We're Gonna Miss You Aussie Tribute Roky Erickson 13th Floor Elevators Vinyl NM

	A$		31
	$		21

UP FOR SALE
1x Black Vinyl Lp like new condition 
Various - We're Gonna Miss You: An Aussie Tribute To Roky Erickson & the 13th Floor Elevators LP

Woah! An ace collection of Australian psych artists pay tribute to THEE psychedelic warlord himself, Roky Erickson (and his band)! You get Pseudo Mind Hive, The Jim Mitchells, Buried Feather, Luke Spook, Rosa Maria and more. Really great reinterpretations of the material here, too, featuring all the songs you know
Condition   Condition Vinyl Media Condition: NM looks unplayed  great like new Sleeve Condition: NM SEE PICTURES as they form part of the description

Various – We're Gonna Miss You (An Aussie Tribute to Roky Erickson & The 13th Floor Elevators)
Label: Third Eye Stimuli Records – TES019 Format: Vinyl, LP, Album Country: Australia Released: Feb 11, 2021 Genre: Rock Style: Garage Rock, Psychedelic Rock A1 Rosa Maria (8)– You're Gonna Miss Me A2 The Flamingo Jones*– (I've Got) Levitation A3 Joe Ghatt– Tried To Hide A4 Buried Feather– Earthquake A5 Luke Spook– I Had To Tell You A6 Pseudo Mind Hive– Two Headed Dog B1 Charlie Gradon– Splash B2 The Jim Mitchells– Reverberation B3 Jak Housden– Slip Inside This House B4 Misty Lanes– Dust B5 Turtle Skull– Rollercoaster
Mastered At – Shoehorse Sound Artwork, Design – Jim Grimwade Curated By – Dan Frizza Mastered By – Michael Lynch (2) Black vinyl edition 100 copies pressed worldwide by Zenith Records (Melbourne) Standard weight vinyl Reverse board 300gsm jacket + double sided insert From Third Eye Stimuli Records and producer Dan Frizza, it's an honour to bring you a very special tribute compilation and non-for-profit release...
WE'RE GONNA MISS YOU: An Aussie Tribute to Roky Erickson & The 13th Floor Elevators
This non-for-profit compilation is to be released exclusively via Third Eye Stimuli Records (out digitally Dec 18th & on vinyl Jan 15th, 2021), with all proceeds going to Support Act and Black Dog Institute. The funds will contribute to a range of initiatives, from Support Act’s COVID-19 relief fund and mental health helpline, through to research in suicide prevention and developing education programs in mental health at Black Dog Institute.
Roger ‘Roky’ Erickson is often heralded as one of the most influential psychedelic musicians that ever lived. Despite leaving his earthly incarnation just last year, echoes of his creations, particularly his work with 60’s Austin rockers The 13th Floor Elevators, are certainly alive and well today.
His story wasn’t without its darker shades. Caught between a revolution, the correctional system and his own battles with mental health, Roky spent years subject to electrotherapy and the debilitating side effects of treatment drugs like thorazine, before his creative spirit (alongside help from the very musicians he influenced) summoned him back to the stage.
Paying homage to Roky, his resilience and his contribution to modern music, eleven artists from the Australian music community have united to produce an iconic tribute album, all in the name of raising much needed funds for mental health. Introducing... We’re Gonna Miss You: An Aussie Tribute to Roky Erickson & The 13th Floor Elevators.
Sydney-based producer Dan Frizza approached Rick Snowden and Josh White from Third Eye Stimuli Records during 2019 and together, they carefully curated a slew of exciting rock acts including Rosa Maria, Buried Feather, Turtle Skull, The Jim Mitchells, Jak Housden (The Whitlams), Misty Lanes, Luke Spook, Pseudo Mind Hive, Charlie Gradon, The Flamingo Jones and Joe Ghatt (NZ). 'All individually listed records (non-lot and not sealed) are shipped with vinyl out of jacket, 
with both vinyl & jacket in clear poly protective cover 
Guaranteed as described and winner is obligated for shipping cost
HAPPY TO COMINE POSTAGE IF YOU PURCHASE  MORE THAN ONE ITEM ECORD GRADING  Here are the standard grades for record albums, from best to worst.
MINT (M)
These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. There is no set percentage of the Near Mint value these can bring; it is best negotiated between buyer and seller.
NEAR MINT (NM OR M-)
A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect.
NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.)
NM covers are free of creases, ring wear and seam splits of any kind.
NOTE: These are high standards, and they are not on a sliding scale. A record or sleeve from the 1950s must meet the same standards as one from the 1990s or 2000s to be Near Mint! It’s estimated that no more than 2 to 4 percent of all records remaining from the 1950s and 1960s are truly Near Mint. 
This is why they fetch such high prices, even for more common items.
Don’t assume your records are Near Mint. They must meet these standards to qualify!
VERY GOOD PLUS (VG+) or EXCELLENT (E)
A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++ or E+).
VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable.
VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint.
Very Good (VG)
Many of the imperfections found on a VG+ record are more obvious on a VG record. That said, VG records — which usually sell for no more than 25 percent of a NM record — are among the biggest bargains in record collecting, because most of the “big money” goes for more perfect copies. For many listeners, a VG record or sleeve will be worth the money.
VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise.