosphere. With the exception of a bass guitar, all the instruments were acoustic; the acoustic guitar-and-bongo arrangements, in fact, give this a hootenanny campfire feel. In recent years, this album has gone up a few notches in critical esteem, praised for its loose, casual feel and insight into the group’s influences. … It does have the massive hit ‘Barbara Ann,’ which actually features Dean Torrence (of Jan & Dean) on much of the lead vocals; other highlights include ‘Mountain of Love,’ an unexpected version of ‘The Times They Are a-Changin’,’ and three Beatles covers.” — AllMusic

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