WASHED OUT - LIFE OF LEISURE - #'d 1,688/2000 (MEX 023)

$

53

Artist:     WASHED OUT Album Title:     LIFE OF LEISURE - 12" EP Record Label:     MEXICAN SUMMER Limited Edition:     #'d 1,688/2,000 Released:     SEPTEMBER 2009 Condition:     Still in wrapper, but never played.  I just used the download card, which, even though I used the card, I'll leave it in the packaging
JUST FOR KICKS I AM THROWING IN...
ARTIST:  SMALL BLACK b/w WASHED OUT SONGS:  DESPICABLE DOGS (WASHED OUT REMIX) b/w YOU'LL SEE IT (SMALL BLACK REMIX) CONDITION:  STILL SEALED



-  Washed Out is one of the hottest new band's out there. -  Mexican Summer is one of the best new labels around.  Their releases are always limited and sell out before they can even make it to the record store. -  This is one of the most sought after records that they have released so far. -  Still sealed! -  Get yours before the prices on this release go through the roof - because believe me:  THEY WILL!!!
HAPPY BIDDING!!!

What people are saying about Washed Out & their new release "Life of Leisure"
Mexican Summer Description: Debut 12" from Ernest Greene aka Washed Out.  Bent synth-pop gems that are equal parts psychedelia and anthemic club banger.  All recorded in his parent's home in the rural Georgia town where he grew up.  Essential and addictive.
Pitchfork Review:

Did our parents give us too much self-esteem? Not that long ago, message boarders could diss and dismiss boring new bands (insert your least favorite post-punk revivalists here) for sounding like "a copy of a copy of a copy." Fast forward just a few years, and that's exactly what some of the most exciting new bands sound like.

Pastiche and intertextuality are as ancient as postmodernism-- not to mention disco, hip-hop, and the remix-- but childhood memories, in particular, are present now like never before. Today's blockbuster movies are based on yesterday's beloved toys; today's wars and political battles are sequels, too. It isn't surprising that music would reflect the zeitgeist. What's striking is how an international cohort of rising artists has successfully translated this culture of watery VCR transfers and Fisher-Price cassette rips into 1980s-inspired psychedelic music.

Names like Ducktails, Reading Rainbow, VEGA, Pocahaunted, and, especially, Memory Tapes tell you a lot about where these disparate reminiscers are coming from. Arguably, more than genre tags like "glo-fi" or The Wire critic David Keenan's "hypnagogic pop," but those labels can be useful, too. Washed Out, the solo project of Georgia (via South Carolina) multi-instrumentalist Ernest Greene, fits in almost too well with the balmy lo-fi synth atmospherics of peers like Neon Indian, Toro Y Moi, Small Black, the higher-fi jj, or the darker, heavier SALEM, as well as the more guitar-based Real Estate, Best Coast, and Pearl Harbour. Washed Out's debut Life of Leisure EP, out digitally now and on 12" early next month (another release, the cassette-only High Times, arrived September 15), isn't at the top of its class, but Greene so far is one of this fledgling aesthetic's most gifted students.

Focusing on romantic nostalgia and homespun textures, Life of Leisure does with 80s soft rock and synth-pop what Glass Candy and Chromatics did with Italo disco a couple of years ago, only Washed Out evokes summer afternoons indoors rather than the Italians Do It Better crew's early-a.m. urban stalking. Out-of-sync PBS-theme synths and videogame lasers meet funky horn breaks on opener "Get Up", as Greene's slurry vocals suggest deep pain. A sampled sax sighs mournfully behind a chopped-up voice, Cut Copy-pasteable beats, and some more indistinct singing on "Lately". Life of Leisure's six tracks, whether poppier and more approachable like "New Theory", or moody and alarming like "Hold Out", tend to cut off suddenly, which gives the EP an appealing, unfinished quality. Like hearing a work in progress: Greene has only been making music under his current moniker for a couple of months, so don't come flaming me if his live shows suck or his Dave Fridmann-produced sophomore album flops in 2013.

More than some contemporaries, though, Washed Out submerges a sense of intense feeling within its 80s-fantasy electronic ether. Greene's "copy of a copy" distance, then, comes across as a form of emotional repression. The yearning-in-utero effect is strongest on woozy centerpiece "Feel It All Around". With blurry singing, cheap-sounding synths, and a humid, syrupy flow, the track suggests an 80s synth pop hit that won't come straight out and cop to itself-- or a young man in love, too tongue-tied (or too stoned?) to admit it. "You feel it all around yourself," Greene echoes. As for what "it" is, the song never says.

If this review itself reads like a "memory of a memory" (to sample another phrase from Keenan), blame "Feel It All Around". Days after the filing of a final draft packed with trenchant insights drawn from the similarities between the track's choral drone and 10cc's 1975 hit "I'm Not in Love", it came to light that Washed Out's signature tune is actually based around a loop from Gary Low's 1983 single "I Want You". The words you're reading changed; the rating didn't. "You're soooooo... fine," it sounds like Greene's finally able to bring himself to say on finale "You'll See It", one of the EP's loveliest and most tuneful tracks; "Don't you fight it." OK, I have to go fast-forward through NutraSweet and Sylvania commercials to watch the TV movie of Alice in Wonderland with Ringo Starr as the Mock Turtle now.

— Marc Hogan, September 16, 2009