The Rolling Stones – The Rolling Stones

Original 1964 UK Mono issue, with KT tax on both the labels and run-outs.
The cover is in VG+ condition. The labels are in VG+ (spindle trails) The vinyl is VG+, has A small handful of very faint lines, but no effect on the audio, it plays very well. (Excellent audio)

The label rim reads on top ''Made in England. The Decca Record Co. Ltd.'',
The NCB (no full stops) and B.I.E.M. captions are on the right hand side on side A.
On side B the BIEM caption is omitted and N.C.B. caption appears with full stops.
Cover - B2  *only "Printed in England" The back cover lists ''I Need You Baby'' as track A4, the cover has no 'flip-backs', but the lamination is folded over to the back cover in a small band.
Label V : credits for Tracks A3 is "Hurran-Calvert" - Side A publishing credit (c) is Cromwell Music (not Burlington Music)

• Rights Society: BIEM / NCB / M.C.P.S
• Other (Tax Code): K/T
• Matrix / Runout XARL-6271-1A KT
• Matrix / Runout XARL-6272-3A KT

Label: Decca – LK 4605 Format: Vinyl, LP, Album, Mono, B2V Country: UK Released: 1964 Genre: Rock Style: Rhythm & Blues A1
(Get Your Kicks On) Route 66 Written-By – Troup* A2
I Just Want To Make Love To You Written-By – Dixon* A3
Honest I Do Written-By [Label] – Hurran, Calvert Written-By [Sleeve] – Reed A4
I Need You Baby Written-By – McDaniels A5
Now I've Got A Witness (Like Uncle Phil And Uncle Gene) Written-By – Phelge A6
Little By Little Written-By – Phelge, Spector B1
I'm A King Bee Written-By – Moore B2
Carol Written-By – Berry B3
Tell Me (You're Coming Back) Written-By – Jagger, Richards B4
Can I Get A Witness Written-By – E. & B. Holland, Dozier B5
You Can Make It If You Try Written-By – Jarrett B6
Walking The Dog Written-By – Thomas

• Recorded At – Regent Sound Studios
• Copyright © – The Decca Record Company Limited
• Record Company – The Decca Record Company Limited
• Made By – The Decca Record Company Limited
• Published By – E. H. Morris
• Published By – Jewel Music
• Published By – Cromwell Music
• Published By – Southern Music
• Published By – Campbell Connelly
• Published By – Belinda
• Published By – Burlington Music
• Published By – Hill & Range
• Lacquer Cut At – Decca Studios

• Arranged By – The Rolling Stones
• Lacquer Cut By – A (26)
• Photography By – Nicholas Wright (2)
• Producer – Andrew Loog Oldham, Eric Easton

A few words about condition.

Grade & 
score out of 100
                                           GRADING
Mint is a Rigid Band - The next Four Grades are all Narrow Bands, that slightly widen as the condition gradually deteriorates - Good is still Good, but there is a rapid widening of the Grade Bands, as the condition deteriorates over the last Four grades.

MINT
100
The record itself is in brand new condition with no surface marks or deterioration in sound quality.
The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition.
Only graded on records that are sealed or clearly unplayed.
 
NEAR MINT
97 to 99        

EXCELLENT
90 to 96
The record shows virtually no signs of having been played,  there is no lessening in sound quality.
The cover and  packaging might have the slightest of tiny defects.
 
The record shows some slight signs of having been played, but there is very little, (if any) lessening in sound quality.
The cover and  packaging might have very slight wear. 
 
VERY GOOD PLUS
80 to 89

VERY GOOD
69 to 79
The record shows signs of having been played, but there is very little lessening in sound quality.
The cover and  packaging might have slight wear, light creasing.

The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch.
Normal wear and tear on the cover or extra items, without any major defects.
This is an above average used record, that has been well looked after.




GOOD
56 to 68
The record has been played so much that the sound quality has deteriorated, but the record will still play through, and it will not be a completely unpleasant listening experience, even at the bottom of this grade (56).
The cover and contents may suffer from folding, scuffing of edges, spine splits, discolouration, etc. 




FAIR
41 to 55
The record is still playable but has not been cared for properly and displays considerable surface noise; it may even stick, skip or jump.. This is starting to be an unpleasant listening experience at the top of the grade (55) and will not be a pleasant listening experience at all by the end of it (41).
The cover and contents will be torn, stained and/or defaced. 
 
POOR
25 to 40
The record will not play properly due to scratches, bad surface noise, etc.
The cover and contents will be badly damaged or partly missing. 
 
BAD
0 - 24
The record is unplayable or might even be broken, and is only of use as a collection-filler.
The Sleeve is non existent (0) or what is left, is only just recognisable.

A few words about postage.

Within Australia, the best value for multiple purchases is a 5KG satchel, where as many as 15 to 20 LPs can be posted for $22.00 registered post. (well packed in a box, inside the satchel)

My Policies on postage are simple.

I post at cost.
The user pays.
I package well.