Wildflowers 3: The New York Loft Jazz Sessions 1977 Jazz LP Vinyl Album

$

20

Various ?– Wildflowers 3: The New York Loft Jazz Sessions

Label:
Douglas ?– NBLP 7047
Format:
Vinyl, LP, Album
Country:
US
Released:
1977
Genre:
Jazz
Style:
Free Jazz

Tracklist Hide Credits
A1     Randy Weston –     Portrait Of Frank Edward Weston

    Bass – Alex Blake (2) Congas – Azzedin Weston Piano, Written-By – Randy Weston

    8:50
A2     Michael Jackson* –     Clarity (2)

    Acoustic Guitar, Written-By – Michael Jackson* Bass – Fred Hopkins Drums – Phillip Wilson Soprano Saxophone, Flute – Oliver Lake

    5:15
A3     Dave Burrell –     Black Robert

    Bass – Stafford James Drums – Harold White Piano, Written-By – Dave Burrell

    6:30
B1     Abdullah* –     Blue Phase

    Double Bass – Rickie Evans Drums – Rashied Sinan* Electric Bass – Leroy Seals Guitar – Mashujaa* Tenor Saxophone, Soprano Saxophone – Charles Bracken* Trumpet, Written-By – Ahmed Abdullah

    12:37
B2     Andrew Cyrille & Maono –     Short Short

    Bass – Lyle Atkinson* Drums, Written-By – Andrew Cyrille Tenor Saxophone – David Ware* Trumpet – Ted Daniel

    7:30
Companies etc

    Phonographic Copyright (p) – Casablanca Record And Filmworks, Inc.
    Copyright (c) – Casablanca Record And Filmworks, Inc.
    Manufactured By – Casablanca Record And Filmworks, Inc.
    Distributed By – Casablanca Record And Filmworks, Inc.
    Recorded At – Studio Rivbea

Credits

    Engineer [Assistant] – Les Kahn
    Engineer [Chief] – Ron Saint Germain*
    Engineer [Remote Assistant] – Matt Murray
    Executive-producer – Harley I. Lewin
    Liner Notes – Ross Firestone
    Mastered By – Ray Janos
    Photography By – Peter Harron
    Producer – Alan Douglas, Michael Cuscuna, Sam Rivers

Notes
Recorded May 14 thru May 23, 1976, at Studio Rivbea, 24 Bond Street, New York

? & © 1977 Casablanca Record & Filmworks, Inc.

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Goldmine Record LP Vinyl Grading Standard.

Still Sealed (SS)

Near Mint (NM or M-)

The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. An LP cover should have no creases, folds, seam splits or other noticeable similar defects. No cut-out holes, either. Basically, an LP in near mint condition looks as if you just got it home from a new record store and removed the shrink wrap.

Very Good Plus (VG+)

A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable. The center hole will not have been misshapen by repeated play. Picture sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.

Very Good (VG)

Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.

Good (G), Good Plus (G+)

A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear (on a styrene record, the groove will be starting to turn white). A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the cover.

Poor (P), Fair (F)

The record is cracked, badly warped, and won't play through without
skipping or repeating. The picture sleeve is water damaged, split on
all three seams and heavily marred by wear and writing. The LP cover
barely keeps the LP inside it. Inner sleeves are fully seam split, crinkled, and written upon.