The Best of Sonny Criss- Hits of the 60's on Prestige Records IN SHRINK WRAP
  $   25

 


$ 25 Sold For
Jun 6, 2018 Sold Date
Jul 9, 2013 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description


The Best of Sonny Rollins
Hits of the 60's
On Prestige Records PR 7742



Condition: Cover is VG+, still in shrink wrap. Record is VG+, two minor inaudible scuffs - does effect play
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ABOUT:

Rollins was born in New York City, to parents who were born in the United States Virgin Islands.[2] Rollins received his first saxophone at age 13. He attended Benjamin Franklin High School in East Harlem. He said that a concert by Frank Sinatra there, accompanied by a plea for racial harmony, changed his life.[3][4][5]

Rollins started as a pianist, changed to alto saxophone, and finally switched to tenor in 1946. During his high-school years, he played in a band with other future jazz legends Jackie McLean, Kenny Drew and Art Taylor. He was first recorded in 1949 with Babs Gonzales (J. J. Johnson was the arranger of the group). In his recordings through 1954, he played with performers such as Miles Davis, Charlie Parker and Thelonious Monk.[4]

In 1950, Rollins was arrested for armed robbery and given a sentence of three years. He spent 10 months in Rikers Island jail before he was released on parole. In 1952 he was arrested for violating the terms of his parole by using heroin.[citation needed] Rollins was assigned to the Federal Medical Center, Lexington, at the time the only assistance in the U.S. for drug addicts. While there he was a volunteer for then-experimental methadone therapy and was able to break his heroin habit.[citation needed] Rollins himself initially feared sobriety would impair his musicianship, but then went on to greater success.

As a saxophonist he had initially been attracted to the jump and R&B sounds of performers like Louis Jordan, but soon became drawn into the mainstream tenor saxophone tradition. Joachim Berendt has described this tradition as sitting between the two poles of the strong sonority of Coleman Hawkins and the light flexible phrasing of Lester Young, which did so much to inspire the fleet improvisation of bebop in the 1950s.

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