VIOLENT FEMMES Violent Femmes LP SLASH 1983 US 1st press+inner+two tone label
£
48
$
64
Favourite Auctions
To save auctions to your favourites, please login
If you don't have an account, please register
Description
U.K. BUYERS PLEASE IGNORE THE SHIPPING COSTS MARKED ON EBAY BECAUSE WE ARE ITALIAN SELLERS
SO PLEASE DO NOT PAY IMMEDIATELY AFTER WINNING
BEFORE I SEND CORRECT INVOICE!
BEFORE BIDDING, PLEASE
CAREFULLY READ BELOW THE CORRECT SHIPPING COST!
THESE RATES ARE FOR BOXES UP TO 3 KG (1 to 5 LPs).
The shipping cost from Italy to UK and Europe from 1 up to 5 albums
[it is a question of weight, we have to stay under 3kg] is £13 with DHL courier
[NOT for Norway, Russia, Ukraine,Switzerland, please ask for prices with registered letter],
with a sturdy and well conceived box.
The shipping cost also depends by the exchange euro/pounds.
Still, starting from the 1st of December the Italian Post increased
the price for the international & domestic shipment.
We have done our best to absorb any handling fees in order
to keep all international shipping rates as low as we can
PLEASE ASK FOR ANY INFORMATION
VIOLENT FEMMESMilwaukee rockers whose geeky, nervous songwriting and blend of folk-pop with new wave produced several cult classics during the '80s. The textbook American cult band of the 1980s, the Violent Femmes captured the essence of teen angst with remarkable precision; raw and jittery, the trio's music found little commercial success but nonetheless emerged as the soundtrack for the lives of troubled adolescents the world over. The group formed in Milwaukee, Wisconsin in the early '80s, and comprised singer/guitarist Gordon Gano, bassist Brian Ritchie, and percussionist Victor DeLorenzo. Ritchie originated the band's oxymoronic name, adopting the word "femme" from the Milwaukee area's slang for wimps. After being discovered by the Pretenders' James Honeyman-Scott, the Violent Femmes signed to Slash and issued their self-titled 1983 debut, a melodic folk-punk collection
"VIOLENT FEMMES"
[Although this album actually came out in April 1983, the "official" release date has apprently been
called into confusion. Due to a typo on the Violent Femmes' website and some copies
of the album, many believe that it was released in 1982, but this is almost certainly not true.
Wikipedia also claims that it was released on November 30, 1982 but there are no facts to support this]
Produced by Mark Van Hecke
1983 LP SLASH RECORDS 1-23845
PRINTED IN U.S.A. ORIGINAL FIRST PRESSING
[This first pressing was with different label artwork than the second pressing.
First pressing is shown here with the "two-tone" style label, later pressings had the stock Slash labels].
SINGLE SLEEVE + LYRICS INNER
HEAVY CARDBOARD COVER
Barcode and Other Identifiers
Barcode: 0 7599-23845-1
LABEL: SLASH - TWO-TONE (CREAM & BLACK) LABEL w/ARTIST&LOGO in PINK - BLACK TEXT
Catalog on cover: (spine) 9 23845-1 (rear) 0 7599-23845-1
Catalog on labels: 1-23845 (Side One / Side Two)
Matrix / Runout (Side A, Etched): 1-23845-A RE L-13107
Matrix / Runout (Side B, Etched): 1-23845-B L-13107-X
On labels: Produced by Mark Van Hecke
All songs by Gano © 1982
All selections Gorno Music Publishing, ASCAP
? 1983 Slash Records
On Back Cover: Recorded at Castle Recording Company, Lake Geneva, Wisconsin, July 1982
Printed in U.S.A. ?© 1982 Slash Records......
tracklisting
Side A: BLISTER IN THE SUN - KISS OFF
PLEASE DO NOT GO - ADD IT UP - CONFESSIONS
Side B: PROVE MY LOVE - PROMISE - TO THE KILL
GONE DADDY GONE - GOOD FEELING
grading
RECORD NEAR EX but (please, read above description)
SLEEVE VG(+) but (please, see pictures and read above description)
One of the most distinctive records of the early alternative movement and an enduring cult classic,
Violent Femmes weds the geeky, child-man persona of Jonathan Richman and the tense,
jittery, hyperactive feel of new wave in an unlikely context: raw, amateurish acoustic folk-rock.
The music also owes something to the Modern Lovers' minimalism, but powered by
Brian Ritchie's busy acoustic bass riffing and the urgency and wild abandon of punk rock,
the Femmes forged a sound all their own. Still, the main reason Violent Femmes
became the preferred soundtrack for the lives of many an angst-ridden teenager
is lead singer and songwriter Gordon Gano. Naive and childish one minute,
bitterly frustrated and rebellious the next, Gano's vocals perfectly captured the
contradictions of adolescence and the difficulties of making the transition to adulthood.
Clever lyrical flourishes didn't hurt either; while "Blister In the Sun" has deservedly
become a standard, "Kiss Off"'s chant-along "count-up" section, "Add It Up"'s
escalating "Why can't I get just one..." couplets...(AllMusic)