The Clash - Sandinista 3xLP FSLN 1 Punk
  £   18
  $   24

 


£ 18 Sold For
Apr 6, 2017 Sold Date
Mar 30, 2017 Start Date
1 Number Of Bids
  Great Britain Country Of Seller
eBay Sold at
 
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Description

BobTheMusicMan – Vinyl, Music & Other Media auctions



Discogs information:

The Clash ?– Sandinista!

Label: CBS ?– FSLN 1 Format: 3 × Vinyl, LP, Album 
Country: UK Released: 12 Dec 1980 Genre: Rock, Reggae Style: Rock & Roll, Dub, Punk

TracklistHide Credits

A1 The Magnificent Seven 5:25 A2 Hitsville U.K. 4:17 A3 Junco Partner Written-By – James Booker 4:49 A4 Ivan Meets G.I. Joe 3:12 A5 The Leader 1:32 A6 Something About England 3:40 B1 Rebel Waltz 3:22 B2 Look Here Written-By – Mose Allison 2:42 B3 The Crooked Beat 5:29 B4 Somebody Got Murdered 3:27 B5 One More Time 3:30 B6 One More Dub 3:32 C1 Lightning Strikes (Not Once But Twice) 4:48 C2 Up In Heaven (Not Only Here) 4:25 C3 Corner Soul 2:40 C4 Lets Go Crazy 4:20 C5 If Music Could Talk Written By – Clash/DreadWritten-By – Mikey Dread 4:33 C6 The Sound Of Sinners 3:57 D1 Police On My Back Written-By – Eddie Grant* 3:14 D2 Midnight Log 2:07 D3 The Equaliser 5:45 D4 The Call Up 5:15 D5 Washington Bullets 3:48 D6 Broadway 4:53 D7 Blowing In The Guns Of Brixton Vocals – Maria Gallagher 0:49 E1 Lose This Skin Written-By – T. Dogg* 5:03 E2 Charlie Don't Surf 4:52 E3 Mensforth Hill 3:40 E4 Junkie Slip 2:47 E5 Kingston Advice 2:34 E6 The Street Parade 3:24 F1 Version City 4:01 F2 Living In Fame Vocals – Mikey Dread 4:55 F3 Silicone On Sapphire 4:27 F4 Version Pardner 5:18 F5 Career Opportunities Vocals – Ben Gallagher, Luke Gallagher 2:28 F6 Shepherds Delight Written By – Dread/ClashWritten-By – Mikey Dread 3:22

Companies, etc.

  • Copyright (c) – CBS Records
  • Phonographic Copyright (p) – CBS Records

Credits

  • Bass, Vocals – Paul Simonon
  • Drums, Vocals – Topper Headon
  • Engineer – Bill Price, J. P. Nickolson, Jerry Green, Lancelot "Maxie" McKenzie
  • Guitar, Vocals – Mick Jones
  • Lead Vocals, Guitar – Joe Strummer
  • Mixed By [Versions] – Mikey Dread
  • Producer – The Clash
  • Recorded By, Mixed By – Bill Price
  • Written-By – Clash* (tracks: A1, A2, A4 to B1, B3 to C6, D2 to D6, E2 to F6)

Notes

Includes a printed insert with the catalog number FSLN 1, titled "The Armagideon Times no3" and featuring lyrics, credits and cartoons by Steve Bell.
D7: Is listed on The Armagideon Times no3 insert included with album.
(P) 1980 CBS Records
Made in England
Published by Nineden Ltd. except:
A3: War Lock Music
B2: Panache Music Ltd.
D1: Edward Kassner Music Co. Ltd.
E1: Copyright Control
F4: War Lock Music

Barcode and Other Identifiers

  • Label Code: LC 0149
  • Rights Society: MCPS/BIEM
  • Other (Distribution Code): CB 253
  • Matrix / Runout (Side 1, Variant 1): FSLN-1-A3 V
  • Matrix / Runout (Side 2, Variant 1): FLSN-1-B4 Timtom V
  • Matrix / Runout (Side 3, Variant 1): FLSN-1-C5 1 V
  • Matrix / Runout (Side 4, Variant 1): FLSN-1-D5 V
  • Matrix / Runout (Side 5, Variant 1): FLSN-1-E5 V
  • Matrix / Runout (Side 6, Variant 1): FLSN-1-F5 V
  • Matrix / Runout (Side 1, Variant 2): FSLN-1-A4
  • Matrix / Runout (Side 2, Variant 2): FSLN 1 B6
  • Matrix / Runout (Side 3, Variant 2): FSLN 1 C5
  • Matrix / Runout (Side 4, Variant 2): FSLN-1-D4
  • Matrix / Runout (Side 5, Variant 2): FSLN-1 E2
  • Matrix / Runout (Side 6, Variant 2): FSLN 1 F6
  • Matrix / Runout (Side 1, Variant 3): FSLN-1-A6 V
  • Matrix / Runout (Side 2, Variant 3): FSLN-1-B5 V
  • Matrix / Runout (Side 3, Variant 3): FSLN-1-C6 V
  • Matrix / Runout (Side 4, Variant 3): FSLN-1-D5 V
  • Matrix / Runout (Side 5, Variant 3): FSLN-1-E2 D
  • Matrix / Runout (Side 6, Variant 3): FSLN-1-F6 V
  • Matrix / Runout (Side 1, Variant 4): FSLN-1-A4
  • Matrix / Runout (Side 2, Variant 4): FSLN-1-B3
  • Matrix / Runout (Side 3, Variant 4): FSLN-1-C6
  • Matrix / Runout (Side 4, Variant 4): FSLN-1-D5
  • Matrix / Runout (Side 5, Variant 4): FSLN-1-E5
  • Matrix / Runout (Side 6, Variant 4): FSLN-1-F5

Our grading in condition section above.

Records graded to Record Collector guidelines, visually unless mentioned.

Mint (M)

The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet. booklet or poster are in perfect condition. Records marked as Sealed or Unplayed should be Mint.

Excellent (EX)

The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.

Very Good (VG)

The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects is acceptable

Good (G)

The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc

Fair (F)

The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.

Poor (P)

The record will not play properly due to scratched, bad surface noise, etc. The cover and contents will be badly damaged or partly missing

Bad (B)

The record is unplayable or might even be broken, and is only of use as a collection-filler

CD’s and CASSETTES

As a general rule CD’s and Cassettes either play perfectly – in which case they are in Mint condition – or they don’t, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CD’s are difficult to grade visually; they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves.



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