VELVET UNDERGROUND SELF-TITLED 3d ALBUM RARE '69 UK MGM LP VALENTINE MIX NR MINT

$

56

WE CURRENTLY HAVE  MORE THAN 300  LISTED ITEMS

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·       VELVET UNDERGROUND - SAME TITLED THIRD ALBUM ("VELVET UNDEGROUND") - BRITISH PRESSING - 1969 MGM RECORDS (UK) STEREO LP 2353022

·       GENUINE  U.S. PRESSING

·       VERY EARLY PRESSING CIRCA 1970/71 ON MGM (UK) LABEL (25% GOLD, 75% BLUE) WITH AQUA-BLUE (TURQUOISE) AND SILVERY/GOLD YIN-AND-YANG MOTIF AND SMALL “ROARRING LION” LOGO

·       THIS IS NOT AN IMPORT, RECORD CLUB RELEASE OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THIN CARDBOARD COVER (EUROPEAN STYLE)

·       CLEAN, WEAR-FREE LABELS

·       FAIRLY THICK VINYL PRESSING On the scale from 1 to 10 (1 being the least thick, and  10 being the thickest), we assess the thickness of the vinyl as 6.

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-A4/-B2'

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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Upon first release, the Velvet Underground's self-titled third album must have surprised their fans nearly as much as their first two albums shocked the few mainstream music fans who heard them. After testing the limits of how musically and thematically challenging rock could be on Velvet Underground & Nico and White Light/White Heat, this 1969 release sounded spare, quiet, and contemplative, as if the previous albums documented some manic, speed-fueled party and this was the subdued morning after. (The album's relative calm has often been attributed to the departure of the band's most committed avant-gardist, John Cale, in the fall of 1968; the arrival of new bassist Doug Yule; and the theft of the band's amplifiers shortly before they began recording.) But Lou Reed's lyrical exploration of the demimonde is as keen here as on any album he ever made, while displaying a warmth and compassion he sometimes denied his characters. "Candy Says," "Pale Blue Eyes," and "I'm Set Free" may be more muted in approach than what the band had done in the past, but "What Goes On" and "Beginning to See the Light" made it clear the VU still loved rock & roll, and "The Murder Mystery" (which mixes and matches four separate poetic narratives) is as brave and uncompromising as anything on White Light/White Heat. This album sounds less like the Velvet Underground than any of their studio albums, but it's as personal, honest, and moving as anything Lou Reed ever committed to tape.

 (EXCERPT FROM AN ONLINE REVIEW BY MARK DEMING, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

Velvet Underground released this, now legendary 3rd album, to practically no reaction from either critics or the public. It sold miserably and quickly disappeared into great R&R black hole. Fast forward into the future - it is now almost forty years later, and what was to have been an obscure effort by a local band not much known outside their native city is being hailed from everyone and anyone as one of the great marvels of Rock’n’Roll and probably one of 30-or-so best albums ever made. The Velvets’ third album is truly and honestly one of the most inspiring pieces of music to ever hit my record player. The songs on side A are mostly ballads (and what a gorgeous batch of ballads: ‘Candy Says’; ‘Jesus’ and ‘Pale Blue Eyes’ are some of the warmest and most humane songs Lou Reed ever penned) - and the songs on B side are either uptempo songs or attempts to make some avant-garde music in the absence of recently departed John Cale. Whatever the concept, it worked; even Brian Eno felt compelled to cover "What’s going on" from this album, and he is not the one to lend himself easily to doing covers. The album takes listener through the dark and somewhat contorted Velvets’ world, in which surreal is real and vice versa. Still, this album has much more in common with reality than their previous efforts and exudes an air of warmth, joy, irony and even a gentle sense of humor, something its predecessor (White Light/White Heat) sorely missed. Listening to Maureen Tucker take the singing lesson on "Afterhours" will put a smile on your face. If my memory serves me well, one of the British singers-songwriters or rockers of the punk generation (was it Elvis Costello?) declared "Candy Says" his favorite song ever. And hearing it in this, original version will explain why.

For its extraordinary contribution to the modern music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, writers and general public, or for some other innate quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye, Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice (of "Jesus Christ Superstar" and "Evita" fame), Lisa Robinson, Robert Shelton (who wrote liner notes for Bob Dylan's first album), Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" compiled by Paul Gambaccini, Omnibus Press, Library of Congress Catalog No.7855565 (or ►click here  for the complete album listing)

For additional historical or discography information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER ITEMS BY THE VELVET UNDERGROUND ►  CLICK HERE

TO SEE IF WE HAVE OTHER LISTED ITEMS BY LOU REED ►  CLICK HERE

TO SEE IF WE HAVE OTHER LISTED ITEMS BY NICO ►  CLICK HERE

TO SEE IF WE HAVE OTHER LISTED ITEMS BY JOHN CALE ►  CLICK HERE

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·                               CONDITION:

·                               THE RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  (WEAK) NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record is pressed on a RELATIVELY  thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type),  vinyl, but not the thickest, most rigid vinyl, either.

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER

THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-        Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3

-        Cover has a few tiny wrinkles along the seams

-        Visible shelf wear noted on the seams

-        Cover has a light "wrinkle" (crease)  in one of the corners.

-        Cover has two corners slightly dinged (nothing significant)

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

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WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 30 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. ►Click here  for the full text of our policy

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