Tim Buckley - Dream Letter Live In London 1968 2xLP UK 1990 DFIEND 200
£
15
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Description
Tim Buckley ?– Dream Letter: Live In London 1968
Label: Demon Records ?– DFIEND 200 Format: 2 × Vinyl, LP, AlbumCountry: UK Released: 1990 Genre: Pop Style: Folk Rock, Acoustic
Tracklist
A1 Introduction 1:07 A2 Buzzin' Fly 6:14 A3 Phantasmagoria In Two 4:41 A4 Morning Glory 3:43 A5 Dolphins 6:40 A6 I've Been Out Walking 8:19 B1 The Earth Is Broken 6:59 B2 Who Do You Love 9:27 B3 Pleasant Street/You Keep Me Hanging On 8:01 C1 Love From Room 109/Strange Feelin' 12:19 C2 Carnival Song/Hi Lily, Hi Lo 8:51 C3 Hallucinations 7:14 C4 Troubadour 6:05 D1 Dream Letter/Happy Time 9:26 D2 Wayfaring Stranger/You Got Me Runnin' 13:08 D3 Once I Was 4:32Companies, etc.
- Recorded At – Queen Elizabeth Hall
- Mastered At – A&M Mastering Studios
- Licensed From – Enigma Entertainment
- Copyright (c) – Enigma Records (3)
- Phonographic Copyright (p) – Straight
Credits
- Acoustic Guitar [12 String], Vocals – Tim Buckley
- Bass – Danny Thompson
- Executive Producer [Project Supervision] – Patrick Pending
- Guitar, Liner Notes – Lee Underwood
- Mastered By – Ken Perry
- Mixed By [Mixdown Engineer] – John Strother
- Producer – Lee Hammond
- Producer, Mastered By – Bill Inglot
- Vibraphone – David Friedman
Notes
Recorded at Queen Elizabeth Hall, London on July 10, 1968. Mastered from original tapes in January 1990 at A&M Mastering.Two LPs issued in a single pocket sleeve.
Barcode and Other Identifiers
- Barcode: 5 014757 002007
- Matrix / Runout: (Side A): DFIEND-200-A1 ? MAX TY1
- Matrix / Runout: (Side B): DFIEND-200-B1 ? MAX TY1
- Matrix / Runout: (Side C): DFIEND-200-C1 ? MAX TY1
- Matrix / Runout: (Side D): DFIEND-200-D1 ? MAX TY1
Records graded to Record Collector guidelines, visually unless mentioned.
Mint (M)
The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet. booklet or poster are in perfect condition. Records marked as Sealed or Unplayed should be Mint.
Excellent (EX)
The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
Very Good (VG)
The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects is acceptable
Good (G)
Te record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc
Fair (F)
The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
Poor (P)
The record will not play properly due to scratched, bad surface noise, etc. The cover and contents will be badly damaged or partly missing
Bad (B)
The record is unplayable or might even be broken, and is only of use as a collection-filler
CD’s and CASSETTES
As a general rule CD’s and Cassettes either play perfectly – in which case they are in Mint condition – or they don’t, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CD’s are difficult to grade visually; they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves.
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