Victor 10.5” 78 RPM One Sided In-Plant Test Record Ted Weems “I Lost My Gal” VG
$
39
Favourite Auctions
To save auctions to your favourites, please login
If you don't have an account, please register
Description
Victor 10.5” 78 RPM One Sided In-Plant Test Record Ted Weems “I Lost My Gal”
VG+ Visible Condition, 3 tiny edge chips but edges are HUGE so no impact, scratches but play is nice with light hiss. Victor 10.5” 78 RPM very thick One Sided (in plant engineered not for sale) Test/Sample Record “I Lost My Gal” Ted Weems & Orch. This was one of the engineered samples pressed prior to release. The labelled area around spindle hole is hand written “BE 67512 Feb 19, 1931 182 2 3010-I “I Lost My Gal” +6/0 4-3”. I bought these in an estate sale lot about 30 years ago and put them away for safekeeping (They were definitely safe as it took 30 years to find them in all my collection). According to his family the deceased worked as a sound engineer for Victor Talking Machine Co and later RCA Victor from the 1920’s until he retired and these are samples he kept that were “tweaked” by Victor sound engineers to get the best play. The sound is quite good despite the scratches. Released as Victor 22637 Feb, 19, 1931 so this is the final test prior to release. See Victor matrix info below.
Victor matrix BVE-67512. I lost my gal again / Parker Gibbs ; Ted Weems Orchestra
Previous Next
Title
Source
I lost my gal again (Primary title)
Disc label (RDI)
Fox trot (Title descriptor)
Disc label (RDI)
Volvi a perder mi amor (Parallel (translated) title)
Disc label (RDI)
Authors and Composers
Notes
Sam M. Lewis (lyricist)
Jesse Greer (composer)
Composer information source: Disc label.
Personnel
Notes Hide Additional Titles
Ted Weems Orchestra (Musical group)
Parker Gibbs (vocalist)
Ted Weems (director)
Fred Erdman (session supervisor)
- Description: Jazz/dance band, with male vocal solo
- Instrumentation: 3 saxophones, 2 trumpets, trombone, tuba, guitar, piano, and traps
- Category: Instrumental with vocal refrain
- Language: English
- Master Size: 10-in.
Notes
Victor ledgers: "Mr. Fred Erdman, present."
Source(s): Rigler-Deutsch Index; Victor blue history card; trade catalog; Victor ledgers.
Take Date and Place
Take
Status
Label Name/Number
Format
Note Hide Additional Titles
2/19/1931 Chicago, Illinois. 952 North Michigan Ave.
1
Master
Victor 22637
10-in.
2/19/1931 Chicago, Illinois. 952 North Michigan Ave.
2
Hold
2/19/1931 Chicago, Illinois. 952 North Michigan Ave.
3
Not processed
More of all the types of records listed: Odd tunes, Political, Blues, Hot Jazz, Hillbilly, Odd labels, Doo-Wop, etc. More of all the types of records listed: Odd tunes, Political, Blues, Hot Jazz, Hillbilly, Odd labels, Doo-Wop, etc.E++, Visibly nearly new with no visible signs of wear or damage.
E+, Looks and plays like new with only few signs of handling and play.
E Still very shiny, near new looking, with slight visible signs of wear and a few nearly inaudible scuffs and scratches
E- Still shiny but without the luster of a new record, few scuffs that have little or no effect on play, some light scratches.
E- - Mostly shiny but with even less of the luster of an E- record, more scuffs than E-that have little or no effect on play, light scratches with some light noise.
VG+, Slightly above average condition 78 in which scuffs and general use has dulled the finish somewhat. Wear is moderate but playing is generally free from distortion. Surface noise not overly pronounced.
VG, An average condition 78 - moderate wear throughout, but still very playable and enjoyable. Surface somewhat dull with noise and scratches audible but not intrusive.
VG-, Quite playable still, but with some distortion and may have some graying in loud passages. Music remains loud in most passages. Surface noise and scratches well below music level.
VG- - Quite playable still, but with distortion and most have some graying in loud passages. Music remains loud in most passages. Surface noise and scratches noticeable and may be loud at times.
G+ Quite worn and scratched, but music level is still higher than surface noise. Grey may be throughout but still serviceable. Music begins to sound muffled.
G Not so good. Wear and scratch damage extensive. Listening can become uncomfortable as music and surface noise probably blending. Lowest level music can be understood.
G-, Music barely audible over surface noise & listening is uncomfortable. Record is borderline unplayable.
P Used only for high dollar space fillers like Black Patti, Okeh blues, etc. Music covered by surface noise, scratches, and needle digs, label may be trashed, & listening is almost if not definitely impossible. Record is basically unplayable. What you keep because you can?t bear to toss ? while you look for that E+ copy of Robert Johnson on Vocalion at the local flea markets for $1 (Good Luck!)
See Description, A wildcard grade that can be used when standard grading does not apply or when a record (or item) has special attributes (or defects) that can affect how the item is assigned a grade.
price rating