Col Joye, Bob Purtell, Laurie Allen, Jim Cooper

Truck Stop

Original 1976 Australian 1st Pressing Promo issue 12" LP Vinyl Record. "Sample Record Not For Sale" sticker on the side 1 label.

The Vinyl is Near Mint The labels are Near Mint The original inner sleeve is Near Mint
The cover is Excellent

Top vinyl, promo issue.
Label: Ata Records – L-35943 Format: Vinyl, LP, Album Country: Australia Released: 1976 Genre: Folk, World, & Country Style: Country A1

Movin' On Backing Vocals – Bob, Jim, Laurie Lead Vocals – Col Written-By – Haggard 2:12 A2
Truck Stop Vocals – Laurie Allen Written-By – Smith, Horton 2:44 A3
Old Bob Burton Vocals – Col Joye Written-By – Bennett, Solomon 2:40 A4
The Night That Andy McDonough Died Vocals – Jim Cooper (10) Written-By – Cooper 2:46 A5
Drag 'Em Off The Interstate Sock It To 'Em J.P. Blues Vocals – Bob Purtell Written-By – Horton 2:35 A6
I Got Lost Vocals – Laurie Allen Written-By – Hall 2:30 A7
Rollin' Home Vocals – Bob Purtell Written-By – Laurie Allen 2:23 A8
Get On Board My Wagon Vocals – Col Joye Written-By – Griff 1:55 B1
Motivation' Day Vocals – Bob Purtell Written-By – Laurie Allen 2:52 B2
Six Days On The Road Vocals – Jim Cooper (10) Written-By – Montgomery, Green 2:10 B3
Trucker's Lullaby Vocals – Bob Purtell Written-By – Purtell, Allen 2:12 B4
15 Gears & 14 Wheels Vocals – Col Joye Written-By – Harrison 2:52 B5
Trucker's Prayer Vocals – Laurie Allen Written-By – Thornton, Turner 2:32 B6
Tombstone Every Mile Vocals – Jim Cooper (10) Written-By – Fulkerson 3:02 B7
Big Wheel Cannonball Vocals – Bob, Col, Jim, Laurie Written-By – Horton 2:35

• Made By – Festival Records Pty. Ltd.
• Recorded At – ATA Studios
• Manufactured By – Festival Records Pty. Ltd.
• Distributed By – Festival Records Pty. Ltd.
• Phonographic Copyright ℗ – Ata Records

• Artwork – Suzanne Holman
• Backing Vocals – Bob Pierse, Dalvanius And The Fascinations*, Joy Mulligan, Sep Martin
• Bass Guitar – Bill Graham (7), Keith Jacobsen
• Clarinet – Errol Buddle
• Drums – Jimbo Young*, "Wrecks" Blair*
• Engineer – Peter Stephenson (2), Ron Patton (4)
• Guitar – Dave Longmore (2), Mick Hamilton
• Harmonica [French Harp] – Mort Fist, Richard Brooks (6)
• Photography By – Philip Morris (3)
• Piano – Dave Powers (7)
• Steel Guitar – Ken Kitching, Warren Neilson
• Synthesizer [Solina] – Chris Neal (3)
• Trombone – Ken Herron
• Trumpet – Bob Barnard
• Vocals – Col Joye
• Vocals, Backing Vocals – Bob Purtell
• Vocals, Backing Vocals, Dobro, Guitar, Piano, Organ, Producer – Laurie Allen
• Vocals, Backing Vocals, Guitar, Producer, Bass Guitar – Jim Cooper (10)

Recorded at A.T.A. Sound Studios, 96 Glebe Point Road, Glebe, Sydney.

• Matrix / Runout (Side A): SMX49389
• Matrix / Runout (Side B): SMX49390

A few words about condition.

Grade & 
score out of 100
                                           GRADING
Mint is a Rigid Band - The next Four Grades are all Narrow Bands, that slightly widen as the condition gradually deteriorates - Good is still Good, but there is a rapid widening of the Grade Bands, as the condition deteriorates over the last Four grades.

MINT
100
The record itself is in brand new condition with no surface marks or deterioration in sound quality.
The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition.
Only graded on records that are sealed or clearly unplayed.
 
NEAR MINT
97 to 99        

EXCELLENT
90 to 96
The record shows virtually no signs of having been played,  there is no lessening in sound quality.
The cover and  packaging might have the slightest of tiny defects.
 
The record shows some slight signs of having been played, but there is very little, (if any) lessening in sound quality.
The cover and  packaging might have very slight wear. 
 
VERY GOOD PLUS
80 to 89

VERY GOOD
69 to 79
The record shows signs of having been played, but there is very little lessening in sound quality.
The cover and  packaging might have slight wear, light creasing.

The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch.
Normal wear and tear on the cover or extra items, without any major defects.
This is an above average used record, that has been well looked after.




GOOD
56 to 68
The record has been played so much that the sound quality has deteriorated, but the record will still play through, and it will not be a completely unpleasant listening experience, even at the bottom of this grade (56).
The cover and contents may suffer from folding, scuffing of edges, spine splits, discolouration, etc. 




FAIR
41 to 55
The record is still playable but has not been cared for properly and displays considerable surface noise; it may even stick, skip or jump.. This is starting to be an unpleasant listening experience at the top of the grade (55) and will not be a pleasant listening experience at all by the end of it (41).
The cover and contents will be torn, stained and/or defaced. 
 
POOR
25 to 40
The record will not play properly due to scratches, bad surface noise, etc.
The cover and contents will be badly damaged or partly missing. 
 
BAD
0 - 24
The record is unplayable or might even be broken, and is only of use as a collection-filler.
The Sleeve is non existent (0) or what is left, is only just recognisable.

A few words about postage.

Within Australia, the best value for multiple purchases is a 5KG satchel, where as many as 15 to 20 LPs can be posted for $22.00 registered post. (well packed in a box, inside the satchel)

My Policies on postage are simple.

I post at cost.
The user pays.
I package well.