WES MONTGOMERY w/PAUL CHAMBERS WILLOW RARE ORIG '68 VERVE YELLOW LABEL PROMO LP

$

22

WE CURRENTLY HAVE  NEARLY 200  LISTED ITEMS

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·       WES MONTGOMERY  with WYNTON KELLY, PAUL CHAMBERS, JIMMY COBB – WILLOW WEEP FOR ME – ORIGINAL 1968 VERVE RECORDS STEREO LP V6-8765

·       *** YELLOW LABEL PROMO ***

·       ORIGINAL VERVE LABEL WITH A  LARGE T-SHAPED VERVE LOGO,  YELLOW PROMOTIONAL VERSION.

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Shortly after Wes Montgomery's shockingly early death, Verve rummaged around in the vaults and came up with some additional tapes from the live Smokin' at the Half Note sessions with the Kind of Blue rhythm section, Wynton Kelly, Paul Chambers, and Jimmy Cobb. And then after-the-fact producer Esmond Edwards did a controversial thing -- he commissioned Claus Ogerman, the arranger on Tequila, to overdub wind and brass arrangements on four tracks: the title tune, "Portrait of Jennie," "Oh! You Crazy Moon," and "Misty." The critics promptly pounced on Verve, NARAS responded by giving the album a Grammy, and the whole issue became moot when subsequent reissues of the four tracks erased the new backing charts. Yet on the whole, Ogerman did a good job; his arrangements are subtle and, in the case of the title track, swinging, with the flutes adding effective responses within Montgomery's statements of the theme. "Impressions," oddly enough, was left alone -- perhaps due to its lightning tempo -- and this classic solo has since been reissued many times as the prime example of Montgomery in his Verve period. "Surrey with the Fringe on Top" and an alternate take of "Four on Six" (with a bad edit cutting off Kelly's solo in mid-flight) are also free of orchestrations. In any case, what you will hear, bathed in winds or not, is prime, mature Wes Montgomery stretching out in full, with unbelievable confidence in his ear and technique at all times, experimenting now and then with mild electronic effects devices.

 (EXCERPT FROM AN ONLINE REVIEW BY RICHARD S.GINELL, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

The PROMOTIONAL, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed among the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals", which is to say the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·                               CONDITION:

·                               THE RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record is  apparently pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Yellow Promo Label version of this title is much rarer that a regular, commercially released, version of this title. We estimate that stock copies of this album outnumber promo copies by a ratio of at least 30:1.

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER

THE COVER IS ABOUT VERY GOOD+(+)

The following flaws or imperfections are noted on the cover:

-        Cover has some ring wear.  On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3  (front side) and 5 (back side)

-        Cover has a few tiny wrinkles along the seams

-        Visible shelf wear noted on the seams

-        Cover has three corners slightly worn / dinged (nothing significant)

-        Cover shows some light yellowing on back side, apparently from aging.

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates ►click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.

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