VA "Doing It For the Kids" LP OOP VG+ My Bloody Valentine House of Love Times
$
26
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Description
Various Artists "Doing It For the Kids" LP Creation (UK)
Record is VG+, Jacket is VG+!
Out of Print!!
Original Press
Track Listing:
A1 –Jasmine Minks, The Cut Me Deep Written-By – Shepherd* 3:28 A2 –Felt Ballad Of The Band Written-By – Lawrence (5) 2:53 A3 –House Of Love, The Christine Written-By – Guy Chadwick 3:26 A4 –Weather Prophets, The Well Done Sonny Written-By – D. Morgan*, G. Goulding*, P. Astor* 3:47 A5 –Primal Scream All Fall Down Written-By – Gillespie*, Beattie* 2:13 A6 –Biff Bang Pow! She Paints Written-By – McGee*, Green* 5:22 A7 –Jazz Butcher, The Lot 49 Written-By – Jazz Butcher, The 3:36 B1 –Heidi Berry North Shore Train Written-By – H. Berry* 7:10 B2 –Nikki Sudden Death Is Hanging Over Me Written-By – Sudden* 4:11 B3 –My Bloody Valentine Cigarette In My Bed Written-By – K. Shields* 3:28 B4 –Pacific (4) Jetstream Written-By – Pacific (4) 5:00 B5 –Times, The Godevil Written-By – E. Ball* 4:40 B6 –Momus A Complete History Of Sexual Jealousy (Parts 17-24) Written-By – N. Currie* 5:31 B7 –Emily (3) Reflect On Rye Written-By – Oliver Jackson (2) 2:12 B8 –Razorcuts Brighter Now Written-By – Webster*, Vass* 2:39Creation Records was a British independent record label headed by Alan McGee. Along with Dick Green and Joe Foster, McGee founded Creation in 1983. The name came from the 1960s band The Creation, whom McGee greatly admired. McGee, Green and Foster were also in the band Biff Bang Pow!, which was also the title of a The Creation song. The label was revived at one point in 2011 for the release of a compilation album, Upside Down, spanning songs from the label. The label ceased operations in 1999.
Early years
McGee formed Creation Records following the culmination of various projects including fanzine Communication Blur, his own rock outfit The Laughing Apple (with future Primal Scream guitarist and long-time friend Andrew Innes) and his running of the venue The Communication Club. Initially, McGee wished to provide an outlet for like minded musicians and an opportunity for young bands to see their work on vinyl; primarily the label was in opposition to the "manufactured" synth pop of the era that bore little resemblance to the work of his favourite acts including Public Image Limited and The Sex Pistols.
McGee started the label by putting out the "'73 in '83" single by The Legend! after taking out a £1,000 bank loan. Around the same time he started a club called The Living Room in Tottenham Court Road, through which he met several people who would go on to record for Creation, including Peter Astor and Lawrence Hayward. Distributor Rough Trade soon began funding releases.
Creation was among the key labels in the mid-1980s Indie movement, with early artists such as The Jesus and Mary Chain and Primal Scream. The Jesus and Mary Chain went to record for Warner Brothers in 1985, yet McGee remained as their manager. With the profits he had made from the band, he was able to release singles by label acts such as Primal Scream, Felt, and The Weather Prophets.
McGee had enthusiasm and an uncanny ability to attract the weekly music media, and he was able to get a growing underground following. In their early days, he was able to project a notorious image of The Jesus And Mary Chain, which had often courted violence and loutish behaviour.
Mid-period
Following an unsuccessful attempt to run an offshoot label for Warner Brothers (Elevation Records), McGee regrouped Creation and immersed himself in the burgeoning dance and acid house scene starting in the late 1980s. Those scenes had influenced Creation mainstays such as Primal Scream and Ed Ball, as well as newer arrivals such as My Bloody Valentine.
While Creation Records' releases at this time tended to be critically acclaimed, they tended not to be major commercial hits. Creation had run up considerable debt that was only held off until he sold half the company to Sony Music in 1992. There were reports of McGee's escalating drug use, as well as numerous and conflicting reports of the label being nearly bankrupted after funding the two-year long recording of My Bloody Valentine's 1991 Loveless LP.
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