WHO LIVE AT LEEDS N/M ORIG UK TRACK LP w/INSERTS+POSTER

$

81

    
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·       WHO - LIVE AT LEEDS – ORIGINAL BRITISH PRESSING – ORIGINAL 1969 TRACK RECORDS (UK) STEREO LP 2406-001

·       ORIGINAL U.K. PRESSING (HOWEVER, THIRD VERSION OF THE COVER WITH THE RED LETTERS ON THE FRONT PANEL)

·       ORIGINAL WHITE TRACK LABEL WITH BLUE PRINT, UNIQUE TO THIS TITLE (CANNOT BE FOUND ON ANY OTHER TRACK ALBUM)

·       INCLUDES THE (ALMOST) COMPLETE SET OF INSERTS (11 INSERTS ALTOGETHER):

1.    -           Large "Maximum R&B" Poster (the rarest of all inserts)

2.    -           Letter from "King's agency" canceling WHO's concert

3.    -           Letter from EMI records, declining to sign up the band

4.    -           Court warrant for the return of studio equipment

5.    -           B&W photo of Pete Townsend in action

6.    -           The "High Numbers" (Who) 1964 concert schedule

7.    -           Typewritten draft of "My Generation"

8.    -           Undated concert schedule on Kit Lambert's stationary

9.    -           Copy of the contract for the Woodstock appearance

10.         -       1968 Wardour Street, London, gig contract

11.         -       Delivery note for the stage smoke generators

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST BRITISH. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL UNIPAC SLEEVE WITH A SEPARATE “POCKET” FOR THE INSERTS

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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The sticker on one of my previous (long ago worn-out) vinyl copies of this album had an ad sticker with the "New York Times" quote on it, proclaiming this to be "The best live Rock album ever". Now, normally, the endorsement of any Rock album by the New York Times -  the notorious mouthpiece of elitist corporate globo-imperialism masquerading as progressive-liberal "left"-  would be enough to make me avoid such album like leper,  but this time I fully concur. I can't for the life of me think of any other live album that can approximate the level of adrenaline rush on this performance. Maybe Hendrix' "Band of Gypsies" or Allman Brothers Band's "Live at Filmore East" can come close, but not quite close enough. I still vividly remember the moment about 25 years ago when I first heard that skull-crashing drum/guitar outburst at the finale of incendiary "Magic Bus" version here. I had to reposition my stylus to the same spot about 10 times because I simply could not believe my ears. This album is as close as you will ever get to detonating an explosive device in your living room. Honest!

For its extraordinary contribution to the modern music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, writers and general public, or for some other innate quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye , Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice (of "Jesus Christ Superstar" and "Evita" fame), Lisa Robinson, Robert Shelton (who wrote liner notes for Bob Dylan's first album), Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" compiled by Paul Gambaccini, Omnibus Press, Library of Congress Catalog No.7855565 (or ► click here  for the complete album listing)

For additional historical or discography information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

THIS IS A NO-RESERVE AUCTION!

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The album comes with (almost) ALL original extras (11 inserts included); only the B&W photo of the band circa 1964 is missing

(c)           The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS ABOUT VERY GOOD++ (VG++)

The following flaws or imperfections are noted on the cover:

-        Small staple noted on the front flap of the cover (we understand all British original pressings had stapled covers)

-        Cover has some fraying/wear along the upper seam (a few tiny tears noted)

-         Cover shows JUST A HINT of yellowing on both sides, apparently from aging.

-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 1.

-         Cover has a few tiny wrinkles along the seams (nothing significant)

-         Minor shelf wear noted on the seams (nothing significant)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No writing

-        No stamps

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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