Velvet Underground - The Quine Tapes - 6LP US Import - Sealed
  £   130
  $   172

 


£ 130 Sold For
May 16, 2013 Sold Date
Feb 24, 2013 Start Date
1 Number Of Bids
  Great Britain Country Of Seller
eBay Sold at
 
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Description

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For information relating to payment, postage packaging and grading guidelines please see the details beneath the bulk of the advert.

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VELVET UNDERGROUND The Quine Tapes V. 1-3 (2010 USA Limited Deluxe 25-track High Definition Virgin Vinyl 6-LP vinyl boxset - The Velvet Underground’s revolutionary mix of boundary-breaking sonic extremism and transgressive lyrical contentchanged the face of rock ‘n’ roll forever. The Quine Tapes is a definitive document of the live Velvet Underground, captured on tape by Robert Quine in San Francisco and St. Louis between May and December of 1969, the recordings feature the Velvet Underground’s final lineup of Reed, guitarist Sterling Morrison, drummer Moe Tucker and bassist Doug Yule. Presented in a lavish box set, with the discs packaged in three separate gatefold jackets and contained in a deluxe slipcase. The package features incredible new cover art commissioned especially for this vinyl release, plus rare photos, Verve label repro’s, poster/handbill inserts, and detailed liner notes by Rolling Stone’s David Fricke).

Artist - The Velvet Underground

V.1
SIDE ONE
I’M WAITING FOR THE MAN (The Family Dog, San Francisco, November 8, 1969)
IT’S JUST TOO MUCH (The Family Dog, San Francisco, November 8, 1969)
WHAT GOES ON (The Family Dog, San Francisco, November 8, 1969)

SIDE TWO
I CAN’T STAND IT (The Family Dog, San Francisco, November 8, 1969)
SOME KINDA LOVE (The Family Dog, San Francisco, November 8, 1969)
FOGGY NOTION (The Family Dog, San Francisco, November 8, 1969)
AFTER HOURS (The Family Dog, San Francisco, November 8, 1969)
I’M STICKING WITH YOU (The Family Dog, San Francisco, November 8, 1969)

SIDE THREE
SISTER RAY (The Family Dog, San Francisco, November 7, 1969)

SIDE FOUR
SUNDAY MORNING (The Family Dog, San Francisco, November 9, 1969)
FOLLOW THE LEADER (The Matrix, San Francisco, November 27, 1969)

V.2
SIDE FIVE
FEMME FATALE (The Family Dog, San Francisco, November 7, 1969)
WHITE LIGHT/WHITE HEAT (The Matrix, San Francisco, December 1, 1969)
VENUS IN FURS (The Matrix, San Francisco, December 1, 1969)

SIDE SIX
HEROIN (The Matrix, San Francisco, November 23, 1969)
NEW AGE (The Matrix, San Francisco, November 24, 1969)

SIDE SEVEN
SISTER RAY Part 1 (The Matrix, San Francisco, December 3, 1969)

SIDE EIGHT
SISTER RAY Part 2 (The Matrix, San Francisco, December 3, 1969)

V.3
SIDE NINE
THE BLACK ANGEL’S DEATH SONG (The Matrix, San Francisco, November 23, 1969)
OVER YOU (The Matrix, San Francisco, November 25, 1969)
I’M WAITING FOR THE MAN (The Matrix, San Francisco, November 27, 1969)

SIDE TEN
ROCK AND ROLL (The Matrix, San Francisco, November 25, 1969)
RIDE INTO THE SUN (The Matrix, San Francisco, November 24, 1969)

SIDE ELEVEN
SISTER RAY/FOGGY NOTION Part 1 (Washington University, St. Louis, May 11, 1969)

SIDE TWELVE
SISTER RAY/FOGGY NOTION Part 2 (Washington University, St. Louis, May 11, 1969)

Catalogue No. - VU 4002

Media Condition - Mint (Sealed) 

Cover Condition - Mint

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PAYMENT

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POSTAGE

At Netdiscs we ensure you get the postage and packing service you require - we can send by 1st, 2nd or Recorded delivery within the UK and Air or Airsure to any overseas destination.  We no longer use surface mail due to the length of delivery time and any overseas items over £20 will now have to be sent by Airsure.

We hate being overcharged for postage, it’s money for nothing. So we aim to keep our postage costs fair and transparent. Obviously each item is different, but we’ve done a fair bit of work to establish the correct postage price before posting.  If you feel hard done by, please get in contact.

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PACKAGING

We’re record lovers too and hate receiving items marked as ‘Mint’ and turns out to be scuffed or ripped. This can be avoided!

We use top quality packaging materials - so all our items arrive with you, the buyer, in top notch condition.

Please note: all records are removed from their sealed packaging UNLESS REQUESTED OTHERWISE. Once removed from their packaging, they are kept in a 250g polysleeve which ensures protection. The record(s) and its sleeves are then placed between 2 stiffeners. This ensures that everything arrives exactly as you’d want it to.

Remember - we all need to recycle where possible, so with larger orders and larger items, we re-use the packing boxes and protective wrapping received from our suppliers.

The charges for packaging are based on the following:

FORMAT

PACKAGING

COST

7”

1 polysleeve, 2 stiffeners, 1 card envelope

£0.80

10”

1 polysleeve, 2 stiffeners, 1 card envelope

£1.00

12” / LP

1 polysleeve, 2 stiffeners, 1 card envelope

£1.00

2 x12”

2 polysleeve, 2 stiffeners, 1 card envelope

£1.10

CD

1 Jiffy bag

£0.60

 

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Grading based on Record Collector Guidelines:

 

Mint   The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as sealed or unplayed should be Mint.

 

Excellent   The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.

 

Very Good   The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

 

Good   The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration etc.

 

Fair   The record is still just playable but has not been cared for properly and displays considerable surface noise, it may even jump. The cover and contents will be torn, stained and/or defaced.

 

Poor   The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

 

Bad   The record is unplayable or might even be broken, and is only of use as a collection-filler.

 

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