Two Rooms Celebrating songs of Elton John/Bernie Taupin 1991 cw inners All Ex

	£		22
	$		29

This record has been graded according  to 'Record Collector' guidelines.  Prior to posting to the customer, the record has been cleaned using a professional Okki Nokki record cleaning machine, sample play tested, given a poly-lined paper inner and is now ready to be delivered to you and enjoyed in the comfort of your home. :
Please check my feedback and buy with confidence  ~ VARIOUS                         ~   TWO ROOMS ~ CELEBRATING THE SONGS OF ELTON JOHN/BERNIE TAUPIN                                                                                                  845 749 -1    ~ 

Tracklist

A1 –Eric Clapton Border Song Alto Saxophone – George Young (2)Arranged By [Horns] – Rob MounseyBaritone Saxophone – Ronnie CuberBass – Daryl Jones*Choir – Reverend Timothy Wright Washington Temple Concert Choir*Coordinator [Production Co-ordinator] – Jill Dell'AbateDrums – Steve FerroneEngineer – Dave O'DonnellGuitar, Vocals – Eric ClaptonMixed By – Rob EatonMixed By [Assistant] – Ben FowlerPiano – Greg PhillinganesProducer – Eric Clapton, Truman StilesProducer [Assistant] – Alexandra Saraspe*Synthesizer [Additional] – Alan Clark, Robbie KondorSynthesizer [Synth Horns] – Jeff BovaTambourine – Carol SteeleTenor Saxophone – Michael BreckerTrombone – Dave BargeronTrumpet – Alan Rubin A2 –Kate Bush Rocket Man (I Think It's Going To Be A Long, Long Time) Bagpipes [Uilleann] – Davey Spillane*Concertina – Alistair AndersonDrums – Charlie MorganEngineer, Bass – Del PalmerGuitar – Alan MurphyProducer, Keyboards, Vocals – Kate Bush A3 –Sting Come Down In Time Engineer – Richard ArnoldPiano – Nancy TreadlightRecorded By, Mixed By – Hugh PadghamVocals, Bass – Sting A4 –The Who Saturday Night's Alright For Fighting Backing Vocals – Ian WilsonEngineer – Andy MacphersonPiano – John 'Rabbit' Bundrick*Producer, Backing Vocals – Billy NichollsProducer, Programmed By [Programming] – Jon Astley B1 –The Beach Boys Crocodile Rock Backing Vocals – Adrian Baker, Bruce Johnson*, Carl Wilson, Mike LoveEngineer, Vocals – Jeff PetersGuitar – Jerry StevensonLead Vocals – Alan JardineProducer, Remix – Gus DudgeonProgrammed By [Programming], Keyboards, Engineer – Ian Lynne*Remix – Tufty B2 –Wilson Phillips Daniel Arranged By [String Arrangement] – Jerry HeyArranged By [Vocal Arrangement] – Wilson PhillipsBass – Neil StubenhausCoordinator [Production Co-ordinator] – Jolie LevineCymbal – John Robinson (2)Engineer [Assistant] – Charlie Paakkari, Chris Fogel, Mark Hagen, Randy LongGuitar – Michael LandauOther [Charts Prepared By] – Orion CrawfordPiano [Acoustic] – Randy KerberProducer, Arranged By [Vocal Arrangement, Rhythm Arrangement], Electric Piano, Synthesizer – Glen BallardProgrammed By [Synthesizer Programming] – Michael BoddickerRecorded By, Mixed By – Francis BuckleySaxophone – Daniel Higgins* B3 –Joe Cocker Sorry Seems To Be The Hardest Word Bass – T.M. StevensDrums – Steve Holley (2)Engineer [Assistant] – Dan Gellent, Gary LanganGuitar – Phil GrandeKeyboards – Chris StaintonProducer, Recorded By, Mixed By – David TickleSaxophone – Deric DyerSynthesizer – John Miles B4 –Jon Bon Jovi Levon Bass – Tim Harrington (3)Drums – Tico TorresEngineer [Additional] – Phil NicoloGuitar – Phil XKeyboards – Dave Bryan*, Howie BertoloProducer, Guitar – Aldo NovaProducer, Recorded By, Mixed By – Obie O'BrienProducer, Vocals – Jon Bon Jovi C1 –Tina Turner The Bitch Is Back Arranged By [Horns], Horns [Horn Section], Soloist [Sax], Organ, Tambourine, Backing Vocals – Timmy Cappello*Bass Guitar, Backing Vocals – Bob FeitDrums – Jack BrunoEngineer [Mixing Assistant] – Talley SherwoodEngineer [Recording Assistant] – Brian Scheuble, Michael Douglass*Guitar, Backing Vocals – James RalstonKeyboards, Backing Vocals – Ollie MarlandLead Guitar, Backing Vocals – Gene BlackPiano, Backing Vocals – Kenny MooreProducer – Roger DaviesProducer, Lead Vocals, Backing Vocals – Tina TurnerProducer, Mixed By, Engineer – Chris Lord-Alge C2 –Daryl Hall & John Oates Philadelphia Freedom Bass Guitar – Kasim SultonDrums – Michael Braun*Electric Guitar – Elliot EastonEngineer – Peter MoshayEngineer [Mix] – Curt FrascaKeyboards – Bob MayoKeyboards [Additional] – T-Bone Wolk, Terry Burros*Mixed By, Producer [Post-production] – Shep PettiboneOther [Guitar Technician & Crew] – Tom PermePercussion – Sammy FigueroaProducer – Tom "T-Bone" Wolk*Producer, Backing Vocals, Electric Guitar – John OatesProducer, Lead Vocals, Backing Vocals, Keyboards – Daryl Hall C3 –Rod Stewart Your Song Bass – Carmine RojasDrums – Dave Palmer*Guitar – Chrissy Shefts, Jeff GolubKeyboards – Kevin SavigarMandolin – Carmine RojasMixed By – Brian MaloufProducer – Trevor HornViolin – Richard Green* C4 –Oleta Adams Don't Let The Sun Go Down On Me Backing Vocals – Carol Kenyon, Tessa NilesBass – Pino PalladinoDrums – John CushonEngineer – Steve Chase*Guitar, Backing Vocals – Roland OrzabalOrgan [Hammond] – Simon ClarkPiano, Vocals – Oleta AdamsProducer – Roland Orzabel* D1 –Bruce Hornsby Madman Across The Water Bass – Joe PuertaDrums – John MoloEngineer – Larry MillasEngineer [Assistant] – Ken Wishner, Scott AhausEngineer [Mixing] – Tuffy*Guitar – George Marinelli Jr.*Keyboards – John "J.T." Thomas*Producer, Lead Vocals, Piano – Bruce HornsbyProducer, Mixed By – Gus Dudgeon D2 –Sinéad O'Connor Sacrifice Engineer – John ReynoldsEngineer [Assistant] – Paul GoldingKeyboards – Lyndon ConnahProducer – Sinéad O'Connor D3 –Phil Collins & The Serious Band Burn Down The Mission Bass – Lee Sklar*Brass [Section] – Phenix Horns*Guitar – Daryl StuermerOrgan – Steve WinwoodProducer – Hugh PadghamProducer, Vocals, Drums, Piano – Phil Collins D4 –George Michael Tonight Engineer, Recorded By [Live Recording By] – Chris PorterOboe – Danny JacobsPiano, Strings – Chris CameronProducer – George MichaelStrings – Dave ClaytonWoodwind, French Horn – Andy Hamilton (7)

VINYL ~ NM/NM  SLEEVE ~EX cw inner ~ 

:
NEAR MINT: The record itself looks new and unplayed in appearance with no surface marks or deterioration in sound quality.  The cover and any extra items such as the lyric insert, inner or booklets are in near to perfect condition
EXCELLENT: The record shows a few minor signs of having been played, but there is very little lessening in sound quality.  The cover and packaging might have slight wear, mild creasing and/or shelf rub
VERY GOOD: The record has obviously been played many times but displays no major deterioration in sound quality, despite noticeable hairline surface marks.  Normal wear and tear on the cover or extra items, without major defects is permissible
PLEASE NOTE: All records sold on this site will adhere to the above standards.
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