Wolfgang Amadeus Mozart, Karl Böhm, Berliner Philharmoniker - 46 Symphonien G...
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  $   26

 


£ 20 Sold For
Jun 8, 2026 Sold Date
Apr 12, 2026 Start Date
1 Number Of Bids
  Great Britain Country Of Seller
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Wolfgang Amadeus Mozart, Karl Böhm, Berliner Philharmoniker - 46 Symphonien Gesamtausgabe, Complete, Integrale (15xLP + Box)

Artist Wolfgang Amadeus Mozart,Karl Böhm,Berliner Philharmoniker Title 46 Symphonien Gesamtausgabe, Complete, Integrale Label Deutsche Grammophon Cat No 643 521/35 Format
16 x Vinyl, LP
Box Set,
Format Quantity 16 Media Condition Very Good Plus (VG+) Sleeve Condition Good (G) Comments [25% off until 14th April 2026. Price shown includes the discount.] 15xLP box set, with booklet. Bit of an oddity as this is 15 LP set. Same box, records and booklet. The booklet only states 15 LPs! Nice set. Shipping to UK costs £11.50. Stock location 114459 - Supplied by independent record shop based in Luton, Bedfordshire, UK Position Title Duration Mozart Gehört Meine Große Liebe A1; B1 Karl Böhm spricht über Mozart und die Schallplatten Gesamtausgabe seiner Symphonien - Symphonie Nr. 1 Es-Dur KV 16; London, 1764 oder 65 Symphonie Nr. 4 D-Dur KV 19; London, Anfang 65 Symphonie Nr. 5 B-Dur KV 22; Den Haag, Ende Dezember 1765 Symphonie F-Dur KV 76 (42a); Wien, wahrsheinlich Herbst 1767 Symphonie Nr. 6 F-Dur KV 43 Olmütz/Wien, Herbst oder Dezember 1767 Symphonie Nr. 7 D-Dur KV 45; datiert: Wien, 16. januar 1768 Symphonie B-Dur KV 45b; Wien, wahrscheinlich 1768 Symphonie G-Dur (Neue Lambacher): Wien, datiert: 4. januar 1769 Symphonie G-Dur (Alte Lambacher) KV 45a: Wien, datiert: 4. januar 1769 Symphonie Nr. 8 D-Dur KV 48; datiert: Wien, 13. Dezember 1768 Symphonie Nr. 9 C-Dur KV 73 Symphonie Nr. 10 G-Dur KV 74; Mailand, vermütlich 1770 Symphonie D-Dur KV 81 (731); datiert: Rom, 25. April 1770 Symphonie Nr. 11 D-Dur KV 84 (73q); Mailand/Bologna 1770 Symphonie D-Dur KV 95 (73n): wahrscheinlich Rom, April 1770 Symphonie D-Dur KV 97 (73m): wahscheinlich Rom, April 1770 Symphonie F-Dur KV 75; wahrscheinlich Salzburg, Frühsommer 1771 Symphonie Nr. 12 G-Dur KV 110 (75b); Salzburg, Juli 1771 Symphonie C-Dur KV 96 (111b); wahrscheinlich Mailand, Oktober/November 1771 Symphonie Nr. 13 F-Dur KV 112; datiert: Mailand, 2. November 1771 Symphonie Nr. 14 A-Dur KV 114; datiert: Salzburg, 30. Dezember 1771 Symphonie Nr. 15 G-Dur KV 124; datiert Salzburg, 21. Februar 1772 Symphonie Nr. 16 C-Dur KV 128; Salzburg, Mai 1772 Symphonie Nr. 17 G-Dur KV 129; Salzburg, Mai 1772 Symphonie Nr. 18 F-Dur KV 130; Salzburg, Mai 1772 Symphonie Nr. 19 Es-Dur KV 132; Salzburg, Juli 1772 Symphonie Nr. 20 D-Dur KV 133; Salzburg, Juli 1772 Symphonie Nr. 21 A-Dur KV 134; Salzburg, August 1772 Symphonie Nr. 22 C-Dur KV 162; Salzburg, Frühjahr 1773 Symphonie Nr. 23 D-Dur KV 181 (162b); datiert: Salzburg, 19. Mai 1773 Symphonie Nr. 24 B-Dur KV 182 (173 d A); datiert: Salzburg, 3. Oktober 1773 Symphonie Nr. 25 G-Moll KV 183 (173 d B); datiert: Salzburg, 5. Oktober 1773 Symphonie Nr. 26 Es-Dur KV 184 (161 a); Salzburg (?), datiert: 30. März 1773 Symphonie Nr. 27 G-Dur KV 199 (161 b); Salzburg (?), datiert: 10. (oder 16.) April 1773 Symphonie Nr. 28 C-Dur KV 200 (189 k); datiert: Salzburg, 17. (oder 12.) November 1774 Symphonie Nr. 29 A-Dur KV 201 (186 a); datiert: Salzburg, 6. April 1774 Symphonie Nr. 30 D-Dur KV 202 (186 b); Salzburg, 5. Mai 1774 Symphonie Nr. 31 D-Dur KV 297 (300 a) (Pariser Symphonie); Paris, Juni 1778 Symphonie Nr. 33 B-Dur KV 319; datiert: Salzburg, 9. Juli 1779 Symphonie Nr. 34 C-Dur KV 338; datiert: Salzburg, 29. August 1780 Symphonie Nr. 35 D-Dur KV 385 (Haffner Symphonie); datiert: Wien, Juli 1782 Symphonie Nr. 32 G-Dur KV 318; datiert: Salzburg, 26. April 1779 Symphonie Nr. 36 C-Dur KV 425 (Linzer Symphonie); Linz, Ende Oktober/Anfang November 1783 Symphonie Nr. 38 D-Dur KV 504 (Prager Symphonie); datiert: Wien, 6. Dezember 1786 Symphonie Nr. 39 Es-Dur KV 543; datiert: Wien, 26. Juni 1788 Symphonie Nr. 40 G-Moll KV 550; datiert: Wien, 25. Juli 1788 Symphonie Nr. 41 C-Dur KV 551 (Jupiter-Symphonie); datiert: Wien, 10. August 1788

PLEASE NOTE: IMAGES ARE STOCK IMAGES, AND MAY NOT REPRESENT THE FINAL PRODUCT. PLEASE READ PRODUCT LISTING CAREFULLY FOR ANY DEFECTS OR VARIATIONS.

Grading System

We use the following grading system to stipulate the condition of items we offer for sale.

Note ON CD's- Standard Jewel Cases: Standard Jewel Cases are not graded as they are replaceable.

Mint (M)

Vinyl

Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD

Perfect. No scuffs/scratches, unplayed - possibly still sealed. The insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Near Mint (NM or M-)

Vinyl

A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve will have no more than the most minor defects, such as any sign of slight handling. An LP cover will have no creases, folds, seam splits or other noticeable similar defects. The same will be true of any other inserts, such as posters, lyric sleeves, etc.

CD

Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Very Good Plus (VG+)

Vinyl

A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". Spindle marks may be present. Picture sleeves and inner sleeves will have some slight wear, slightly turned-up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD

A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused. Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Very Good (VG)

Vinyl

Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers.

CD

Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played and not handled as carefully as a VG+. Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, small tears/rips and possibly some writing.

Good Plus (G+)

Vinyl

A record in Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.

CD

There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all. Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

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