<div style="text-align:center"><img src="http://ti2.auctiva.com/sw/java.gif" border="0"><br><table align="center"><tr><td><a style="text-decoration:none" href="http://store.auctiva.com/DesignerSunglasses4DivaEyewear"><img src="http://ti2.auctiva.com/sw/browse1.gif" border="0"></a></td><td height="23px" valign="middle" align="center"><font face="arial" size="2"><b><a href="http://store.auctiva.com/DesignerSunglasses4DivaEyewear">DesignerSunglasses4DivaEyewear</a> Store</b></font></td></tr></table></div>
Check out my other items!
 Rare comp
<img src="http://ti2.auctiva.com/web/aswCredit.gif" border="0"><br><a href="http://www.auctiva.com/?how=scLnk1" target="_blank"><img src="http://ti2.auctiva.com/images/sc1line1.gif" border="0"></a>   E.P on a 12" , insert included has a split on folding .....Vinyl in Ex Condition, Cover in Ex Condition som corner bends,

The Master Tape A Compilation

Label: Affirmation ?– Affirmation-01, Affirmation ?– AFF-001 Format: Vinyl, LP, Compilation
Country: US Released: 1982 Genre: Rock Style: Hardcore, Punk

Tracklist Hide Credits?

A1 Toxic Reasons – Mercenary Backing Vocals – Bob Roadie Bass, Vocals – Rob Snot Drums, Vocals – Jimmy Joe Pearson Guitar, Vocals – Bruce Stuckey Producer – John Helms, Toxic Reasons Vocals – Ed Pittman Written-By – Toxic Reasons

A2 Toxic Reasons – Drunk And Disorderly Backing Vocals – Bob Roadie Bass, Vocals – Rob Snot Drums, Vocals – Jimmy Joe Pearson Guitar, Vocals – Bruce Stuckey Producer – John Helms, Toxic Reasons Vocals – Ed Pittman Written-By – Toxic Reasons

A3 Slammies – Frustrated Bass – Rapper* Drums – Randy (35) Guitar – Ricky* Lead Guitar – Jeffy (2) Producer – John Helms, Paul Mahern Vocals – Stanlee (3) Written-By – Rapper*

A4 Slammies – P. U. S. Bass – Rapper* Drums – Randy (35) Guitar – Ricky* Lead Guitar – Jeffy (2) Producer – John Helms, Paul Mahern Vocals – Stanlee (3) Written-By – Ricky*

A5 Slammies – Manager Breakdown Bass – Rapper* Drums – Randy (35) Guitar – Ricky* Lead Guitar – Jeffy (2) Producer – John Helms, Paul Mahern Vocals – Stanlee (3) Written-By – Ricky*

A6 Battered Youth – New Patriot Bass – Chip Jones Drums – Steve Schick Guitar – Jeff Kendall Producer – Paul Mahern Vocals – Bob Schick Written-By – Battered Youth

A7 Battered Youth – We'll Love You When Your Dead Bass – Chip Jones Drums – Steve Schick Guitar – Jeff Kendall Producer – Paul Mahern Vocals – Bob Schick Written-By – Battered Youth

A8 Delinquents (2) – Bible School Bass, Backing Vocals – Ian Upstorm Drums – Bill "Duke Challenger" Evans Guitar – Rick Schizo Producer – John Helms Vocals – Rich Decay Written-By – Delinquents (2)

A9 Delinquents (2) – System Pressure Bass, Backing Vocals – Ian Upstorm Drums – Bill "Duke Challenger" Evans Guitar – Rick Schizo Producer – John Helms Vocals – Rich Decay Written-By – Rob Snot

A10 Zero Boys – High Places Bass – Tufty* Drums – Mark* Guitar – Terry* Producer – John Helms, Zero Boys Vocals – Paul Z* Written-By – P. Mahern*, T. Howe*

A11 Zero Boys – Human Body Bass – Tufty* Drums – Mark* Guitar – Terry* Producer – John Helms, Zero Boys Vocals – Paul Z* Written-By – P. Mahern*, T. Howe*

A12 Zero Boys – Mom's Wallet Bass – Tufty* Drums – Mark* Guitar – Terry* Producer – John Helms, Zero Boys Vocals – Paul Z* Written-By – P. Mahern*, T. Howe*

B1 Articles Of Faith – Buried Alive Bass [Muscle], Vocals – Dave* Drums [Guts] – Bill* Guitar [Carnage], Vocals – Vic* Guitar [Finesse] – Joe* Producer – Articles Of Faith, John Helms Written-By – V. Bondi*

B2 Articles Of Faith – False Security Bass [Muscle], Vocals – Dave* Drums [Guts] – Bill* Guitar [Carnage], Vocals – Vic* Guitar [Finesse] – Joe* Producer – A. O. F.*, John Helms Written-By – V. Bondi*

B3 Repellents – Think For Yourself Bass – Jackie Repellent Drums – Yukki G. Repellent Guitar – Lumpy Repellent Producer – Paul Mahern Vocals – Dave Repellent, Jr.

B4 Repellents – Livin' Like An Animal Bass – Jackie Repellent Drums – Yukki G. Repellent Engineer – Brad Garton Guitar – Lumpy Repellent Producer – Paul Mahern Vocals – Dave Repellent, Jr.

B5 Learned Helplessness – Vegis Bass – Rick (46) Drums – Slam Bam-Bam Guitar – 3 - PM Producer – John Helms, Learned Helplessness Vocals – Joy (59) Written-By – Learned Helplessness

B6 FU's – C. E. T. A. Suckers Bass – Joe Rockhead Drums – Bob Furapples Guitar – Steve Grimes Vocals – John Sox Written-By – Steve Grimes

B7 FU's – Death Wish Bass – Joe Rockhead Drums – Bob Furapples Guitar – Steve Grimes Vocals – John Sox Written-By – Steve Grimes

B8 Pattern, The (2) – Unnatural Silence Bass – Luke Chemo Drums, Percussion – Jennifer Laemmer Guitar – Andy Throb Producer – John Helms, Paul Mahern Vocals – Christopher Tatlock Written-By – Scott Colburn

B9 Pattern, The (2) – Michelob Bass – Luke Chemo Drums, Percussion – Jennifer Laemmer Guitar – Andy Throb Producer – John Helms, Paul Mahern Vocals – Christopher Tatlock Written-By – Tatlock*, Scott Colburn

B10 Die Kreuzen – On The Street Bass – Keith* Drums – Erik* Guitar – Herman* Producer – Die Kreuzen, John Helms Vocals – Dan*

B11 Die Kreuzen – All White Bass – Keith* Drums – Erik* Guitar – Herman* Producer – Die Kreuzen, John Helms Vocals – Dan*

B12 Die Kreuzen – Fighting Bass – Keith* Drums – Erik* Guitar – Herman* Producer – Die Kreuzen, John Helms Vocals – Dan*

Companies etc?

• Pressed By – Rite Record Productions – 42267

Credits?

• Artwork [Poster Concept], Design – Joy L. Norris*
• Compilation Producer – Paul Mahern
• Cover – Gary E. Bullock*
• Engineer – John Helms (tracks: A1 to A9, B1 to B3, B8 to B12), Paul Mahern (tracks: A1, A2, A6 to A9, B1, B2, B8 to B12)

Notes?

All songs recorded at Keystone Productions, Indianapolis, IN except "Livin' Like An Animal by the Repellents, recorded at Zounds Studio, Lafayette, IN; and both F.U.'s songs recorded at Radiobeat, Boston, MA

Released with fold out lyrics poster, with a segment dedicated to each band represented.

1000 copies pressed.

Pressing company uncredited, identified by the matrix etchings.

Cat. number Affirmation-001 is on the spine, AFF-001 is on the record labels

Barcode and Other Identifiers?

• Matrix / Runout (Runout Side A [Etched]): Let Action Be The Key Word In Your Life RR 42267A-2 Rite 7-27-82 T.P.
• Matrix / Runout (Runout Side B [Etched]): Concious Identity Is The Ultimate Reality RR 42267 B-2 Rite 7-27-82 T.P.

please note ...that  if I can't BUY SHIPPING INSURANCE for the item through USPS..I CAN'T SELL IT TO YOU!

VINYL ALBUM GRADING/CONDITION

Guidelines for assessing the grading / condition of used records (based on Goldmine Grading for Records)

MINT (M): Perfect! This record looks like it has just left the manufacturer, with NO flaws what so ever. It looks as though it had never been handled. No scuffs or scratches, blotches or stains. No stickers address labels, writing on the covers or labels. No tears or seam splits. No wear to the cover or record period! Age of the record has nothing to do with it.

NEAR MINT or NM, M- : this record appears virtually flawless A very minor scuff and very little else can appear on the vinyl. It should play without any noise over the flaw. The flaw is very hard to see. The cover looks as close to perfect with only minor signs of wear and or age. Minor impressions to the cover (due to the outer edge of the vinyl resting inside) may be acceptable, however the artwork is be as close to perfect as can be.

EXCELLENT or EX or VG++ : minor scuffs which are only slightly visible. There may be more than a few scuffs and NO Scratches COVER: Artwork is still as close to perfect as can be. Some impression to the cover (minor outer ring wear) but no ink wear! Some slight creases to the corners, but not wrinkled and obtrusive to the eye. The corners can show white (where the artwork pasted slick was) meaning, slight wear. No seam splits or writing on the cover or taped repairs can make this grade.

VERY GOOD PLUS or VG+ record shows wear, surface scuffs. The vinyl still has a great luster, but the flaws will be noticeable to the naked eye. If the flaws don't cause any surface noise, the vinyl can still make the VG+ grade. COVERS: A virtually clean cover, but may have small writing on it.The artwork looks clean with slightly more aging. The back of the cover usually gives away the age of the cover. Flat white paper will be somewhat yellow yet no stains or mildew from water damage. Some minor wear to the seams or spine, but no tears or holes popping through. The corners will be slightly dog eared yet no crackly bends, defacing the artwork. In essence, a VG+ cover should have no more than 3 flaws mentioned.

VERY GOOD or VG: this record is a record that is good enough. They are not really going to look very good, but it will STILL play very good. there will almost always be some surface noise when they are played. The Dynamics should still be excellent, overpowering the surface noise. A VG record will appear well have been played but still have some luster. VG covers will look worn, used. There may be some seam splitting . There will be some ring wear, where the ink has begun to wear off. Giving the cover a look of snow falling. If the artwork looks snowy all over, it is less than VG condition. There may be some writing on the cover (still, no Large letters in magic marker). It will look aged and more yellowish due to contamination's in the air (sometimes looking like cigarette smoke). Still it should be decent.

GOOD or G A good record will look very well played, dull, grayish and possibly abused. However a Good record should still play. It will havedistracting surface noise. Such as crackle that is continuous or some hiss. Will also have some loss of dynamics caused from grooves being worn. It should play without any skips or any obtrusively loud pops or repeated clicks, caused by deep scratches. Good means that it will play with some form of decency, so one can still enjoy the music even though you can still hear noise caused from the wear. A Good cover will have just about everything wrong with it. It will have seam splits (possibly taped repaired, but only with scotch tape. No duct tape or masking tape repairs. These are big turn offs. May have magic marker writing on the cover but still if they are in huge letters, it is a big turn off.In essence, the cover will looked virtually trashed, but some artwork will still be noticed. If the artwork is worn, it is POOR and the cover is worthless.

On a scale from 1 (Poor) to 10 (Perfect) the above gradings are equivalent to:
MINT - 10, Near Mint - 8, Excellent - 7, Very Good Plus - 6 , Very Good - 5 , Good - 2

WE HAVE COLLECTED RARE VINYL RECORDS & FLYERS FROM RECORD STORES PUNK ROCK OR METAL CONCERTS.