The Soul-Gospel Sounds Of The Art Reynolds Singers, LP Stereo NM/EX 1968
$
34
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Description
The Soul-Gospel Sounds Of The Art Reynolds Singers
The Art Reynolds Singers - The Soul-Gospel Sounds Of The Art Reynolds Singers album cover
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Label: Capitol Records – ST 2900
Format:
Vinyl, LP, Album, Stereo
Country: US
Released: 1968
Genre: Funk / Soul
Style: Gospel
A1 Go For What You Know
Lead Vocals [Vocal Solo By] – Alfreda James*, Art Reynolds*
Written-By – Alexis Donnadell, Art Reynolds*
3:50
A2 Can't Tell It All
Lead Vocals [Vocal Solo By] – Glenna Session
Written By – Hamilton
Written-By – Donnadell*, Reynolds*, Session*
2:00
A3 Help Yourself
Lead Vocals [Vocal Solo By] – Alfreda James*
Written-By – Art Reynolds*, Paul Langlies
2:32
A4 Selfishly
Lead Vocals [Vocal Solo By] – Glenna Session
Written-By – Isaiah Jones
2:41
A5 My Mother's Eyes
Lead Vocals [Vocal Solo By] – Alfreda James*
Written-By – Art Reynolds*
3:47
A6 Why? (Am I Treated So Bad)
Written-By – R. Staple*
3:34
B1 I've Made Up My Mind
Lead Vocals [Vocal Solo By] – Alfreda James*, Glenna Session
Written-By – James*, Reynolds*, Session*
2:55
B2 Land Of Freedom
Lead Vocals [Vocal Solo By] – Glenna Session
Written-By – Isaiah Jones
4:15
B3 My Possessions
Lead Vocals [Vocal Solo By] – Art Reynolds*
Written-By – Art Reynolds*
2:53
B4 Face The Day
Lead Vocals [Vocal Solo By] – Alfreda James*
Written-By – Alfreda James*, Art Reynolds*
2:30
B5 He's Got The Whole World In His Hands
Arranged By – A. Reynolds*, G. Session*
Lead Vocals [Vocal Solo By] – Glenna Session
Written By – Traditional
1:34
Manufactured By – Capitol Records, Inc.
Pressed By – Capitol Records Pressing Plant, Scranton
Coordinator [A & R] – Jim Winfree
Producer – Bob McCarty, Gary Paxton
Vocals – Alexis Donnadell, Alfreda James*, Arlene LeBoef, Art Reynolds*, Glenna Session, Lillie Mae Brown
The names of Glenna Session and Isaiah Jones are misspelled in the writing credits on the labels ("Sessions" and "Isaih" respectively) but the credits on the cover have the correct spellings.
LCCN Permalink: http://lccn.loc.gov/r68000579
Matrix / Runout (Side A, runout, hand etched, variant 1): ST-1-2900-A1
Matrix / Runout (Side B, runout, hand etched, variant 1): ST-2-2900-B2
Matrix / Runout (Side A, runout, hand etched, variant 2): ST-1-2900-B2
Matrix / Runout (Side B, runout, hand etched, variant 2): ST-2-2900-A1
Pressing Plant ID (Side A / B, runout, stamped, variant 2): I AM
GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
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