WILLIE NELSON It Always Will Be 2LP LOST HIGHWAY 2004 US orig+inners NORAH JONES
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Description
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WILLIE NELSON
Pioneer of the anti-establishment outlaw image,
who wrote hundreds of songs and became a spectacular country showman
"IT ALWAYS WILL BE"
2004 2LP LOST HIGHWAY RECORDS B0002576-01
PRINTED IN U.S.A. ORIGINAL PRESSING
LIMITED EDITION ON VINYL
GATEFOLD COVER + INNER SLEEVES + STICKERED SHRINK
Barcode and Other Identifiers
Barcode: 6 02498 64496 6
LABEL: LOST HIGHWAY - WHITE LABEL - BLACK TEXT
Catalog on cover: (spine) B0002576-01
(round sticker on shrink) B0006939-01 ST01 (rectangular sticker on shrink) B0006939-02 ST01
Catalog on labels (Side A & B only): B0002576-01 LP1
Catalog on labels (Side C & D only): B0002576-01 LP2
Matrix / Runout (Side A, Etched): B0002576-01 LP1 SIDE 1 A
Matrix / Runout (Side B, Etched): B0002576-01 LP1 SIDE 2 B
Matrix / Runout (Side C, Etched): B0002576-01 LP2 SIDE 1 A(scratched) A (Stamped): G
Matrix / Runout (Side D, Etched): B0002576-01 LP2 SIDE 2 B (Stamped): G G
On labels: Produced by James Stroud.............? & © 2006 UMG Recordings......Nashville.......Distributed by Universal Music Distribution.........laws
On back cover: Produced by James Stroud
? & © 2006 UMG Recordings......Nashville.......Distributed by Universal Music Distribution.........laws
tracklisting
Side A: IT ALWAYS WILL BE - PICTURE IN A FRAME - THE WAY YOU SEE ME - BE THAT AS IT MAY
Side B: YOU WERE IT - BIG BOOTY - I DIDN'T COME HERE - MY BROKEN HEART BELONGS TO YOU
Side C: DREAMS COME TRUE - OVERTIME - TIRED
Side D: MIDNIGHT RIDER - LOVE'S THE ONE AND ONLY THING - TEXAS - MIDNIGHT RIDER
grading
RECORD EX but (please, read above description)
SLEEVE EX but (please, see pictures and read above description)
On his millionth album (or does it just feel that way?), Willie Nelson teams with a new band -- except for Family Band harmonicat Mickey Raphael -- and duets with some major leaguers. Most of the time, It Always Will Be feels like a Willie album of old. Recorded for the Lost Highway label and produced by James Stroud in Nash Vegas, it's a collection of fine songs for the most part, and Nelson is in fine voice with the edges beginning to show just a tiny bit. He wrote the title cut, one of the strongest here. Lyrically, it's tender without being overly sentimental, sweet without being saccharine, and delivered with his trademark elegance and grace. The cover of Tom Waits and Kathleen Brennan's "Picture in a Frame," though faithful, puts Nelson's stamp firmly on it. With Raphael's harmonica, Willie's acoustic, and a skeletal band featuring an understated pedal steel, Nelson's dignity in the delivery is deeply moving...(AllMusic)
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