Ween "La Cucaracha" LP NM OOP Beck Eels Beastie Boys Moist Boyz
$
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Description
Ween "La Cucaaracha" Gatefold LP Schnitzel (UK)
Vinyl is NM, Jacket is VG tear on back
Out of Print!
Original Press
Track Listing:
A1 Fiesta 2:13 A2 Blue Balloon 3:51 A3 Friends 4:06 A4 Object 2:36 A5 Learnin' To Love 2:24 A6 With My Own Bare Hands 2:45 A7 The Fruit Man 4:00 A8 Spirit Walker 3:21 B1 Shamemaker 2:38 B2 Sweetheart Arranged By [String] – Larry Gold 3:15 B3 Lullaby 3:20 B4 Woman And Man 10:48 B5 Your Party 4:08Ween was an American experimental rock band. They formed in 1984 in New Hope, Pennsylvania when central members Aaron Freeman (Gene Ween) and Mickey Melchiondo (Dean Ween) met in an eighth grade typing class. Ween has a large cult underground fanbase despite being less known in American pop music. The band's style is eclectic, and while they could generally be referred to as rock music, one of their defining tendencies has been experimentation with various styles incorporating a strong element of humor and absurdity. Both Gene and Dean are skilled multi-instrumentalists who overdubbed various instruments on their recordings, though they also record with the regular touring band. Gene is normally the lead vocalist and Dean the lead guitarist. Lead singer Freeman announced to Rolling Stone on May 29, 2012 that he was "retiring Gene Ween", and a few days later, Ween's manager, Greg Frey, told fans on Facebook that Freeman had decided to "end his musical relationship with Ween," in order to "more fully explore and pursue his solo career".
The band released their second full-length album, The Pod, in 1991. Recorded on a four-track cassette recorder from January to October 1990, the album borrows its title from the Solebury Township, Pennsylvania apartment in which it was recorded. The duo's use of drum machines, pitch-tweaked guitars and vocals and drug-laced humor became a trademark part of their sound. The cover of The Pod was a parody of the cover of the 1975 Leonard Cohen album, The Best of Leonard Cohen, but with the head of Mean Ween (bassist Chris Williams) in place of Cohen's.
Pure Guava, the first of a series of releases on the Elektra label, featured their highest charting single, "Push th' Little Daisies" (1992) which gained them media and MTV attention, as the video was a highlighted target on MTV's Beavis and Butt-head.
Chocolate and Cheese followed in 1994, featuring tracks influenced by 70s pop/rock and soul, such as "Freedom of '76" and "Voodoo Lady," the latter of which appeared on the Road Trip and Dude, Where's My Car? soundtracks. The "Freedom of '76" music video was directed by Spike Jonze. At this time, Ween began to expand their live and studio line-up, providing both a crisper production sound in the studio and an easier live setup (up until this time, Ween had been using DAT tapes to provide backings for their songs). Chocolate and Cheese was also produced by Andrew Weiss, who has gone on to produce the majority of Ween's albums and become the duo's primary collaborator in the studio.
Ween turned to Nashville studio musicians for the recording of 12 Golden Country Greats (1996) which only contained ten tracks. There are two theories regarding the title of the album. The first claim is that it refers to the dozen veteran musicians, known as The Shit Creek Boys, who played on the album. The second claim refers to the fact that the band did indeed record twelve songs during the demo sessions for the album. When it came time to record the actual album, the band chose not to use two of the songs but also decided not to change the album title. The two removed songs were titled "I Got No Darkside" and "So Long, Jerry". "So Long, Jerry", a tribute to the then recently deceased Jerry Garcia, was featured as a B-Side on the "Piss Up a Rope" single.
The nautically themed album The Mollusk followed in 1997. Some fans and critics consider the album to be a culmination of Ween's penchant for satire, deconstruction, and pastiche, including 1960's Brit-pop, sea shanties, Broadway show tunes, and especially progressive rock. In 2007, Melchiondo himself named The Mollusk his favorite among Ween's oeuvre.
The band's desire to pursue alternate forms of media led to the MP3-only release Craters of the Sac (1999), presented by Dean for online download and free trade. Elektra Records released a live compilation titled Paintin' the Town Brown: Ween Live 1990-1998 in 1999.
This was followed by White Pepper (2000), their pop-themed album and final studio set for Elektra. The track "Even If You Don't" was made into a music video directed by the creators of South Park, Trey Parker and Matt Stone. Shortly after the release of White Pepper Ween started the Internet radio station WeenRadio, which was awarded third best Internet music site by Rolling Stone.
Ween signed to Sanctuary Records in 2003 and released Quebec, their first studio set in three years. In 2004, they released Live in Chicago, a DVD and CD set that compiled tracks from two energetic live performances.
In February 2006, Dean and Gene, along with their band, rented an old farmhouse and converted it into a working studio. After writing over 50 songs and recording rough versions through 2006, they picked through them and, with Andrew Weiss as producer, re-recorded album versions for what would become The Friends EP and the full-length La Cucaracha which was released October 23, 2007 on Rounder Records.
Ween formed their own label in 2001, Chocodog Records, which oversaw the release of several self-produced live sets. Paintin' the Town Brown, which was compiled and mastered by the band, was meant to be the first Chocodog release. According to Dean Ween, once the album was completed, Elektra realized the sales potential of the CD and denied Ween the right to release it through Chocodog. Later, Ween released the first official Chocodog album, Live in Toronto (a live recording from the 1996 tour, in which Ween performed with Bobby Ogdin & The Shit Creek Boys). The limited-pressing CD, available exclusively through the band website, became an instant collector's item. Subsequent Chocodog releases (Live at Stubb's and All Request Live) were produced in higher volumes to meet demand. In 2005, the label released Shinola, Vol. 1, the first installment of a rarity compilation series, and announced plans to re-release the 1987 cassette tape by Gene, Synthetic Socks.
Co-founders Gene (left) and Dean (right) Ween in 2009On September 21, 2008, Dean Ween announced on the official Ween website that they planned to release a CD-DVD combo before Christmas of that year. He stated, "This time we’re going to be going all the way back to the days when we were still a duo with a cassette deck in the early 90’s. It’s probably the brownest CD on the Chocodog label yet." That CD was titled At the Cat's Cradle and was recorded live at the Cat's Cradle in Carrboro, North Carolina on December 9, 1992. The duo emulated their early performances, using only a Digital Audio Tape (DAT) player for their backing tracks. The package also included a DVD featuring some video of performances from the same era.
On March 10, 2009, Dean Ween announced on the official Ween website that he and Gene had started to rehearse once again. He added that fans should expect to see a "new look" Ween soon. A potential new album was most likely postponed, as no further news about it surfaced.
On February 3, 2010, Ween released a new song, "DC Won't Do You No Good", that became available through a Target Cancer website.On July 28, 2010, the National Post featured an article with an interview with Dean Ween, in which it was stated that the band is due in the studio this winter to start work on its twelfth album.
On August 11, 2011, Dean quietly released a MP3-only collection of songs called The Caesar Demos, named after the band's original working title for Quebec, to friends on his Facebook page. In his comment, he stated the songs were all recorded between 2001 and 2003 while drummer Claude Coleman, Jr. was recovering from injuries sustained in a car accident, and that many of the tracks featured only himself and Gene. In addition to a handful of recordings that eventually made the album, the demos feature several alternate takes as well as a number of songs that have remained unreleased.
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