The SHINING O.S.T. LP NM/EX, Silver Stamped Promo 1980 Carlos, Ligeti, Bartok...

$

96

The Shining (Original Sound Track)

Various - The Shining (Original Sound Track) album cover

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Label:

Warner Bros. Records – HS 3449

Format:

Vinyl, LP, Album

Country:

US

Released:

1980

Genre:

Electronic, Classical, Stage & Screen

Style:

Soundtrack, Modern Classical, Experimental

A1 Wendy Carlos & Rachel Elkind– Main Title "The Shining" 3:27

A2 Wendy Carlos & Rachel Elkind– Rocky Mountains 3:01

A3 György Ligeti– Lontano

Conductor – Ernest Bour

Orchestra – Sinfonie-Orchester Des Südwestfunks*

10:11

A4 Béla Bartok*– Music For Strings, Percussion And Celesta

Conductor – Herbert von Karajan

Orchestra – Berlin Philharmonic Orchestra*

Recorded By – Deutsche Grammophon

8:07

B1 Krzysztof Penderecki– Utrenja (Excerpt)

Conductor – Andrzej Markowski

Orchestra – Symphony Orchestra Of The National Philharmonic, Warsaw*

Recorded By – Polskie Nagrania

3:33

B2 Krzysztof Penderecki– The Awakening Of Jacob

Conductor – Krzysztof Penderecki

Orchestra – Polish Radio National Symphony Orchestra*

7:55

B3 Krzysztof Penderecki– De Natura Sonoris No. 2

Conductor – Krzysztof Penderecki

Orchestra – Polish Radio Symphony Orchestra*

8:56

B4 Henry Hall And The Gleneagles Hotel Band– Home

Written-By – Jeff Clarkson*, Harry Clarkson, Peter Van Steeden

3:09

Phonographic Copyright ℗ – Warner Bros. Records Inc.

Published By – Warner-Tamerlane Publishing Corp.

Published By – B. Schott's Söhne

Published By – Boosey & Hawkes, Inc.

Published By – Mills Music, Inc.

Pressed By – Wakefield Manufacturing – 37761

Composed By – Béla Bartók (tracks: A4), György Ligeti (tracks: A3), Rachel Elkind (tracks: A1, A2), Wendy Carlos (tracks: A1, A2)

Composed By, Conductor – Krzysztof Penderecki (tracks: B1, B2, B3)

Conductor – Andrzej Markowski (tracks: B1), Ernest Bour (tracks: A3), Herbert von Karajan (tracks: A4)

Design [Uncredited] – Saul Bass

Orchestra – Berlin Philharmonic Orchestra* (tracks: A4), Symphony Orchestra Of The National Philharmonic, Warsaw* (tracks: B1), Sinfonie-Orchester Des Südwestfunks* (tracks: A3), Polish Radio National Symphony Orchestra* (tracks: B2), Polish Radio Symphony Orchestra* (tracks: B3)

Recorded By – Deutsche Grammophon (tracks: A4), Polskie Nagrania (tracks: B1)

Written-By – Harry Clarkson (tracks: B4), Jeff Clarkson (tracks: B4), Peter Van Steeden (tracks: B4)

B4: With kind of permission of the Decca Record Company.

A1 & A2: Warner-Tamerlane Publishing Corp.-BMI

A3, B1 to B3: B. Schott's Söhne-BMI

A4: Boosey & Hawkes Inc.-ASCAP

B4: Mills Music Inc.-ASCAP

℗ 1980 Warner Bros. Records, Inc.

Warner Bros. Records, Inc., a subsidiary and licensee of Warner Bros. Inc., a Warner Communications Company

Made in U.S.A.

Printed in U.S.A.

Barcode: 0 7599-23449-1

Matrix / Runout (Side A etched, variant 1): HS-3449-A-1 AL 37761

Matrix / Runout (Side B etched, variant 1): HS-3449 B-1 AL 37761 Mo#2 #7

Matrix / Runout (Side A etched, variant 2): HS-3449-A-2 #1 AL 37761

Matrix / Runout (Side B etched, variant 2): HS-3449 B-2 AL 37761 #1

Matrix / Runout (Side A etched, variant 3): HS-3449-A-2 AL 37761 #8

Matrix / Runout (Side B etched, variant 3): HS-3449 B-2 #6 AL 37761

Matrix / Runout (Both sides, stamped): W over M [logo]

Rights Society (A4 & B4): ASCAP

Rights Society (All other tracks): BMI

GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.