WAYLON JENNINGS Jewels FROM 68 W/SHRINK-GRITTY STRIPPED DOWN UPDATED HONKY TONK
$
30
$ 30
Sold For
Apr 30, 2015
Sold Date
Apr 23, 2015
Start Date
1
Number Of Bids
USA
Country Of Seller
eBay
Sold at
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Description
WAYLON JENNINGS Jewels FROM 68 W/SHRINK-GRITTY STRIPPED DOWN UPDATED HONKY TONK
A MINT MINUS LP ON RCA LSP 4085
FROM 1968 IN STEREO AND STILL WITH SHRINK WRAP OVER COVER!
PRODUCED BY CHET ATKINS AND RECORDED IN RCA’S “NASHVILLE SOUND” STUDIO IN NASHVILLE, TENNESSEE BY JIM MALLOY
TRACKS AS SHOWN ON THE LABEL PHOTOS
BACKGROUND INFO FROM ALLMUSIC.COM WEBSITE:
If any one performer personified the outlaw country movement of the '70s, it was Waylon Jennings. Though he had been a professional musician since the late '50s, it wasn't until the '70s that Waylon, with his imposing baritone and stripped-down, updated honky tonk, became a superstar. Jennings rejected the conventions of Nashville, refusing to record with the industry's legions of studio musicians and insisting that his music never resemble the string-laden, pop-inflected sounds that were coming out of Nashville in the '60s and '70s. Many artists, including Willie Nelson and Kris Kristofferson, followed Waylon's anti-Nashville stance and eventually the whole "outlaw" movement -- so-named because of the artists' ragged, maverick image and their independence from Nashville -- became one of the most significant country forces of the '70s, helping the genre adhere to its hardcore honky tonk roots. Jennings didn't write many songs, but his music -- which combined the grittiest aspects of honky tonk with a rock & roll rhythm and attitude, making the music spare, direct, and edgy -- defined hardcore country, and it influenced countless musicians, including members of the new traditionalist and alternative country subgenres of the '80s.
COVER STOCK STILL WITH WHAT APPEARS TO BE THE ORIGINAL SHRINK WRAP INTACT. CORNERS WITH SMALL ROUGH SPOTS AND OUTER LAYER LOSSES ON POINT. CUT BOTTOM RIGHT CORNER. PRICE CODE STICKERS TOP RIGHT FRONT ARE ON COVER STOCK (ORANGE OR YELLOW ROUND CIRCLE OVER A WHITE STICKER AND WHICH ARE IMPOSSIBLE TO REMOVE WITHOUT TEARS). NOTWITHSTANDING, A PICTURE IS WORTH A THOUSAND WORDS, SO PLEASE DO LOOK AT THE COVER PHOTOS TO ASCERTAIN COVER CONDITION.
VIRGIN SPINDLE HOLE. THE HIGH LUSTER VINYL BLANK AT FIRST GLANCE OUT OF THE SLEEVE APPEARS UNUSUALLY PRISTINE AND TO HAVE NOT BEEN PLAYED, MUCH LESS TOUCHED, BEFORE NOW. UNDER BRIGHT ANGLED LIGHT AND ASSIDUOUS EXAMINATION A FEW LIGHT SURFACE RUB MARKS AND OR PAPER SLEEVE STORAGE IMPRESSIONS.
⁂PLEASE NOTE THE VINYL DESCRIPTION IS ONLY A VISUAL INSPECTION UNLESS OTHERWISE MENTIONED. HERE IS A FEW WORDS ABOUT OUR GRADING SYSTEM AND SUPERSEDES ANY OTHER GRADING SYSTEM, INCLUDING GOLDMINE: ALL RECORDS ARE VISUALLY GRADED AND THE RED GRADE ABOVE REFERS ONLY TO THE APPEARANCE OF THE VINYL BLANK. COVER CONDITION IS NOTED SEPARATELY. ANYTHING BESIDES MINT OR MINT MINUS IS USUALLY TEST PLAYED AND THE RESULTS ARE FOUND IN THE LISTING. MINT INDICATES PRISTINE VINYL WITHOUT ANY MARKS ON THE VINYL BLANK. MINT MINUS MAY CONTAIN A FEW VERY LIGHT SURFACE RUB MARKS FROM HANDLING & SLEEVE WEAR OR A FEW PLAYS. IF YOU ARE A REAL VINYL AFICIONADO AND COLLECTOR YOU'LL KNOW THAT EVEN A FACTORY SEALED LP OCCASIONALLY HAS SOME LIGHT RUB OR SLEEVE MARKS FROM TRANSPORT AND SHELVING. ANYTHING IN THE VG CATEGORY WOULD CONTAIN SOME LIGHT AND FINE SURFACE PLAY LINES AND EVIDENCE OF PLAY WEAR THAT IS EASILY SEEN. SELDOM IS ANYTHING OFFERED IN THE "G" STATE.
PLEASE READ THE FINE PRINT CONDITIONS OF SALE BEFORE BIDDING & BUYING:
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HOW WE PACK: LPs are packed outside the sleeve jacket and placed inside a new plastic outer sleeve between 2 new cardboard packing squares inside a new cardboard LP mailer with fragile stickers outside to ensure the LP arrives just as it left. Packing materials cost us $3 per order before postage.
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DOMESTIC: FREE USPS MEDIA MAIL WITH TRACKING. USPS 1 day Priority Express or 2-4 day Priority available for fee shown by Ebay postage calculator for your zip code. 612 (GS 6.9.5 (612))
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