The Jesus And Mary Chain ?– Psychocandy

Tracklist

Companies, etc.

• Phonographic Copyright (p) – WEA Records Ltd.
• Copyright (c) – WEA Records Ltd.
• Recorded At – Southern Studios
• Manufactured By – Record Service GmbH
• Published By – Warner Bros. Music Ltd.
• Pressed By – Record Service Alsdorf

Credits

• Backing Vocals – Karen*, Laurence*
• Bass – Douglas Hart
• Composed By – Reid*, Reid*
• Drums – Bobby Gillespie
• Engineer – John Loder
• Guitar, Vocals – William Reid
• Photography By [Photos] – Alastair Indge, Bleddyn Butcher, Chris Clunn, Mike Laye, Rona McIntosh,Stuart Cassidy
• Producer – The Jesus And Mary Chain
• Vocals, Guitar – Jim Reid
• Words By, Music By – Jim Reid, William Reid

Notes

Barcode and Other Identifiers

• Barcode: 0 22924 07901 6
• Label Code: LC 4281
• Rights Society: GEMA/BIEM
• Other (UK Cat#): BYN 7
• Other (Vinyl Cat#): 240 790-1 ?
• Other (Tape Cat#): 240 790-4
• Other (France Distribution Code): WE 381
• Other (Price Code): ?
• Matrix / Runout (Runout Side A - Variant 1): R / S Alsdorf 240790-1 AX
• Matrix / Runout (Runout Side B - Variant 1): R / S Alsdorf 240790-1 B4
• Matrix / Runout (Runout Side A - Variant 2): R / S Alsdorf 240790-1 AX
• Matrix / Runout (Runout Side B - Variant 2): R / S Alsdorf 240790-1 B3 UK
• Matrix / Runout (Runout Side A - Variant 3): R / S Alsdorf 240790-1 AX
• Matrix / Runout (Runout Side B - Variant 3): R / S Alsdorf 240790-1 B8 BE 27
• Matrix / Runout (Runout Side A - Variant 4): R / S Alsdorf 240790-1 AX 3
• Matrix / Runout (Runout Side B - Variant 4): R / S Alsdorf 240790-1 B4 9 D ? U???K??? B???E???

Records graded to Record Collector guidelines, visually unless mentioned.

Mint (M)

The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet. booklet or poster are in perfect condition. Records marked as Sealed or Unplayed should be Mint.

Excellent (EX)

The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.

Very Good (VG)

The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects is acceptable

Good (G)

Te record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc

Fair (F)

The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.

Poor (P)

The record will not play properly due to scratched, bad surface noise, etc. The cover and contents will be badly damaged or partly missing

Bad (B)

The record is unplayable or might even be broken, and is only of use as a collection-filler

CD’s and CASSETTES

As a general rule CD’s and Cassettes either play perfectly – in which case they are in Mint condition – or they don’t, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CD’s are difficult to grade visually; they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves.

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