Various - Spider-Jazz KPM Cues Vinyl LP LTD ED Red Splatter Trunk Records New

	£		37
	$		49

Artist: Various Artists

Title: Spider-Jazz KPM Cues Used In The Amazing Animated Series

Format: Vinyl LP

Features: Coloured Vinyl (Red/Blue Splatter) Limited Edition

Label:  Trunk Records

Catalogue Number: JBH070LP

Genre: Soundtrack / Film

Release Date: 2018

Origin: UK

Notes:

"Limited edition on Red/Blue Splatter. So here's some back story: way back in 1967, an animated superhero cartoon was released into the world. It was created by Grantray-Lawrence Animation and was based on a web-spinning, crime fighting blue and red character originated in 1962, in Marvel Comics by Stan Lee and Steve Ditko. This amazing series (that we’re not allowed to mention the name of for legal reasons) ran on ABC TV in the USA, then Canada, then a few years later started to spread its web further, running here in the UK throughout summer holidays, after school and possibly early mornings at weekends in the late 1970s. The series then got released on VHS video (and probably Betamax too) in the mid 1980s and still continues to spin its animated magic around the world through further broadcasts, YouTube and DVDs.

The series was notoriously low budget, with animated errors everywhere and numerous scenes, sequences and backgrounds being re-used all the time, often across the same episode. Even a certain spider logo on a costume would appear with six legs, then eight legs later on, then back to six again in the same show. "

"Series One opened with a newly written spider theme, a classic, hooky song all about doing whatever spiders can, and had, as Big George (RIP) once pointed out to me, a set of session singers falling slightly out of time with the backing track after the first verse. Series One also featured background music by jobbing composers Bob Harris and Ray Ellis but these cues and master tapes are now believed to be lost.

After Series One the company Grantray-Lawrence went bankrupt, so the amazing spider series (that we’re not allowed to mention for legal reasons) was taken on by producer Steve Krantz. He brought in new talent, including animation director Ralph Bakshi who later went on to turn a Robert Crumb strip cartoon into the feature Fritz The Cat. Krantz also slashed the already cripplingly small spider budget, and brought in the idea of using economic library music. Here, thanks possibly to an independent sync agent (it has been suggested that a company called Music Sound Track Services may have been the one) production turned to the KPM catalogue. This was one of the few really established library catalogues around at the time with a modern edge; it was full of fabulous, modern dramatic music tracks – often all on the same LP. But more importantly all the tracks were far longer than the one minute musical cuts that many of the fledgling USA library companies were issuing at the time. Not only would this KPM music be efficient, affordable and very easy to use, it would also mean syndication worldwide would not be held up by any future musical issues. Krantz produced two amazing spider series (that we’re not allowed to mention for legal reasons), and both were smothered with KPM music. In fact barely a spider second goes by without music playing in either the background or foreground.

For many years I – and many nostalgic others - have been thinking about putting this vinyl album together. For many enthusiasts this really is formative music – a junior foray into hip swinging crime jazz and esoteric musical grooviness. I remember talking about it with library music collectors like Joel Martin at least a decade ago. I’ve also read on line accounts by DJs from WFMU on the trail of original spider master tapes, and there’s even a whole forum dedicated to “Spidey-Jazz”. Then recently I was looking at an old spider tracklist and realized that several of my favourite KPM cues were there including Syd Dale’s “Hell Raisers” and “Walk And Talk”, both from one of the most elusive and desirable KPM albums of all time (yes, you just try and find yourself a copy of KPM 1002 right now), so I decided to push on and get the album made.

So, what features on this Spider Jazz Lp? Well it’s music from the amazing TV series we are not allowed to mention for legal reasons, BUT, not music from Series One. No, but it is all from Series Two and Series Three. From looking at archival cue sheets, over 50 tracks from various early KPM 1000 series albums were used across episodes. I’ve distilled this down into one exciting and enthralling LP, and if this works a further Spider Jazz album may well swing in to production. If you’re interested (and I’m sure you may well be) cues here came from KPM1001, KPM1002, KPM1015, KPM1017, KPM1018 and KPM1043 and were composed by master library composers from the era – Dale, Hawkshaw, Hawksworth, Mansfield etc.

And if you are listening over there in the USA, you may well recognize many of the cues here not just from the amazing TV series (that we’re not allowed to mention for legal reasons) but also from classic 1960s and 1970s NFL highlight shows that we are allowed to mention. "

Condition: [ Please see “Grading Guide” below ]

Vinyl Condition: New - Sealed

Sleeve Condition: New - Sealed

Tracklist:

A1 The Hell Raisers

A2 The Eyelash

A3 Walk In A Nightmare

A4 Beat Street

A5 Walk And Talk

A6 Big Bass Guitar

A7 Mr. Chestertons Dog

A8 Mods & Rockers

A9 L.S.D.

B1 Stand By

B2 Take A Goosie Gander

B3 Juggernaut

B4 Grand Prix

B5 Veiled Threat

B6 Sixth Sense

B7 Funky Flight

B8 Raver

B9 The Washington Affair

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Shipping:

All items will be shipped the same working day that the order is received if before 3 PM or the morning of the next working day if after 3 PM. Records will be sent in professional Lil Packaging Record mailers.

• UK Free shipping via Royal Mail 2nd Class.

• UK shipping option via Royal Mail 1st Class.

• European shipping is Royal Mail International Tracked at £13.00

• International shipping is Royal Mail International Tracked at £16.50

• Shipping discounts will apply at £1.00 per additional record for up to 3 units, over 3 units please contact me for a shipping cost.

Grading Guide: [ Please note – Our grading categories and descriptions differ slightly to the Goldmine and VRG standards so please read carefully ]

NOTE - [ + or – symbol suffixes denote a very slight improvement or degradation to the attributed grading but not enough to raise or lower the item to the grading category above or below it ]

*Record age is immaterial to its condition.

* Promotional releases will be denoted in the product description.

• New [ N ] Manufacturer Sealed, seal may have been split to check colour variant. Never played. Note some CD’s are manufacturer issued without shrink wrap.

• Mint [ M ] As New. Never played. No corner or edge dings, shrink-wrap is intact. All additional items such as inserts, lyric sheets and posters etc... will be perfect.

• Near Mint [ NM ] May have been played a couple of times but the record shows no signs of having ever been played. This is highest grade allowed for an opened, handled record. The vinyl is virtually flawless, bright and shiny. A very minor, barely visible scuff or two may be permitted, but no scratches. The disc should play with no audible noise. The label is bright, clean and unmarked. Sleeves will be near new condition. Virtually no wear to faces, edges or corners.

• Excellent [ EX ] Record surfaces are bright and clean but may have a few light paper scuffs or superficial surface marks that do not affect play. The record has obviously been played, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light blemish. Sleeve may have some very minor wear to faces, edges or corners of covers.

• Very Good [ VG ] A well cared for used record. Record surfaces may show some slight signs of wear and may have scuffs or light scratches. May have some very light surface noise or isolated crackles and pops. Labels may be marked lightly. Sleeve may have some ring wear, moderate wear to edges and corners, light creases or stress lines, and other minor defects.

• Good [ G ] Record shows visible signs of wear. Some surface noise may be audible. Groove wear may be noticeable, as will some scratches that may cause clicks or pops. Labels may be marked. Sleeve will have heavier ring wear, edge wear and corner damage and some discoloration.

• Fair [ F ] Likely to be lots of minor scratches and scuffs with surface noise audible. Potential label marks and damage. Sleeve will have noticeable edge and ring wear and feature some tears, marks and discolouration.

• Poor [ P ] Scratched, scuffed and generally well worn with surface noise audible. Sleeve will have heavy ring and edge wear and likely tears, marks and damage. We will endeavour not to sell vinyl in this condition unless it is extremely rare and can be professionally cleaned and salvaged or where the cover is in good enough condition to warrant purchasing for the cover alone.

Common Abbreviations used in the product description. [ relating to used vinyl and CD releases ]

• EW – Denotes sleeve edge wear

• LM – Label Marked

• Promo – Denotes a record label promotional release

• PS – Denotes a full picture sleeve

• RE – Denotes a re-issue

• RW – Denotes sleeve ring wear

• SPLT – Denotes split edge on sleeve

• WL – Denotes a white label release