VELVET UNDERGROUND+NICO ORIG STEREO LP w/BANANA STICKER
$
105
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Description
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· VELVET UNDERGROUND - VELVET UNDERGROUND AND NICO (1ST ALBUM) - ORIGINAL 1967 MGM/VERVE STEREO LP V6-5008 (ALSO KNOWN AS THE BANANA COVER) (THIS IS AIRBRUSHED "TORSO" COVER)
· ORIGINAL U.S. PRESSING
· ORIGINAL BLUE VERVE LABEL WITH SILVER PRINT AND LARGE T-SHAPED LOGO
· THE INFAMOUS PEELABLE BANANA STICKER IS (ALMOST) WHOLE AND COMPLETE, BUT WITH SOME VISIBLE TEARING AND TATTERING AT THE TIP OF BANANA
· ORIGINAL US PRESSING
· THICK CARDBOARD GATEFOLD COVER, AMERICAN STYLE.
· CLEAN, WEAR-FREE LABELS
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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What else can be said of this album that hasn’t already been told? The album which defined an era; the music that shattered conventions, the production that influenced everyone over the next three decades, the lyrics that sound fresher today than they did in 1967 and the Andy Warhol artwork which still captures the imagination.This is a sexy, moody, brilliant and occasionally violent work which would be impossible to reproduce today, in the age of political correctness gone amok. Most importantly, the music. THE MUSIC!!!. This is the only album which will make you a honorary resident of New York City, without you ever having to set foot in it. From the opening track ("Sunday Morning"), to the last one ("European son"), Lou Reed, John Cale, Nico and the rest of the crew take you through the kaleidoscope of emotions, settings, ambients, situations, moods and rhythms, not all of which are for the faint of heart. The album includes some of the most beautiful, poetic imagery ever committed to a disc (I’ll be your mirror; Famme Fatale; Venus in Furs). Whether you are into singers-songwriters, pre-punk, beatnik poetry, or ‘60’s rock, this is a must-have.
This is the album for all people, and all seasons, and one of the very few "Rock" albums that actually not only aged with dignity, but also improved with age. If you wish to know just how much meaningful this music was to the artists who followed in Velvets’ footsteps, just ask Jonathan Richman who, by his own admission, was present at every single one of the band’s East Coast concerts between 1969 and 1971 (some 70 or so concerts, in all). This may be your last opportunity to acquire this legendary album and a great piece of work.
For its extraordinary contribution to the modern music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, writers and general public, or for some other innate quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye, Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice (of "Jesus Christ Superstar" and "Evita" fame), Lisa Robinson, Robert Shelton (who wrote liner notes for Bob Dylan's first album), Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" compiled by Paul Gambaccini, Omnibus Press, Library of Congress Catalog No.7855565 (or ► click here for the complete album listing)
For additional historical or discography information on this album, including track listing ►click here
THIS IS A NO-RESERVE AUCTION!
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS STRONG VG++, just a notch below NEAR MINT. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS ABOUT VERY GOOD+ (VG+)
The following flaws or imperfections are noted on the cover:
- The gatefold cover has partially split seams on 2 out of 4 "legs" of the cover (about 2 and 5 inches / 1 inch = 2.5 centimeters) and 1 other ‘leg’ completely split.
- Cover has three corners slightly worn / frayed / bent.
- Cover shows some light yellowing on both sides, apparently from aging. Yellowing is also noted on the INSIDE gatefold
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 3 (front side) and 5 (back side)
- Cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
- Cover has some fraying/wear along the top and bottom seams
- Cover has a few tiny wrinkles along the spine (nothing significant)
- Tears and tattering noted on the tip of the banana sticker (NOT on the cover itself)
- Back cover has a distinct X-shaped, pressure-type cutout stamp. This type of cutout marking was used exclusively by MGM and Verve labels and was more discreet and sensitive than the other types of marking (such as cutout holes or drill marks), as it did not require the cover to be damaged.
NO OTHER IMPERFECTIONS ON THE COVER:
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No writing
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No warping
- No wax, glue, paint or liquid drops on the cover
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
Generally, US postage is $4.80 per item shipped via priority mail. International postage- and insurance rates vary from country to country. For SPECIFIC international and domestic postage and insurance rates ►click here. While you can be rest assured that our packaging is careful, sturdy and impact-proof, please note we are NOT responsible for uninsured items. Please do NOT send $1.00 for international insurance, as this rate applies to domestic (USA) shipments ONLY. As of August 2004, we will charge additional $1.00 per order (not per item) for shipping and handling, in order to offset increasing costs of labor and packaging material.
Media- and Surface Mail rates are available ONLY to orders of $200.00 or more. NO EXCEPTIONS.
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OUR REFUND POLICY :
Cash refund will be granted only for ►DEFECTIVE items, but we are flexible and reasonable in reviewing the merits of each individual case. We do not play-grade records and can only make reasonable inference on the item's condition based on its visual appearance. Every bid carries a risk that purchased item might play worse than its visual grade may indicate. Still sealed items MUST be returned sealed in order to be eligible for a refund. Please read our complete refund policy before placing a bid. ►Click here for the full text of our policy .
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