Two Neil Young/Crazy Horse vinyl albums - "Tonight's the Night" and "Zuma"
  £   18
  $   24

 


£ 18 Sold For
Jul 6, 2016 Sold Date
Jun 29, 2016 Start Date
£   5 Start price
8   Number Of Bids
  Great Britain Country Of Seller
eBay Auctioned at
 
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Description

Two classic 1975 Neil Young and Crazy Horse albums

Tonight's the Night - UK Pressing Reprise K54040

Zuma - UK Pressing K54057

Review of Tonight's the Night:

"The music has a feeling of offhand, first-take crudity matched recently only by Blood on the Tracks, almost as though Young wanted us to miss its ultimate majesty in order to emphasize its ragged edge of desolation.  More than any of Young's earlier songs and albums—even the despondent On the Beach and the mordant, rancorous Time Fades Away—Tonight's the Night is preoccupied with death and disaster. There is no sense of retreat, no apology, no excuses offered and no quarter given. If anything, these are the old ideas with a new sense of aggressiveness. The jitteriness of the music, its sloppy, unarranged (but decidedly structured) feeling is clearly calculated." (Dave Marsh, Rolling Stone)

Review of Zuma

"Young had abandoned the ragged, first-take approach of his previous three albums, but  Crazy Horse would never be a polished act, and the music had a lively sound well-suited to the songs, which were some of the most melodic, pop-oriented tunes Young ad crafted in years, though they were played with an electric-guitar-drenched rock intensity. The overall theme concerned romantic conflict, with lyrics that lamented lost love and sometimes longed for a return ("Pardon My Heart" even found Young singing, "I don't believe this song"), though the overall conclusion, notably in such catchy songs as "Don't Cry No Tears" and "Lookin' for a Love," was to move on to the next relationship. But the album's standout track (apparently the only holdover from an early intention to present songs with historical subjects) was the seven-and-a-half-minute epic "Cortez the Killer," a commentary on the Spanish conqueror of Latin America that served as a platform for Young's most extensive guitar soloing since his work on Everybody Knows This Is Nowhere." (Willian Ruhlman)

Covers are in fair condition, but inner sleeves and LPs are in very good/mint condition - please see photos for details

I am happy to accept returns, but buyer will pay postage


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