Willem Breuker Kollektief "IN HOLLAND" 2 LP, 1981 NM/VG+, Gatefold
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Description
Condition: To my NON US customers, do NOT ask me to alter / change the declared value of your purchase for purposes of avoiding taxes in your country. I will NOT do so.
AMG Review by Brian Olewnick [-]
Simply put, this is the finest album ever released by the Willem Breuker Kollektief as a jazz tentet (as opposed to the repertory ensemble they later became). In Holland contains the most creative orchestrations, and the most thrilling solo work by the Kollektief, and ranks among the best jazz albums of the '80s. Two of the songs here ("Tango Superior/Interruptie" and "To Be With Louis P.") were released on the compilation disk The Parrot, but the remainder were only available on vinyl as of 2001.
The first record of this two-LP set is essentially designed as a suite, beginning with a powerful overture, and continuing on through an uproarious tango featuring a comically frustrated Breuker on alto, a drunkenly careening showcase for the brilliant trumpeter Boy Raaymakers, a loving homage to Prokofiev, and a fleeting reference to Wagner. Altoist Bob Driessen soloing never sounded better, and the driving bass work of the invaluable Arjen Gorter causes one's jaw to drop. Next comes "To Be With Louis P.," a surging R&B number with Breuker in the hilarious role of sleazy lounge singer who nonetheless matches Maarten van Norden's wondrous tenor sax shouting note for note.
The second LP consists of four compositions, including a concertino by an obscure 17th century Swiss composer, and a ferocious reel called "Hopsa, Hopsa" that builds up, morphs, and goes bananas. It's an album highlight, featuring a breathtaking performance by WBK, and composed by the newcomer (who'd stick around) pianist Henk de Jonge. Also included is one of Breuker's most beautiful and moving compositions, "Marche Funèbre" (from his musical production De Vuyle Wasch, or 'Dirty Laundry'), whose themes are at once rich, somber, romantic, and inspired. Though the group lost quite a bit of freshness after the mid-'80s, In Holland qualifies as an extraordinary record by one of the most creative and enjoyable jazz ensembles to have emerged from Europe.
Willem Breuker Kollektief ?– In Holland
Label: BV Haast Records ?– BVHAAST 041/042 Format: 2 × Vinyl, LP, AlbumCountry: Netherlands Released: 1981 Genre: Jazz, Classical Style: Free Jazz, Free Improvisation
TracklistHide Credits
A1 Ouverture "De Vuyle Wasch" Soloist, Alto Saxophone – Bob DriessenSoloist, Trombone – Bernard Hunnekink 9:06 A2 Sur L'autoroute Soloist, Tenor Saxophone – Maarten van Norden 4:37 A3 Tango Superior 6:55 A4 Interruptie Soloist, Alto Saxophone – Willem Breuker B1 Deining Soloist, Trumpet – Boy Raaymakers 5:34 B2 Kudeta Soloist, Piano – Henk de Jonge 3:34 B3 Prokof Soloist, Trombone – Willem van Manen 4:39 B4 Invasie Muziek Bob + Babe 1:31 B5 To Be With Louis P. Soloist, Tenor Saxophone – Maarten van NordenSoloist, Vocals – Willem Breuker 4:06 C1 Pale Fire Soloist, Bass – Arjen GorterSoloist, Drums – Rob Verdurmen 10:33 C2 Hopsa, Hopsa Soloist, Trumpet – Andy Altenfelder 7:32 Concertino No. 5 In F Minor (9:35) D1a Adagio 2:42 D1b Da Cappella 1:57 D1c A Tempo Commodo 3:07 D1d A Tempo Giusto 1:30 D2 Marche Funèbre From "De Vuyle Wasch" Soloist, Bass Clarinet – Willem Breuker 9:52Companies etc
- Lacquer Cut At – PRS Baarn – 6814 645
- Lacquer Cut At – PRS Baarn – 6814 646
Credits
- Alto Saxophone, Baritone Saxophone – Bob Driessen
- Alto Saxophone, Tenor Saxophone – Maarten van Norden
- Bass – Arjen Gorter
- Composed By – Henk de Jonge (tracks: C2), Unico Wilhelm Graaf Van Wassenaer* (tracks: D1a to D1d), Willem Breuker (tracks: A1 to B5, D2), Willem van Manen (tracks: C1)
- Cover, Artwork By – Ariane Gscheidle
- Drums – Rob Verdurmen
- Photography By – Jean Van Lingen
- Piano, Accordion – Henk de Jonge
- Recorded By – Ben Uijtjens
- Soprano Saxophone, Alto Saxophone, Tenor Saxophone, Bass Clarinet, Clarinet [E Flat] – Willem Breuker
- Trombone – Bernard Hunnekink, Willem van Manen
- Trumpet – Andy Altenfelder, Boy Raaymakers
Notes
Recorded at M.C.R. Studio Amersfoort, Holland, April 21th, 22th, May 6th 1981.Mixed September 28th, 29th, October 14th 1981.
Tracks A3 and A4 are combined.
Barcode and Other Identifiers
- Rights Society: BUMA
- Rights Society: STEMRA
- Matrix / Runout (Record 1 - Side 1): 6814 645 1Y1 670 06 ...
- Matrix / Runout (Record 1 - Side 2): 6814 645 2Y1 670 06 ...
- Matrix / Runout (Record 2 - Side 1): 6814 646 1Y1 670 ... 06
- Matrix / Runout (Record 2 - Side 2): 6814 646 2Y1 670 ... 06
- Other (Catalog Number 1st Record): BVHAAST 041
- Other (Catalog Number 2nd Record): BVHAAST 042
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MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
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